visus
/
teensy-audio
关注 1
点赞 0
派生 0
代码 工单 0 合并请求 0 版本发布 0 百科 动态
您最多选择25个主题 主题必须以字母或数字开头，可以包含连字符 (-)，并且长度不得超过35个字符
698 提交
2 分支
目录树: 15fe912697
分支列表 标签列表
${ item.name }
创建分支 ${ searchTerm }
从 '15fe912697'
${ noResults }
teensy-audio/gui/index.html

4331 行
194KB
原始文件 Blame 文件历史 

  1. <!DOCTYPE html>

  2. <!-- vim: set ts=4: -->

  3. <html>

  4. <meta charset="utf-8">

  5. <meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1, user-scalable=0"/>

  6. <meta name="apple-mobile-web-app-capable" content="yes">

  7. <meta name="mobile-web-app-capable" content="yes">

  8. 

  9. <!--

  10.   Modified from original Node-Red source, for audio system visualization

  11. 

  12.   Copyright 2013 IBM Corp.

  13. 

  14.   Licensed under the Apache License, Version 2.0 (the "License");

  15.   you may not use this file except in compliance with the License.

  16.   You may obtain a copy of the License at

  17. 

  18.   http://www.apache.org/licenses/LICENSE-2.0

  19. 

  20.   Unless required by applicable law or agreed to in writing, software

  21.   distributed under the License is distributed on an "AS IS" BASIS,

  22.   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.

  23.   See the License for the specific language governing permissions and

  24.   limitations under the License.

  25. -->

  26. <head>

  27. <title>Audio System Design Tool for Teensy Audio Library</title>

  28. <link href="bootstrap/css/bootstrap.min.css" rel="stylesheet" media="screen">

  29. <link href="jquery/css/smoothness/jquery-ui-1.10.3.custom.min.css" rel="stylesheet" media="screen">

  30. <link rel="stylesheet" type="text/css" href="orion/built-editor.css"/>

  31. <link rel="stylesheet" type="text/css" href="font-awesome/css/font-awesome.min.css"/>

  32. <link rel="stylesheet" href="style.css">

  33. <style>

  34. table.doc {border-spacing:3px; border-collapse:separate; font-size: 80%}

  35. tr.top {background-color:#C0C0C0}

  36. tr.odd {background-color:#F0F0F0}

  37. tr.even {background-color:#E0E0E0}

  38. p.func {padding-bottom:0; margin:0px}

  39. p.desc {padding-left:2em; margin:0px; padding-top:0.2em; padding-bottom:0.8em; font-size:0.75em}

  40. p.exam {padding-left:2em; text-indent:-1.2em; margin:0px; padding-top:0; padding-bottom:0.5em; font-size:0.75em; font-weight:bold}

  41. pre.desc {padding-left:3em; margin:0px; padding-top:0em; padding-bottom:0.8em; font-size:0.75em;

  42. 	background-color:#FFFFFF; border:0px; line-height:100%;

  43. }

  44. span.indent {padding-left:2em}

  45. span.literal {color: #006699}

  46. span.comment {color: #777755}

  47. span.keyword {color: #cc6600}

  48. span.function {color: #996600}

  49. span.mainfunction {color: #993300; font-weight: bolder}

  50. </style>

  51. </head>

  52. <body spellcheck="false">

  53. <div class="navbar navbar-inverse navbar-fixed-top">

  54. 	<div class="navbar-inner">

  55. 		<div class="container-fluid">

  56. 			<span class="brand">Audio System Design Tool for <a href="http://www.pjrc.com/teensy/td_libs_Audio.html" target="_blank">Teensy Audio Library</a></span>

  57. 			<div class="btn-group pull-right">

  58. 				<a class="btn dropdown-toggle" data-toggle="dropdown" href="#"><i class="icon-align-justify"></i> <span class="caret"></span></a>

  59. 				<ul class="dropdown-menu">

  60. 					<li><a id="btn-sidebar" tabindex="-1" href="#"><i class="icon-ok pull-right"></i><i class="icon-list-alt"></i> Sidebar</a></li>

  61. 					<li class="divider"></li>

  62. 					<!-- <li><a id="btn-node-status" tabindex="-1" href="#"><i class="icon-ok pull-right"></i><i class="icon-info-sign"></i> Node Status</a></li>

  63. 					<li class="divider"></li>

  64. -->

  65. 					<!--

  66. <li class="dropdown-submenu pull-left"><a tabindex="-1" href="#"><i class="icon-edit"></i> Import from...</a>

  67. 						<ul class="dropdown-menu">

  68. 							<li><a id="btn-import" tabindex="-1" href="#"><i class="icon-edit"></i> Clipboard...</a></li>

  69. 							<li id="flow-menu-parent" class="dropdown-submenu pull-left">

  70. 								<a tabindex="-1" href="#"><i class="icon-book"></i> Library</a>

  71. 								<ul class="dropdown-menu"></ul>

  72. 							</li>

  73. 						</ul>

  74. 					</li>

  75. 					<li id="li-menu-export" class="dropdown-submenu disabled pull-left"><a tabindex="-1" href="#"><i class="icon-share"></i> Export to...</a>

  76. 						<ul class="dropdown-menu">

  77. 							<li id="li-menu-export-clipboard" class="disabled"><a id="btn-export-clipboard" tabindex="-1" href="#"><i class="icon-share"></i> Clipboard...</a></li>

  78. 							<li id="li-menu-export-library" class="disabled"><a id="btn-export-library" tabindex="-1" href="#"><i class="icon-book"></i> Library...</a></li>

  79. 						</ul>

  80. 					</li>

  81. 					<li class="divider"></li>

  82. -->

  83. 					<!--

  84.  <li><a id="btn-config-nodes" tabindex="-1" href="#"><i class="icon-th-list"></i> Configuration nodes...</a></li>

  85. 					<li class="divider"></li>

  86. -->

  87. 					<!--

  88. <li class="dropdown-submenu pull-left"><a tabindex="-1" href="#"><i class="icon-th-large"></i> Workspaces</a>

  89. 						<ul id="workspace-menu-list" class="dropdown-menu">

  90. 							<li><a id="btn-workspace-add" tabindex="-1" href="#"><i class="icon-plus"></i> Add</a></li>

  91. 							<li><a id="btn-workspace-edit" tabindex="-1" href="#"><i class="icon-edit"></i> Rename</a></li>

  92. 							<li><a id="btn-workspace-delete" tabindex="-1" href="#"><i class="icon-minus"></i> Delete</a></li>

  93. 							<li class="divider"></li>

  94. 						</ul>

  95. 					</li>

  96. 					<li class="divider"></li>-->

  97. 					<li><a id="btn-keyboard-shortcuts" tabindex="-1" href="#"><i class="icon-question-sign"></i> Keyboard Shortcuts</a></li>

  98. 					<li><a id="btn-help" tabindex="-1" href="http://node-red.github.io/docs" target="_blank"><i class="icon-question-sign"></i> Help...</a></li>

  99. 				</ul>

  100. 			</div>

  101. 			<div class="btn-group pull-left">

  102. 				<a id="btn-deploy" class="btn action-deploy disabled" href="#"><i id="btn-icn-deploy" class="icon-upload"></i>Export</a>

  103. 				<a id="btn-import" class="btn action-import disabled" href="#"><i id="btn-icn-download" class="icon-download"></i>Import</a>

  104. 			</div>

  105. 		</div>

  106. 	</div>

  107. </div>

  108. <div id="main-container" class="sidebar-closed">

  109. 	<div id="palette">

  110. 		<img src="img/spin.svg" class="palette-spinner"/>

  111. 		<div id="palette-container" class="palette-scroll">

  112. 		</div>

  113. 		<div id="palette-search">

  114. 			<i class="icon-search"></i><input id="palette-search-input" type="text" placeholder="filter"><a href="#" id="palette-search-clear"><i class="icon-remove"></i></a></input>

  115. 		</div>

  116. 	</div><!-- /palette -->

  117. 

  118. 	<div id="workspace">

  119. 		<ul id="workspace-tabs"></ul>

  120. 		<!--<div id="workspace-add-tab"><a id="btn-workspace-add-tab" href="#"><i class="icon-plus"></i></a></div>-->

  121. 		<div id="chart"></div>

  122. 		<div id="workspace-toolbar">

  123. 			<div class="btn-group">

  124. 				<a class="btn btn-small" href="#"><i class="icon-zoom-out"></i></a>

  125. 				<a class="btn btn-small" href="#"><i class="icon-th"></i></a>

  126. 				<a class="btn btn-small" href="#"><i class="icon-zoom-in"></i></a>

  127. 			</div>

  128. 		</div>

  129. 	</div>

  130. 

  131. 	<div id="chart-zoom-controls">

  132. 		<div class="btn-group">

  133. 			<a class="btn btn-mini" id="btn-zoom-out" href="#"><i class="icon-zoom-out"></i></a>

  134. 			<a class="btn btn-mini" id="btn-zoom-zero" href="#"><i class="icon-th"></i></a>

  135. 			<a class="btn btn-mini" id="btn-zoom-in" href="#"><i class="icon-zoom-in"></i></a>

  136. 		</div>

  137. 	</div>

  138. 

  139. 	<div id="sidebar">

  140. 		<ul id="sidebar-tabs"></ul>

  141. 		<div id="sidebar-content"></div>

  142. 	</div>

  143. 

  144. 	<div id="sidebar-separator"></div>

  145. 

  146. </div>

  147. 

  148. <div id="notifications"></div>

  149. <div id="dropTarget"><div>Drop the flow here</div></div>

  150. 

  151. <div id="dialog" class="hide"><form id="dialog-form" class="form-horizontal"></form></div>

  152. <div id="node-config-dialog" class="hide"><form id="dialog-config-form" class="form-horizontal"></form><div class="form-tips" id="node-config-dialog-user-count"></div></div>

  153. 

  154. <div id="node-dialog-confirm-deploy" class="hide">

  155. 	<form class="form-horizontal">

  156. 		<div id="node-dialog-confirm-deploy-config" style="text-align: center; padding-top: 30px;">

  157. 			Some of the nodes are not properly configured. Are you sure you want to deploy?

  158. 		</div>

  159. 		<div id="node-dialog-confirm-deploy-unknown" style="text-align: center; padding-top: 10px;">

  160. 			The workspace contains some unknown node types:

  161. 			<ul style="width: 300px; margin: auto; text-align: left;" id="node-dialog-confirm-deploy-unknown-list"></ul>

  162. 			Are you sure you want to deploy?

  163. 		</div>

  164. 	</form>

  165. </div>

  166. 

  167. <div id="node-dialog-error-deploy" class="hide">

  168. 	<form class="form-horizontal">

  169. 		<div id="node-dialog-error-deploy-noio" style="text-align: center; padding-top: 10px;">

  170. 			<p>The workspace contains no input/output nodes!</p>

  171. 			<p>You need an input or an output to export the data!</p>

  172. 			<p>Without such a input/output function the exported

  173. 			code will not run properly!</p>

  174. 		</div>

  175. 	</form>

  176. </div>

  177. 

  178. <div id="node-help" class="modal hide fade" tabindex="-1" role="dialog" aria-labelledby="node-help-label" aria-hidden="true">

  179.   <div class="modal-header">

  180. 	<h5 id="node-help-label">Keyboard Shortcuts <span style="float: right;"><a href="http://node-red.github.io/docs" target="_blank">Open help in new window &raquo;</a></span></h5>

  181.   </div>

  182.   <div class="modal-body">

  183. 	<table>

  184. 		<tr>

  185. 		  <td><span class="help-key">?</span></td><td>Help</td>

  186. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">a</span></td><td>Select all nodes</td>

  187. 		</tr>

  188. 		<tr>

  189. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">Space</span></td><td>Toggle sidebar</td>

  190. 		  <td><span class="help-key">Shift</span> <span class="help-key">Click</span></td><td>Select all connected nodes</td>

  191. 		</tr>

  192. 		<tr>

  193. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">z</span></td><td>Undo</td>

  194. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">Click</span></td><td>Add/remove node from selection</td>

  195. 		</tr>

  196. 		<tr>

  197. 		  <td></td><td></td>

  198. 		  <td><span class="help-key">Delete</span></td><td>Delete selected nodes or link</td>

  199. 		</tr>

  200. 		<tr>

  201. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">x</span></td><td>Cut selected nodes</td>

  202. 		  <td></td><td></td>

  203. 		</tr>

  204. 		<tr>

  205. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">c</span></td><td>Copy selected nodes</td>

  206. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">v</span></td><td>Paste nodes</td>

  207. 		</tr>

  208. 		<tr>

  209. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">i</span></td><td>Import nodes</td>

  210. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">e</span></td><td>Export selected nodes</td>

  211. 		</tr>

  212. 		<tr>

  213. 		  <td colspan="2"></td>

  214. 		</tr>

  215. 		<tr>

  216. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">+</span></td><td>Zoom in</td>

  217. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">-</span></td><td>Zoom out</td>

  218. 		</tr>

  219. 	</table>

  220.   </div>

  221.   <div class="modal-footer">

  222. 	<button class="btn" data-dismiss="modal" aria-hidden="true">Close</button>

  223.   </div>

  224. </div>

  225. 

  226. <div id="node-dialog-library-save-confirm" class="hide">

  227. 	<form class="form-horizontal">

  228. 		<div style="text-align: center; padding-top: 30px;">

  229. 		 A <span id="node-dialog-library-save-type"></span> called <span id="node-dialog-library-save-name"></span> already exists. Overwrite?

  230. 		</div>

  231. 	</form>

  232. </div>

  233. 

  234. <div id="node-dialog-library-save" class="hide">

  235. 	<form class="form-horizontal">

  236. 		<div class="form-row">

  237. 			<label for="node-dialog-library-save-folder"><i class="icon-folder-open"></i> Folder</label>

  238. 			<input type="text" id="node-dialog-library-save-folder" placeholder="Folder">

  239. 		</div>

  240. 		<div class="form-row">

  241. 			<label for="node-dialog-library-save-filename"><i class="icon-file"></i> Filename</label>

  242. 			<input type="text" id="node-dialog-library-save-filename" placeholder="Filename">

  243. 		</div>

  244. 	</form>

  245. </div>

  246. 

  247. <div id="node-dialog-library-lookup" class="hide">

  248. 	<form class="form-horizontal">

  249. 		<div class="form-row">

  250. 			<ul id="node-dialog-library-breadcrumbs" class="breadcrumb">

  251. 				<li class="active"><a href="#">Library</a></li>

  252. 			</ul>

  253. 		</div>

  254. 		<div class="form-row">

  255. 			<div style="vertical-align: top; display: inline-block; height: 100%; width: 30%; padding-right: 20px;">

  256. 				<div id="node-select-library" style="border: 1px solid #999; width: 100%; height: 100%; overflow:scroll;"><ul></ul></div>

  257. 			</div>

  258. 			<div style="vertical-align: top; display: inline-block;width: 65%; height: 100%;">

  259. 				<div style="height: 100%; width: 95%;" class="node-text-editor" id="node-select-library-text" ></div>

  260. 			</div>

  261. 		</div>

  262. 	</form>

  263. </div>

  264. <div id="node-dialog-rename-workspace" class="hide">

  265. 	<form class="form-horizontal">

  266. 		<div class="form-row">

  267. 			<label for="node-input-workspace-name" ><i class="icon-tag"></i> Name:</label>

  268. 			<input type="text" id="node-input-workspace-name">

  269. 		</div>

  270. 	</form>

  271. </div>

  272. <div id="node-dialog-delete-workspace" class="hide">

  273. 	<form class="form-horizontal">

  274. 		<div style="text-align: center; padding-top: 30px;">

  275. 		 Are you sure you want to delete '<span id="node-dialog-delete-workspace-name"></span>'?

  276. 		</div>

  277. 	</form>

  278. </div>

  279. 

  280. <script type="text/x-red" data-template-name="export-clipboard-dialog">

  281. 	<div class="form-row">

  282. 		<label for="node-input-export" style="display: block; width:100%;"><i class="icon-share"></i> Source Code:</label>

  283. 		<textarea readonly style="font-family: monospace; font-size: 12px; background:rgb(226, 229, 255); padding-left: 0.5em;" class="input-block-level" id="node-input-export" rows="12"></textarea>

  284. 	</div>

  285. 	<div class="form-tips">

  286. 		Select the text above and copy to the clipboard with Ctrl-A Ctrl-C.

  287. 	</div>

  288. </script>

  289. <script type="text/x-red" data-template-name="export-library-dialog">

  290. 	<div class="form-row">

  291. 		<label for="node-input-filename" ><i class="icon-tag"></i> Filename:</label>

  292. 		<input type="text" id="node-input-filename" placeholder="Filename">

  293. 	</div>

  294. </script>

  295. <script type="text/x-red" data-template-name="import-dialog">

  296. 	<div class="form-row">

  297. 		<label for="node-input-import"><i class="icon-share"></i>Nodes:</label>

  298. 		<textarea style="font-family: monospace; font-size: 12px; background:rgb(226, 229, 255); padding-left: 0.5em;" class="input-block-level" id="node-input-import" rows="5" placeholder="Paste nodes here, or lookup in the library. When importing Arduino code, the whole flow will be replaced."></textarea>

  299. 	</div>

  300. 	<div class="form-tips">

  301. 		<label for="node-input-arduino" style="font-size: 13px; padding: 2px 0px 0px 4px;">

  302. 			<input style="margin-bottom: 4px; margin-right: 4px;" type="checkbox" id="node-input-arduino" checked="checked" class="input-block-level" />

  303. 				&nbsp;Import copied code from the Arduino IDE

  304. 		</label>

  305. 	</div>

  306. </script>

  307. 

  308. <script src="jquery/js/jquery-1.9.1.js"></script>

  309. <script src="bootstrap/js/bootstrap.min.js"></script>

  310. <script src="jquery/js/jquery-ui-1.10.3.custom.min.js"></script>

  311. <script src="jquery/js/jquery.ui.touch-punch.min.js"></script>

  312. <script src="orion/built-editor.min.js"></script>

  313. <script src="red/d3/d3.v3.min.js"></script>

  314. <script src="red/main.js"></script>

  315. <script src="red/ui/state.js"></script>

  316. <script src="red/nodes.js"></script>

  317. <script src="red/storage.js"></script>

  318. <script src="red/history.js"></script>

  319. <script src="red/ui/keyboard.js"></script>

  320. <script src="red/ui/tabs.js"></script>

  321. <script src="red/ui/view.js"></script>

  322. <script src="red/ui/sidebar.js"></script>

  323. <script src="red/ui/palette.js"></script>

  324. <script src="red/ui/tab-info.js"></script>

  325. <script src="red/ui/tab-config.js"></script>

  326. <script src="red/ui/editor.js"></script>

  327. <script src="red/ui/library.js"></script>

  328. <script src="red/ui/notifications.js"></script>

  329. <script src="red/ui/touch/radialMenu.js"></script>

  330. 

  331. <!--

  332.  TODO: generate some or all of this automatically from the C++ source

  333. -->

  334. 

  335. <!--

  336.  TODO: add a field for maximum instance count

  337. -->

  338. <!--

  339.  TODO: add a field for exclusive to other objects (not allowed if they're used)

  340. -->

  341. <!--

  342.  TODO: add "parameters" fields, to replace the form html stuff

  343. -->

  344. 

  345. <script  type="text/x-red" data-container-name="NodeDefinitions">

  346. 	{"nodes":[

  347. 		{"type":"AudioInputI2S","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  348. 		{"type":"AudioInputI2SQuad","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s_quad","inputs":0,"outputs":4,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  349. 		{"type":"AudioInputAnalog","data":{"defaults":{"name":{"value":"new"}},"shortName":"adc","inputs":0,"outputs":1,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  350. 		{"type":"AudioInputAnalogStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"adcs","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  351. 		{"type":"AudioInputI2Sslave","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2sslave","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  352. 		{"type":"AudioInputPDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pdm","inputs":0,"outputs":1,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  353. 		{"type":"AudioInputTDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"tdm","inputs":0,"outputs":16,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  354. 		{"type":"AudioInputUSB","data":{"defaults":{"name":{"value":"new"}},"shortName":"usb","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  355. 		{"type":"AudioOutputI2S","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  356. 		{"type":"AudioOutputI2SQuad","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s_quad","inputs":4,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  357. 		{"type":"AudioOutputSPDIF","data":{"defaults":{"name":{"value":"new"}},"shortName":"spdif","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  358. 		{"type":"AudioOutputPT8211","data":{"defaults":{"name":{"value":"new"}},"shortName":"pt8211","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  359. 		{"type":"AudioOutputAnalog","data":{"defaults":{"name":{"value":"new"}},"shortName":"dac","inputs":1,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  360. 		{"type":"AudioOutputAnalogStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"dacs","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  361. 		{"type":"AudioOutputPWM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pwm","inputs":1,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  362. 		{"type":"AudioOutputI2Sslave","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2sslave","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  363. 		{"type":"AudioOutputTDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"tdm","inputs":16,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  364. 		{"type":"AudioOutputADAT","data":{"defaults":{"name":{"value":"new"}},"shortName":"adat","inputs":8,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  365. 		{"type":"AudioOutputUSB","data":{"defaults":{"name":{"value":"new"}},"shortName":"usb","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  366. 		{"type":"AudioMixer4","data":{"defaults":{"name":{"value":"new"}},"shortName":"mixer","inputs":4,"outputs":1,"category":"mixer-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  367. 		{"type":"AudioPlayMemory","data":{"defaults":{"name":{"value":"new"}},"shortName":"playMem","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  368. 		{"type":"AudioPlaySdWav","data":{"defaults":{"name":{"value":"new"}},"shortName":"playSdWav","inputs":0,"outputs":2,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  369. 		{"type":"AudioPlaySdRaw","data":{"defaults":{"name":{"value":"new"}},"shortName":"playSdRaw","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  370. 		{"type":"AudioPlaySerialflashRaw","data":{"defaults":{"name":{"value":"new"}},"shortName":"playFlashRaw","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  371. 		{"type":"AudioPlayQueue","data":{"defaults":{"name":{"value":"new"}},"shortName":"queue","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  372. 		{"type":"AudioRecordQueue","data":{"defaults":{"name":{"value":"new"}},"shortName":"queue","inputs":1,"outputs":0,"category":"record-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  373. 		{"type":"AudioSynthSimpleDrum","data":{"defaults":{"name":{"value":"new"}},"shortName":"drum","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  374. 		{"type":"AudioSynthKarplusStrong","data":{"defaults":{"name":{"value":"new"}},"shortName":"string","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  375. 		{"type":"AudioSynthWaveformSine","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  376. 		{"type":"AudioSynthWaveformSineHires","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine_hires","inputs":0,"outputs":2,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  377. 		{"type":"AudioSynthWaveformSineModulated","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine_fm","inputs":1,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  378. 		{"type":"AudioSynthWaveform","data":{"defaults":{"name":{"value":"new"}},"shortName":"waveform","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  379. 		{"type":"AudioSynthWaveformModulated","data":{"defaults":{"name":{"value":"new"}},"shortName":"waveformMod","inputs":2,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  380. 		{"type":"AudioSynthWaveformPWM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pwm","inputs":1,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  381. 		{"type":"AudioSynthToneSweep","data":{"defaults":{"name":{"value":"new"}},"shortName":"tonesweep","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  382. 		{"type":"AudioSynthWaveformDc","data":{"defaults":{"name":{"value":"new"}},"shortName":"dc","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  383. 		{"type":"AudioSynthNoiseWhite","data":{"defaults":{"name":{"value":"new"}},"shortName":"noise","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  384. 		{"type":"AudioSynthNoisePink","data":{"defaults":{"name":{"value":"new"}},"shortName":"pink","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  385. 		{"type":"AudioEffectFade","data":{"defaults":{"name":{"value":"new"}},"shortName":"fade","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  386. 		{"type":"AudioEffectChorus","data":{"defaults":{"name":{"value":"new"}},"shortName":"chorus","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  387. 		{"type":"AudioEffectFlange","data":{"defaults":{"name":{"value":"new"}},"shortName":"flange","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  388. 		{"type":"AudioEffectReverb","data":{"defaults":{"name":{"value":"new"}},"shortName":"reverb","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  389. 		{"type":"AudioEffectFreeverb","data":{"defaults":{"name":{"value":"new"}},"shortName":"freeverb","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  390. 		{"type":"AudioEffectFreeverbStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"freeverbs","inputs":1,"outputs":2,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  391. 		{"type":"AudioEffectEnvelope","data":{"defaults":{"name":{"value":"new"}},"shortName":"envelope","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  392. 		{"type":"AudioEffectMultiply","data":{"defaults":{"name":{"value":"new"}},"shortName":"multiply","inputs":2,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  393. 		{"type":"AudioEffectDelay","data":{"defaults":{"name":{"value":"new"}},"shortName":"delay","inputs":1,"outputs":8,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  394. 		{"type":"AudioEffectDelayExternal","data":{"defaults":{"name":{"value":"new"}},"shortName":"delayExt","inputs":1,"outputs":8,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  395. 		{"type":"AudioEffectBitcrusher","data":{"shortName":"bitcrusher","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  396. 		{"type":"AudioEffectMidSide","data":{"shortName":"midside","inputs":2,"outputs":2,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  397. 		{"type":"AudioEffectWaveshaper","data":{"shortName":"waveshape","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  398. 		{"type":"AudioEffectGranular","data":{"shortName":"granular","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  399. 		{"type":"AudioEffectDigitalCombine","data":{"shortName":"combine","inputs":2,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  400. 		{"type":"AudioFilterBiquad","data":{"defaults":{"name":{"value":"new"}},"shortName":"biquad","inputs":1,"outputs":1,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  401. 		{"type":"AudioFilterFIR","data":{"defaults":{"name":{"value":"new"}},"shortName":"fir","inputs":1,"outputs":1,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  402. 		{"type":"AudioFilterStateVariable","data":{"defaults":{"name":{"value":"new"}},"shortName":"filter","inputs":2,"outputs":3,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  403. 		{"type":"AudioAnalyzePeak","data":{"defaults":{"name":{"value":"new"}},"shortName":"peak","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  404. 		{"type":"AudioAnalyzeRMS","data":{"defaults":{"name":{"value":"new"}},"shortName":"rms","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  405. 		{"type":"AudioAnalyzeFFT256","data":{"defaults":{"name":{"value":"new"}},"shortName":"fft256","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  406. 		{"type":"AudioAnalyzeFFT1024","data":{"defaults":{"name":{"value":"new"}},"shortName":"fft1024","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  407. 		{"type":"AudioAnalyzeToneDetect","data":{"defaults":{"name":{"value":"new"}},"shortName":"tone","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  408. 		{"type":"AudioAnalyzeNoteFrequency","data":{"defaults":{"name":{"value":"new"}},"shortName":"notefreq","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  409. 		{"type":"AudioAnalyzePrint","data":{"defaults":{"name":{"value":"new"}},"shortName":"print","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  410. 		{"type":"AudioControlSGTL5000","data":{"defaults":{"name":{"value":"new"}},"shortName":"sgtl5000","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  411. 		{"type":"AudioControlAK4558","data":{"defaults":{"name":{"value":"new"}},"shortName":"ak4558","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  412. 		{"type":"AudioControlCS4272","data":{"defaults":{"name":{"value":"new"}},"shortName":"cs4272","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  413. 		{"type":"AudioControlWM8731","data":{"defaults":{"name":{"value":"new"}},"shortName":"wm8731","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  414. 		{"type":"AudioControlWM8731master","data":{"defaults":{"name":{"value":"new"}},"shortName":"wm8731m","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  415. 		{"type":"AudioControlCS42448","data":{"defaults":{"name":{"value":"new"}},"shortName":"cs42448","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}}

  416. 	]}

  417. </script>

  418. 

  419. <script type="text/x-red" data-help-name="AudioInputI2S">

  420. 	<h3>Summary</h3>

  421. 	<div class=tooltipinfo>

  422. 	<p>Receive 16 bit stereo audio from the

  423. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  424. 		or another I2S device, using I2S master mode.</p>

  425. 	<p align=center><img src="img/audioshield_inputs.jpg"></p>

  426. 	</div>

  427. 	<h3>Audio Connections</h3>

  428. 	<table class=doc align=center cellpadding=3>

  429. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  430. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  431. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  432. 	</table>

  433. 	<h3>Functions</h3>

  434. 	<p>This object has no functions to call from the Arduino sketch.  It

  435. 		simply streams data from the I2S hardware to its 2 output ports.</p>

  436. 	<h3>Hardware</h3>

  437. 	<p align=center><img src="img/audioshield_backside.jpg"></p>

  438. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  439. 		all 3 clock signals and controls all data timing.</p>

  440. 	<table class=doc align=center cellpadding=3>

  441. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  442. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  443. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  444. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input</td></tr>

  445. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  446. 	</table>

  447. 	<p>Audio from

  448. 		master mode I2S may be used in the same project as ADC, DAC and

  449. 		PWM signals, because all remain in sync to Teensy's timing</p>

  450. 	<h3>Examples</h3>

  451. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  452. 	</p>

  453. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  454. 	</p>

  455. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterStereo

  456. 	</p>

  457. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  458. 	</p>

  459. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  460. 	</p>

  461. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  462. 	</p>

  463. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  464. 	</p>

  465. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter

  466. 	</p>

  467. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter_FIR

  468. 	</p>

  469. 	<h3>Notes</h3>

  470. 	<p>Normally, this object is used with the Audio Shield, which

  471. 		is controlled separately by the "sgtl5000" object.</p>

  472. 	<p>Only one I2S input and one I2S output object may be used.  Master

  473. 		and slave modes may not be mixed (both must be of the same type).

  474. 	</p>

  475. 	<p>I2S master objects can be used together with non-I2S input and output

  476. 		objects, for simultaneous audio streaming on different hardware.</p>

  477. </script>

  478. <script type="text/x-red" data-template-name="AudioInputI2S">

  479. 	<div class="form-row">

  480. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  481. 		<input type="text" id="node-input-name" placeholder="Name">

  482. 	</div>

  483. </script>

  484. 

  485. <script type="text/x-red" data-help-name="AudioInputI2SQuad">

  486. 	<h3>Summary</h3>

  487. 	<div class=tooltipinfo>

  488. 	<p>Receive 16 bit quad (4) channel audio from two

  489. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shields</a>

  490. 		or another I2S devices, using I2S master mode.</p>

  491. 	<p align=center><img src="img/audioshield_quad_in.jpg"></p>

  492. 	</div>

  493. 	<h3>Audio Connections</h3>

  494. 	<table class=doc align=center cellpadding=3>

  495. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  496. 		<tr class=odd><td align=center>Out 0</td><td>Channel #1</td></tr>

  497. 		<tr class=odd><td align=center>Out 1</td><td>Channel #2</td></tr>

  498. 		<tr class=odd><td align=center>Out 2</td><td>Channel #3</td></tr>

  499. 		<tr class=odd><td align=center>Out 3</td><td>Channel #4</td></tr>

  500. 	</table>

  501. 	<h3>Functions</h3>

  502. 	<p>This object has no functions to call from the Arduino sketch.  It

  503. 		simply streams data from the I2S hardware to its 4 output ports.</p>

  504. 	<h3>Hardware</h3>

  505. 	<p>See this Sparkfun blog for <a href="https://www.sparkfun.com/news/2055" target="_blank">how

  506. 		to connect two audio adaptors for 4 channel audio</a>.

  507. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  508. 		all 3 clock signals and controls all data timing.</p>

  509. 	<table class=doc align=center cellpadding=3>

  510. 		<tr class=top><th>Teensy<br>3.2 Pin</th><th>Teensy<br>3.5/3.6 Pin</th><th>Signal</th><th>Direction</th></tr>

  511. 		<tr class=odd><td align=center>9</td><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  512. 		<tr class=odd><td align=center>11</td><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  513. 		<tr class=odd><td align=center>13</td><td align=center>13</td><td>RX</td><td>Input</td></tr>

  514. 		<tr class=odd><td align=center>30</td><td align=center>38</td><td>RX</td><td>Input</td></tr>

  515. 		<tr class=odd><td align=center>23</td><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  516. 	</table>

  517. 	<p>Audio from

  518. 		master mode I2S may be used in the same project as ADC, DAC and

  519. 		PWM signals, because all remain in sync to Teensy's timing</p>

  520. 	<h3>Examples</h3>

  521. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughQuad

  522. 	</p>

  523. 	<h3>Notes</h3>

  524. 	<p>Normally, this object is used with two Audio Shield, which

  525. 		are controlled separately by a pair "sgtl5000" object.</p>

  526. </script>

  527. <script type="text/x-red" data-template-name="AudioInputI2SQuad">

  528. 	<div class="form-row">

  529. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  530. 		<input type="text" id="node-input-name" placeholder="Name">

  531. 	</div>

  532. </script>

  533. 

  534. <script type="text/x-red" data-help-name="AudioInputAnalog">

  535. 	<h3>Summary</h3>

  536. 	<div class=tooltipinfo>

  537. 	<p>Receive audio using the built-in analog to digital converter.</p>

  538. 	</div>

  539. 	<h3>Audio Connections</h3>

  540. 	<table class=doc align=center cellpadding=3>

  541. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  542. 		<tr class=odd><td align=center>Out 0</td><td>Audio Channel</td></tr>

  543. 	</table>

  544. 	<h3>Functions</h3>

  545. 	<p>This object has no functions to call from the Arduino sketch.  It

  546. 		simply streams data from the ADC to its output port.</p>

  547. 	<h3>Hardware</h3>

  548. 	<p>Pin A2 is used for audio input.  This circuitry is recommended.</p>

  549. 	<p align=center><img src="img/adccircuit.png"></p>

  550. 	<p>Signal range is 0 to 1.2V</p>

  551. 	<p>With a <a href="https://forum.pjrc.com/threads/40468-Help-with-Basic-Audio-Lib-results?p=126317&viewfull=1#post126317">small modification</a> Adafruit's <a href="https://www.adafruit.com/products/1063">MAX4466 microphone</a> can be used</p>

  552. 	<p align=center><a href="https://forum.pjrc.com/threads/40468-Help-with-Basic-Audio-Lib-results?p=126317&viewfull=1#post126317"><img src="img/adccircuitmic.jpg" border=0></a></p>

  553. 	<p>Control Voltage (CV) from +5V to -5V can be adapted with a

  554. 		<a href="https://www.dorkbotpdx.org/blog/paul/control_voltage_cv_to_analog_input_pin">simple circuit</a>

  555. 		or better <a href="https://forum.pjrc.com/threads/28423?p=71257&viewfull=1#post71257">opamp-based circuity</a>

  556. 		to Teensy's 0-1.2V analog input range.</p>

  557. 	<h3>Examples</h3>

  558. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  559. 	</p>

  560. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  561. 	</p>

  562. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  563. 	</p>

  564. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; SpectrumAnalyzer

  565. 	</p>

  566. 	<h3>Notes</h3>

  567. 	<p><b>analogRead() must not be used</b>, because AudioInputAnalog is regularly

  568. 		accessing the ADC hardware.  If both access the hardware at the same

  569. 		moment, analogRead() can end up waiting forever, which effectively

  570. 		crashes your program.

  571. 	</p>

  572. 	<p>A different pin may be used, but adding it as an parameter

  573. 		to the AudioInputAnalog object definition.

  574. 	</p>

  575. 	<p>For example, to use pin A3:

  576. 	</p>

  577. 	<p class=desc><span class=keyword>AudioInputAnalog</span>  adc1(<span class=literal>A3</span>);

  578. 	</p>

  579. 

  580. 	<p>Noise due to high source impedance, which allows rapidly switching digital signals

  581. 		to capacitively couple... avoiding higher analog impedance is the solution.</p>

  582. 	<p>Power Supply rejection issue with simple DC bias (bigger capacitor may be needed if 3.3V has low frequency noise)</p>

  583. 	<p>Algorithm for automatic DC bias tracking</p>

  584. 	<p>TODO: actual noise measurements with different input circuitry

  585. 		(it's not as quiet as the audio shield)</p>

  586. </script>

  587. <script type="text/x-red" data-template-name="AudioInputAnalog">

  588. 	<div class="form-row">

  589. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  590. 		<input type="text" id="node-input-name" placeholder="Name">

  591. 	</div>

  592. </script>

  593. 

  594. <script type="text/x-red" data-help-name="AudioInputAnalogStereo">

  595. 	<h3>Summary</h3>

  596. 	<div class=tooltipinfo>

  597. 	<p>Receive stereo audio using the built-in analog to digital converters.</p>

  598. 	</div>

  599. 	<h3>Audio Connections</h3>

  600. 	<table class=doc align=center cellpadding=3>

  601. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  602. 		<tr class=odd><td align=center>Out 0</td><td>Audio Channel (Left)</td></tr>

  603. 		<tr class=odd><td align=center>Out 1</td><td>Audio Channel (Right)</td></tr>

  604. 	</table>

  605. 	<h3>Functions</h3>

  606. 	<p>This object has no functions to call from the Arduino sketch.  It

  607. 		simply streams data from both ADCs to its output ports.</p>

  608. 	<h3>Hardware</h3>

  609. 	<p>By default, pins A2 & A3 are used for audio input.  This circuitry is recommended.</p>

  610. 	<p align=center><img src="img/adccircuit2.png"></p>

  611. 	<p>Signal range is 0 to 1.2V</p>

  612. 	<p>Control Voltage (CV) from +5V to -5V can be adapted with a

  613. 		<a href="https://www.dorkbotpdx.org/blog/paul/control_voltage_cv_to_analog_input_pin">simple circuit</a>

  614. 		or better <a href="https://forum.pjrc.com/threads/28423?p=71257&viewfull=1#post71257">opamp-based circuity</a>

  615. 		to Teensy's 0-1.2V analog input range.</p>

  616. 	<h3>Examples</h3>

  617. 	<!--

  618. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  619. 	</p>

  620. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  621. 	</p>

  622. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  623. 	</p>

  624. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; SpectrumAnalyzer

  625. 	</p>

  626. 	-->

  627. 	<h3>Notes</h3>

  628. 	<p><b>analogRead() must not be used</b>, because AudioInputAnalogStereo is regularly

  629. 		accessing the ADC hardware.  If both access the hardware at the same

  630. 		moment, analogRead() can end up waiting forever, which effectively

  631. 		crashes your program.

  632. 	</p>

  633. 	<p>A different pin may be used, but adding it as an parameter

  634. 		to the AudioInputAnalog object definition.

  635. 	</p>

  636. 	<p>For example:

  637. 	</p>

  638. 	<p class=desc><span class=keyword>AudioInputAnalogStereo</span>  adc1(<span class=literal>A3</span>, <span class=literal>A2</span>);

  639. 	</p>

  640. 	<p>TODO: add info here about which pins work for input 0 and 1.

  641. 	</p>

  642. 	<p>Noise due to high source impedance, which allows rapidly switching digital signals

  643. 		to capacitively couple... avoiding higher analog impedance is the solution.</p>

  644. 	<p>Power Supply rejection issue with simple DC bias (bigger capacitor may be needed if 3.3V has low frequency noise)</p>

  645. 	<p>Algorithm for automatic DC bias tracking</p>

  646. 	<p>TODO: actual noise measurements with different input circuitry

  647. 		(it's not as quiet as the audio shield)</p>

  648. </script>

  649. <script type="text/x-red" data-template-name="AudioInputAnalogStereo">

  650. 	<div class="form-row">

  651. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  652. 		<input type="text" id="node-input-name" placeholder="Name">

  653. 	</div>

  654. </script>

  655. 

  656. <script type="text/x-red" data-help-name="AudioInputI2Sslave">

  657. 	<h3>Summary</h3>

  658. 	<div class=tooltipinfo>

  659. 	<p>Receive 16 bit stereo audio from an I2S device using I2S slave mode

  660. 		(where the ADC or codec chip, not Teensy, controls audio timing).</p>

  661. 	</div>

  662. 	<h3>Audio Connections</h3>

  663. 	<table class=doc align=center cellpadding=3>

  664. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  665. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  666. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  667. 	</table>

  668. 	<h3>Functions</h3>

  669. 	<p>This object has no functions to call from the Arduino sketch.  It

  670. 		simply streams data from the I2S hardware to its 2 output ports.</p>

  671. 	<h3>Hardware</h3>

  672. 	<p>The I2S signals are used in "slave" mode, where the I2S device controls

  673. 		data timing.</p>

  674. 	<table class=doc align=center cellpadding=3>

  675. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  676. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Input</td></tr>

  677. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input</td></tr>

  678. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Input</td></tr>

  679. 	</table>

  680. 	<!--

  681. <h3>Examples</h3>

  682. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  683. 	</p>

  684. -->

  685. 	<h3>Notes</h3>

  686. 	<p>Slave mode I2S <b>should not used in the same project as ADC, DAC and

  687. 		PWM</b> signals.  Differences in timing between the I2S device and

  688. 		Teensy's clock can cause occasional audio glitches when I2S slave mode

  689. 		is used together with other input or output objects based on Teensy's

  690. 		timing.</p>

  691. 	<p>Only one I2S input and one I2S output object may be used.  Master

  692. 		and slave modes may not be mixed (both must be of the same type).

  693. 	</p>

  694. </script>

  695. <script type="text/x-red" data-template-name="AudioInputI2Sslave">

  696. 	<div class="form-row">

  697. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  698. 		<input type="text" id="node-input-name" placeholder="Name">

  699. 	</div>

  700. </script>

  701. 

  702. <script type="text/x-red" data-help-name="AudioInputTDM">

  703. 	<h3>Summary</h3>

  704. 	<div class=tooltipinfo>

  705. 	<p>Receive a 256 bit Time Division Multiplexed frame containing

  706. 		many audio channels.</p>

  707. 	<p align=center><img src="img/tdm.jpg"></p>

  708. 	</div>

  709. 	<h3>Audio Connections</h3>

  710. 	<table class=doc align=center cellpadding=3>

  711. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  712. 		<tr class=odd><td align=center>Out 0</td><td>Bits 0 to 15</td></tr>

  713. 		<tr class=odd><td align=center>Out 1</td><td>Bits 16 to 31</td></tr>

  714. 		<tr class=odd><td align=center>Out 2</td><td>Bits 32 to 47</td></tr>

  715. 		<tr class=odd><td align=center>Out 3</td><td>Bits 48 to 63</td></tr>

  716. 		<tr class=odd><td align=center>Out 4</td><td>Bits 64 to 79</td></tr>

  717. 		<tr class=odd><td align=center>Out 5</td><td>Bits 80 to 95</td></tr>

  718. 		<tr class=odd><td align=center>Out 6</td><td>Bits 96 to 111</td></tr>

  719. 		<tr class=odd><td align=center>Out 7</td><td>Bits 112 to 127</td></tr>

  720. 		<tr class=odd><td align=center>Out 8</td><td>Bits 128 to 143</td></tr>

  721. 		<tr class=odd><td align=center>Out 9</td><td>Bits 144 to 159</td></tr>

  722. 		<tr class=odd><td align=center>Out 10</td><td>Bits 160 to 175</td></tr>

  723. 		<tr class=odd><td align=center>Out 11</td><td>Bits 176 to 191</td></tr>

  724. 		<tr class=odd><td align=center>Out 12</td><td>Bits 192 to 207</td></tr>

  725. 		<tr class=odd><td align=center>Out 13</td><td>Bits 208 to 223</td></tr>

  726. 		<tr class=odd><td align=center>Out 14</td><td>Bits 224 to 239</td></tr>

  727. 		<tr class=odd><td align=center>Out 15</td><td>Bits 240 to 255</td></tr>

  728. 	</table>

  729. 	<h3>Functions</h3>

  730. 	<p>This object has no functions to call from the Arduino sketch.  It

  731. 		simply streams data from the TDM hardware to its 16 output ports.</p>

  732. 	<h3>Hardware</h3>

  733. 	<p>TDM has been tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  734. 		CS42448 Circuit Board</a>.  It may also work with

  735. 		<a href="https://forum.pjrc.com/threads/42894">Invensense ICS-52000 microphones</a>.

  736. 		</p>

  737. 	<table class=doc align=center cellpadding=3>

  738. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  739. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output, 11.3 MHz</td></tr>

  740. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output, 22.6 MHz</td></tr>

  741. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input, 11.3 Mbit/sec</td></tr>

  742. 		<tr class=odd><td align=center>23</td><td>FS</td><td>Output</td></tr>

  743. 	</table>

  744. 	<p>Audio from

  745. 		master mode TDM may be used in the same project as ADC, DAC and

  746. 		PWM signals, because all remain in sync to Teensy's timing</p>

  747. 	<!--<h3>Examples</h3>-->

  748. 	<h3>Notes</h3>

  749. 	<p>Only one TDM input and one TDM output object may be used.  The

  750. 		I2S hardware is used by TDM, so TDM objects may not be used

  751. 		together with I2S, SPDIF or PT8211.</p>

  752. 	<p>When used with TDM devices which transmit 32 bit audio, the

  753. 		even numbered channels will contain the useful upper 16

  754. 		bits of audio data.</p>

  755. 	<p>AudioMemory should be at least 16.  Even if most channels are

  756. 		unused, this TDM object will need to allocate 16 blocks of

  757. 		memory.</p>

  758. </script>

  759. <script type="text/x-red" data-template-name="AudioInputTDM">

  760. 	<div class="form-row">

  761. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  762. 		<input type="text" id="node-input-name" placeholder="Name">

  763. 	</div>

  764. </script>

  765. 

  766. <script type="text/x-red" data-help-name="AudioInputPDM">

  767. 	<h3>Summary</h3>

  768. 	<div class=tooltipinfo>

  769. 	<p>Receive (and filter) a Pulse Density Modulated bitstream.

  770. 		</p>

  771. 	<p align=center><img src="img/pdmmic.jpg"><br><small>PDM MEMS Mic</small></p>

  772. 	</div>

  773. 	<h3>Audio Connections</h3>

  774. 	<table class=doc align=center cellpadding=3>

  775. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  776. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Audio Output</td></tr>

  777. 	</table>

  778. 	<h3>Functions</h3>

  779. 	<p>This object has no functions to call from the Arduino sketch.  It

  780. 		simply streams data from the PDM data, filters out the high frequency

  781. 		noise and gives you the audio signal.</p>

  782. 	<h3>Hardware</h3>

  783. 	<p>PDM has been tested with this <a href="https://www.adafruit.com/product/3492">

  784. 		Adafruit MP34DT01-M Microphone Board</a>.

  785. 		</p>

  786. 	<table class=doc align=center cellpadding=3>

  787. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  788. 		<tr class=odd><td align=center>9</td><td>CLK</td><td>Output, 2.8235 MHz</td></tr>

  789. 		<tr class=odd><td align=center>13</td><td>DATA</td><td>Input, Data on rising edge</td></tr>

  790. 	</table>

  791. 	<p>Data is input on the rising edge.  The SEL pin on MP34DT01-M should be

  792. 		connected LOW for proper data capture.</p>

  793. 	<!--<h3>Examples</h3>-->

  794. 	<h3>Notes</h3>

  795. 	<p>Filtering consumes approximately 39% of the CPU when running at

  796. 		96 MHz.  The code currently consumes this time inside a high

  797. 		priority interrupt, blocking other libraries.  Perhaps future

  798. 		versions will perform filtering at lower priority.

  799. 		</p>

  800. 	<p>The filter used is a 512 tap FIR with approx &plusmn;1.1 dB gain

  801. 		flatness to 10 kHz.  While far from audiophile grade, this should

  802. 		perform far better than the rapid rolloff of Cascaded Integrator

  803. 		Comb (CIC) or simple moving average filters commonly used on

  804. 		other microcontrollers.  The filter also consumes 2104 bytes of

  805. 		RAM for buffering and 32K of Flash for a lookup table to optimized

  806. 		the filter computation.

  807. 		</p>

  808. </script>

  809. <script type="text/x-red" data-template-name="AudioInputPDM">

  810. 	<div class="form-row">

  811. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  812. 		<input type="text" id="node-input-name" placeholder="Name">

  813. 	</div>

  814. </script>

  815. 

  816. <script type="text/x-red" data-help-name="AudioInputUSB">

  817. 	<h3>Summary</h3>

  818. 	<div class=tooltipinfo>

  819. 	<p>Receive stereo audio from a PC or Mac.  Teensy appears as a USB

  820. 		sound device.</p>

  821. 	<p align=center><img src="img/usbtype_audio_in.png"></p>

  822. 	</div>

  823. 	<h3>Audio Connections</h3>

  824. 	<table class=doc align=center cellpadding=3>

  825. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  826. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  827. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  828. 	</table>

  829. 	<h3>Functions</h3>

  830. 	<p class=func><span class=keyword>volume</span>();</p>

  831. 	<p class=desc>Returns the volume setting requested by the USB host.

  832. 		Range is 0 to 1.0.  To make the PC's volume control work, this

  833. 		setting should be read periodically and used to control the

  834. 		system processing the signal.

  835. 	</p>

  836. 	<!--

  837. 	<h3>Hardware</h3>

  838. 	-->

  839. 	<h3>Examples</h3>

  840. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughUSB</p>

  841. 	</p>

  842. 	<h3>Notes</h3>

  843. 	<p>Arduino's <b>Tools &gt; USB Type</b> menu must be set to <b>Audio</b>.

  844. 		</p>

  845. 	<p align=center><img src="img/usbtype_audio.png"></p>

  846. 	<p>USB input &amp; output does not cause the Teensy Audio Library to

  847. 		update.  At least one non-USB input or output object must be

  848. 		present for the entire library to update properly.</p>

  849. </script>

  850. <script type="text/x-red" data-template-name="AudioInputUSB">

  851. 	<div class="form-row">

  852. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  853. 		<input type="text" id="node-input-name" placeholder="Name">

  854. 	</div>

  855. </script>

  856. 

  857. <script type="text/x-red" data-help-name="AudioOutputI2S">

  858. 	<h3>Summary</h3>

  859. 	<div class=tooltipinfo>

  860. 	<p>Transmit 16 bit stereo audio to the

  861. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  862. 		or another I2S device, using I2S master mode.</p>

  863. 	<p align=center><img src="img/audioshield_outputs.jpg"></p>

  864. 	</div>

  865. 	<h3>Audio Connections</h3>

  866. 	<table class=doc align=center cellpadding=3>

  867. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  868. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  869. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  870. 	</table>

  871. 	<h3>Functions</h3>

  872. 	<p>This object has no functions to call from the Arduino sketch.  It

  873. 		simply streams data from its 2 input ports to the I2S hardware.</p>

  874. 	<h3>Hardware</h3>

  875. 	<p align=center><img src="img/audioshield_backside.jpg"></p>

  876. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  877. 		all 3 clock signals and controls all data timing.</p>

  878. 	<table class=doc align=center cellpadding=3>

  879. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  880. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  881. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  882. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output</td></tr>

  883. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  884. 	</table>

  885. 	<p>Audio from

  886. 		master mode I2S may be used in the same project as ADC, DAC and

  887. 		PWM signals, because all remain in sync to Teensy's timing</p>

  888. 	<h3>Examples</h3>

  889. 	<p>Nearly all the examples use this object.  Here are some of the highlights:</p>

  890. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  891. 	</p>

  892. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  893. 	</p>

  894. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  895. 	</p>

  896. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  897. 	</p>

  898. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  899. 	</p>

  900. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  901. 	</p>

  902. 	<h3>Notes</h3>

  903. 	<p>Normally, this object is used with the Audio Shield, which

  904. 		is controlled separately by the "sgtl5000" object.</p>

  905. 	<p>Only one I2S input and one I2S output object may be used.  Master

  906. 		and slave modes may not be mixed (both must be of the same type).

  907. 	</p>

  908. </script>

  909. <script type="text/x-red" data-template-name="AudioOutputI2S">

  910. 	<div class="form-row">

  911. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  912. 		<input type="text" id="node-input-name" placeholder="Name">

  913. 	</div>

  914. </script>

  915. 

  916. <script type="text/x-red" data-help-name="AudioOutputI2SQuad">

  917. 	<h3>Summary</h3>

  918. 	<div class=tooltipinfo>

  919. 	<p>Transmit quad (4) channel 16 bit audio, using I2S master mode.</p>

  920. 	<p align=center><img src="img/audioshield_quad_out.jpg"></p>

  921. 	</div>

  922. 	<h3>Audio Connections</h3>

  923. 	<table class=doc align=center cellpadding=3>

  924. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  925. 		<tr class=odd><td align=center>In 0</td><td>Channel #1</td></tr>

  926. 		<tr class=odd><td align=center>In 1</td><td>Channel #2</td></tr>

  927. 		<tr class=odd><td align=center>In 2</td><td>Channel #3</td></tr>

  928. 		<tr class=odd><td align=center>In 3</td><td>Channel #4</td></tr>

  929. 	</table>

  930. 	<h3>Functions</h3>

  931. 	<p>This object has no functions to call from the Arduino sketch.  It

  932. 		simply streams data from its 4 input ports to the I2S hardware.</p>

  933. 	<h3>Hardware</h3>

  934. 	<p>See this Sparkfun blog for <a href="https://www.sparkfun.com/news/2055" target="_blank">how

  935. 		to connect two audio adaptors for 4 channel audio</a>.  More

  936. 		<a href="https://forum.pjrc.com/threads/29373-Bit-bang-multiple-I2S-inputs-simultaneously?p=79606#post79606" target="_blank">details</a> are also available.

  937. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  938. 		all 3 clock signals and controls all data timing.</p>

  939. 	<table class=doc align=center cellpadding=3>

  940. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  941. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  942. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  943. 		<tr class=odd><td align=center>22</td><td>TX (ch 1+2)</td><td>Output</td></tr>

  944. 		<tr class=odd><td align=center>15</td><td>TX (ch 3+4)</td><td>Output</td></tr>

  945. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  946. 	</table>

  947. 	<p>Audio from

  948. 		master mode I2S may be used in the same project as ADC, DAC and

  949. 		PWM signals, because all remain in sync to Teensy's timing</p>

  950. 	<h3>Examples</h3>

  951. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughQuad

  952. 	</p>

  953. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; QuadChannelOutput

  954. 	</p>

  955. 	<h3>Notes</h3>

  956. 	<p>Normally, this object is used with two Audio Shields, which

  957. 		are controlled separately by a pair of "sgtl5000" objects.</p>

  958. </script>

  959. <script type="text/x-red" data-template-name="AudioOutputI2SQuad">

  960. 	<div class="form-row">

  961. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  962. 		<input type="text" id="node-input-name" placeholder="Name">

  963. 	</div>

  964. </script>

  965. 

  966. <script type="text/x-red" data-help-name="AudioOutputSPDIF">

  967. 	<h3>Summary</h3>

  968. 	<div class=tooltipinfo>

  969. 	<p>Transmit 16 bit stereo audio as Digital S/PDIF.</p>

  970. 	<p align=center><img src="img/spdif_proto.jpg"></p>

  971. 	</div>

  972. 	<h3>Audio Connections</h3>

  973. 	<table class=doc align=center cellpadding=3>

  974. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  975. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  976. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  977. 	</table>

  978. 	<h3>Functions</h3>

  979. 	<p>This object has no functions to call from the Arduino sketch.  It

  980. 		simply streams data from its 2 input ports S/PDIF encoded digital

  981. 		audio on pin 22.</p>

  982. 	<h3>Hardware</h3>

  983. 	<p>The S/PDIF output signal can be used to drive an optical TOSLINK

  984. 		cable, or a standard (usually orange) RCA jack.</p>

  985. 	<table class=doc align=center cellpadding=3>

  986. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  987. 		<tr class=odd><td align=center>22</td><td>S/PDIF</td><td>Output</td></tr>

  988. 	</table>

  989. 	<p>For optical TOSLINK output, this

  990. 		<a href="https://www.oshpark.com/shared_projects/KcDBKHta" target="_blank">OSH Park board</a>

  991. 		can be used with the inexpensive Everlight PLT133/T6A connector, available

  992. 		at Digikey, 1080-1434-ND.

  993. 		</p>

  994. 	<h3>Examples</h3>

  995. 	<p>The AudioOutputSPDIF object can be used in place of the AudioOutputI2S object,

  996. 	<p>used in nearly all the examples.  The WavFilePlayer shows how to substitute

  997. 		output objects for different hardware types.

  998. 	</p>

  999. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  1000. 	</p>

  1001. 	<h3>Credits</h3>

  1002. 	<p><a href="https://github.com/FrankBoesing" target="_blank">Frank Boesing</a>

  1003. 		developed the AudioOutputSPDIF code.  The original

  1004. 		<a href="https://forum.pjrc.com/threads/28639-S-pdif" target="_blank">forum disussion</a>

  1005. 		included valuable input and code from "kpc".

  1006. 	<h3>Notes</h3>

  1007. 	<p>S/PDIF output uses the I2S hardware.  This object can not be used

  1008. 		together with any of the I2S objects, because it requires the I2S

  1009. 		hardware with different internal settings.</p>

  1010. 	</p>

  1011. </script>

  1012. <script type="text/x-red" data-template-name="AudioOutputSPDIF">

  1013. 	<div class="form-row">

  1014. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1015. 		<input type="text" id="node-input-name" placeholder="Name">

  1016. 	</div>

  1017. </script>

  1018. 

  1019. <script type="text/x-red" data-help-name="AudioOutputPT8211">

  1020. 	<h3>Summary</h3>

  1021. 	<div class=tooltipinfo>

  1022. 	<p>Transmit 16 bit stereo audio to a low-cost PT8211 DAC chip.  4X oversampling

  1023. 		and filtering are automatically used to improve output quality.</p>

  1024. 	<p align=center><img src="img/pt8211.jpg"></p>

  1025. 	</div>

  1026. 	<h3>Audio Connections</h3>

  1027. 	<table class=doc align=center cellpadding=3>

  1028. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1029. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1030. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1031. 	</table>

  1032. 	<h3>Functions</h3>

  1033. 	<p>This object has no functions to call from the Arduino sketch.  It

  1034. 		simply streams data from its 2 input ports to a PT8211 chip.  4X

  1035. 		oversampling and filtering is automatically used to improve quality.</p>

  1036. 	<h3>Hardware</h3>

  1037. 	<table class=doc align=center cellpadding=3>

  1038. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1039. 		<tr class=odd><td align=center>9</td><td>BCK</td><td>Output</td></tr>

  1040. 		<tr class=odd><td align=center>22</td><td>DIN</td><td>Output</td></tr>

  1041. 		<tr class=odd><td align=center>23</td><td>FS</td><td>Output</td></tr>

  1042. 	</table>

  1043. 	<p>More information can be found in the PT8211 datasheet.

  1044. 		</p>

  1045. 	<h3>Examples</h3>

  1046. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PT8211Sine

  1047. 	</p>

  1048. 	<h3>Credits</h3>

  1049. 	<p>Frank Boesing and Benjamin developed this PT8211 object.  Details can be

  1050. 		found on this

  1051. 		<a href="https://forum.pjrc.com/threads/29284-Dual-channel-16bit-dac-PT8211/page3" target="_blank">forum disussion</a>.

  1052. 	<h3>Notes</h3>

  1053. 	<p>

  1054. 	</p>

  1055. </script>

  1056. <script type="text/x-red" data-template-name="AudioOutputPT8211">

  1057. 	<div class="form-row">

  1058. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1059. 		<input type="text" id="node-input-name" placeholder="Name">

  1060. 	</div>

  1061. </script>

  1062. 

  1063. <script type="text/x-red" data-help-name="AudioOutputAnalog">

  1064. 	<h3>Summary</h3>

  1065. 	<div class=tooltipinfo>

  1066. 	<p>Transmit 12 bit audio using Teensy's built-in digital to analog converter.</p>

  1067. 	<p align=center><img src="img/dac_speaker.jpg"><br>

  1068. 	<small><a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield with 4&ohm; Speaker</a></small></p>

  1069. 	</div>

  1070. 	<h3>Audio Connections</h3>

  1071. 	<table class=doc align=center cellpadding=3>

  1072. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1073. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel</td></tr>

  1074. 	</table>

  1075. 	<h3>Functions</h3>

  1076. 	<p class=func><span class=keyword>analogReference</span>(ref);</p>

  1077. 	<p class=desc>Configure output voltage range:<br>

  1078. 	<span class=literal>INTERNAL</span> selects 1.2 volt peak-to-peak output.<br>

  1079. 	<span class=literal>EXTERNAL</span> selects 3.3 volt peak-to-peak output.

  1080. 	</p>

  1081. 	<h3>Hardware</h3>

  1082. 	<p align=center><img src="img/dacpin.jpg"></p>

  1083. 	<p>Signal range default is 0 to 1.2V</p>

  1084. 	<p>The output voltage has DC level.  Some applications require a DC-blocking capacitor.  If unsure, a 10&micro;F is usually a safe value to use.  If an aluminum or tantalum capacitor is used, the positive terminal should connect to Teensy's DAC pin.</p>

  1085. 	<p>The DAC pin is used with the

  1086. 	<a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield</a>

  1087. 	to drive speakers.</p>

  1088. 	<h3>Examples</h3>

  1089. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1090. 	</p>

  1091. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1092. 	</p>

  1093. 	<p class=exam><a href="https://github.com/PaulStoffregen/TouchGuitar" target="_blank">TouchGuitar</a>

  1094. 	</p>

  1095. 	<p class=exam><a href="https://community.arm.com/groups/embedded/blog/2014/05/23/led-video-panel-at-maker-faire-2014" target="_blank">LED Video Board</a>

  1096. 	</p>

  1097. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; VideoSDcard

  1098. 	</p>

  1099. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; MP3Player

  1100. 	</p>

  1101. 	<h3>Notes</h3>

  1102. 	<p>The output rate is 44.1 kHz (no oversampling).  Ultrasonic noise present if

  1103. 		not filtered.  This may not

  1104. 		be an issue for many uses, but care should be used if amplified and driven

  1105. 		to high power tweeters.</p>

  1106. 	<p>When using 3.3V output, the power supply is used for the analog reference.  Noise

  1107. 		present on the 3.3V power can couple to the DAC output signal.

  1108. 	</p>

  1109. </script>

  1110. <script type="text/x-red" data-template-name="AudioOutputAnalog">

  1111. 	<div class="form-row">

  1112. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1113. 		<input type="text" id="node-input-name" placeholder="Name">

  1114. 	</div>

  1115. </script>

  1116. 

  1117. <script type="text/x-red" data-help-name="AudioOutputAnalogStereo">

  1118. 	<h3>Summary</h3>

  1119. 	<div class=tooltipinfo>

  1120. 	<p>Transmit 12 bit stereo audio using Teensy 3.5 or 3.6 built-in digital to analog converters.</p>

  1121. 	<!--<p align=center><img src="img/dac_speaker.jpg"><br>

  1122. 	<small><a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield with 4&ohm; Speaker</a></small></p>-->

  1123. 	</div>

  1124. 	<h3>Audio Connections</h3>

  1125. 	<table class=doc align=center cellpadding=3>

  1126. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1127. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel (Left)</td></tr>

  1128. 		<tr class=odd><td align=center>In 1</td><td>Audio Channel (Right)</td></tr>

  1129. 	</table>

  1130. 	<h3>Functions</h3>

  1131. 	<p class=func><span class=keyword>analogReference</span>(ref);</p>

  1132. 	<p class=desc>Configure output voltage range:<br>

  1133. 	<span class=literal>INTERNAL</span> selects 1.2 volt peak-to-peak output.<br>

  1134. 	<span class=literal>EXTERNAL</span> selects 3.3 volt peak-to-peak output.

  1135. 	</p>

  1136. 	<h3>Hardware</h3>

  1137. 	<p align=center><img src="img/dacpins.png"></p>

  1138. 	<p>Signal range default is 0 to 1.2V</p>

  1139. 	<p>The output voltage has DC level.  Some applications require a DC-blocking capacitor.  If unsure, a 10&micro;F is usually a safe value to use.  If an aluminum or tantalum capacitor is used, the positive terminal should connect to Teensy's DAC pin.</p>

  1140. 	<p>The DAC pin is used with the

  1141. 	<a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield</a>

  1142. 	to drive speakers.</p>

  1143. 	<h3>Examples</h3>

  1144. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1145. 	</p>

  1146. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; MP3Player

  1147. 	</p>-->

  1148. 	<h3>Notes</h3>

  1149. 	<p>The output rate is 44.1 kHz (no oversampling).  Ultrasonic noise present if

  1150. 		not filtered.  This may not

  1151. 		be an issue for many uses, but care should be used if amplified and driven

  1152. 		to high power tweeters.</p>

  1153. 	<p>When using 3.3V output, the power supply is used for the analog reference.  Noise

  1154. 		present on the 3.3V power can couple to the DAC output signal.

  1155. 	</p>

  1156. </script>

  1157. <script type="text/x-red" data-template-name="AudioOutputAnalogStereo">

  1158. 	<div class="form-row">

  1159. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1160. 		<input type="text" id="node-input-name" placeholder="Name">

  1161. 	</div>

  1162. </script>

  1163. 

  1164. <script type="text/x-red" data-help-name="AudioOutputPWM">

  1165. 	<h3>Summary</h3>

  1166. 	<div class=tooltipinfo>

  1167. 	<p>Transmit audio using Teensy 3.1's PWM pins.  Two pins are

  1168. 		used for coarse and fine pulses, to be combined by scaled

  1169. 		resistors.</p>

  1170. 	</div>

  1171. 	<h3>Audio Connections</h3>

  1172. 	<table class=doc align=center cellpadding=3>

  1173. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1174. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel</td></tr>

  1175. 	</table>

  1176. 	<h3>Functions</h3>

  1177. 	<p>This object has no functions to call from the Arduino sketch.  It

  1178. 		simply streams data from the its input port to the PWM pins.</p>

  1179. 	<h3>Hardware</h3>

  1180. 	<p>The following circuit is recommended.</p>

  1181. 	<p align=center><img src="img/pwmdualcircuit.jpg"></p>

  1182. 	<p>Signal range is approx 1.55 Vp-p.</p>

  1183. 	<p>These resistor values assume approx 20 ohms output impedance

  1184. 		on the digital pins.  The 127K resistor may be adjusted or

  1185. 		trimmed for variation in output drive and tolerance on the

  1186. 		475 ohm resistor.</p>

  1187. 	<p>A plastic film (Polypropylene, Polyethylene, Polyester, etc) or

  1188. 		C0G/NPO ceramic capacitor should be used for filtering.  Low

  1189. 		quality ceramic (X7R, Y5V, Z5U, etc) can cause signal distortion.</p>

  1190. 	<h3>Examples</h3>

  1191. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1192. 	</p>

  1193. 	<h3>Notes</h3>

  1194. 	<p>This object only works properly when Tools &gt; CPU_Speed is set to

  1195. 		48 or 96 MHz.  Other speeds aren't supported and will likely fail

  1196. 		in strange ways.</p>

  1197. 	<p>The PWM carrier frequency is 88.2 kHz.  The suggested circuit

  1198. 		will only slightly filter the carrier.  Extra filtering will be

  1199. 		required for a clean signal without the ultrasonic PWM carrier.

  1200. 		</p>

  1201. 	<p>Analog signals created by filtering PWM waveforms use the digital

  1202. 		power supply as their reference voltage.  Any noise on the digital

  1203. 		power line can directly couple to the output signal.  The built-in DAC or

  1204. 		<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  1205. 		should be used when higher quality signals are needed.</p>

  1206. </script>

  1207. <script type="text/x-red" data-template-name="AudioOutputPWM">

  1208. 	<div class="form-row">

  1209. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1210. 		<input type="text" id="node-input-name" placeholder="Name">

  1211. 	</div>

  1212. </script>

  1213. 

  1214. <script type="text/x-red" data-help-name="AudioOutputI2Sslave">

  1215. 	<h3>Summary</h3>

  1216. 	<div class=tooltipinfo>

  1217. 	<p>Transmit 16 bit stereo audio to an I2S device using I2S slave mode

  1218. 		(where the DAC or codec chip, not Teensy, controls audio timing).</p>

  1219. 	</div>

  1220. 	<h3>Audio Connections</h3>

  1221. 	<table class=doc align=center cellpadding=3>

  1222. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1223. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1224. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1225. 	</table>

  1226. 	<h3>Functions</h3>

  1227. 	<p>This object has no functions to call from the Arduino sketch.  It

  1228. 		simply streams data from its 2 input ports to the I2S hardware.</p>

  1229. 	<h3>Hardware</h3>

  1230. 	<p>The I2S signals are used in "slave" mode, where the I2S device controls

  1231. 		data timing.</p>

  1232. 	<table class=doc align=center cellpadding=3>

  1233. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1234. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Input</td></tr>

  1235. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output</td></tr>

  1236. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Input</td></tr>

  1237. 	</table>

  1238. 	<h3>Examples</h3>

  1239. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  1240. 	</p>

  1241. 	<h3>Notes</h3>

  1242. 	<p>Slave mode I2S <b>should not used in the same project as ADC, DAC and

  1243. 		PWM</b> signals.  Differences in timing between the I2S device and

  1244. 		Teensy's clock can cause occasional audio glitches when I2S slave mode

  1245. 		is used together with other input or output objects based on Teensy's

  1246. 		timing.</p>

  1247. 	<p>Only one I2S input and one I2S output object may be used.  Master

  1248. 		and slave modes may not be mixed (both must be of the same type).

  1249. 	</p>

  1250. </script>

  1251. <script type="text/x-red" data-template-name="AudioOutputI2Sslave">

  1252. 	<div class="form-row">

  1253. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1254. 		<input type="text" id="node-input-name" placeholder="Name">

  1255. 	</div>

  1256. </script>

  1257. 

  1258. <script type="text/x-red" data-help-name="AudioOutputTDM">

  1259. 	<h3>Summary</h3>

  1260. 	<div class=tooltipinfo>

  1261. 	<p>Transmit a 256 bit Time Division Multiplexed frame containing

  1262. 		many audio channels.</p>

  1263. 	<p align=center><img src="img/tdm.jpg"></p>

  1264. 	</div>

  1265. 	<h3>Audio Connections</h3>

  1266. 	<table class=doc align=center cellpadding=3>

  1267. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1268. 		<tr class=odd><td align=center>In 0</td><td>Bits 0 to 15</td></tr>

  1269. 		<tr class=odd><td align=center>In 1</td><td>Bits 16 to 31</td></tr>

  1270. 		<tr class=odd><td align=center>In 2</td><td>Bits 32 to 47</td></tr>

  1271. 		<tr class=odd><td align=center>In 3</td><td>Bits 48 to 63</td></tr>

  1272. 		<tr class=odd><td align=center>In 4</td><td>Bits 64 to 79</td></tr>

  1273. 		<tr class=odd><td align=center>In 5</td><td>Bits 80 to 95</td></tr>

  1274. 		<tr class=odd><td align=center>In 6</td><td>Bits 96 to 111</td></tr>

  1275. 		<tr class=odd><td align=center>In 7</td><td>Bits 112 to 127</td></tr>

  1276. 		<tr class=odd><td align=center>In 8</td><td>Bits 128 to 143</td></tr>

  1277. 		<tr class=odd><td align=center>In 9</td><td>Bits 144 to 159</td></tr>

  1278. 		<tr class=odd><td align=center>In 10</td><td>Bits 160 to 175</td></tr>

  1279. 		<tr class=odd><td align=center>In 11</td><td>Bits 176 to 191</td></tr>

  1280. 		<tr class=odd><td align=center>In 12</td><td>Bits 192 to 207</td></tr>

  1281. 		<tr class=odd><td align=center>In 13</td><td>Bits 208 to 223</td></tr>

  1282. 		<tr class=odd><td align=center>In 14</td><td>Bits 224 to 239</td></tr>

  1283. 		<tr class=odd><td align=center>In 15</td><td>Bits 240 to 255</td></tr>

  1284. 	</table>

  1285. 	<h3>Functions</h3>

  1286. 	<p>This object has no functions to call from the Arduino sketch.  It

  1287. 		simply streams data from its 16 input ports to the TDM hardware.</p>

  1288. 	<h3>Hardware</h3>

  1289. 	<p>TDM has been tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  1290. 		CS42448 Circuit Board</a>.

  1291. 		</p>

  1292. 	<table class=doc align=center cellpadding=3>

  1293. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1294. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output, 11.3 MHz</td></tr>

  1295. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output, 22.6 MHz</td></tr>

  1296. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output, 11.3 Mbit/sec</td></tr>

  1297. 		<tr class=odd><td align=center>23</td><td>WS</td><td>Output</td></tr>

  1298. 	</table>

  1299. 	<p>Audio from

  1300. 		master mode TDM may be used in the same project as ADC, DAC and

  1301. 		PWM signals, because all remain in sync to Teensy's timing</p>

  1302. 	<!--<h3>Examples</h3>-->

  1303. 	<h3>Notes</h3>

  1304. 	<p>Only one TDM input and one TDM output object may be used.  The

  1305. 		I2S hardware is used by TDM, so TDM objects may not be used

  1306. 		together with I2S, SPDIF or PT8211.</p>

  1307. 	<p>When used with TDM devices which receive 32 bit audio, the

  1308. 		even numbered channels are used for the top 16 bits.</p>

  1309. </script>

  1310. <script type="text/x-red" data-template-name="AudioOutputTDM">

  1311. 	<div class="form-row">

  1312. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1313. 		<input type="text" id="node-input-name" placeholder="Name">

  1314. 	</div>

  1315. </script>

  1316. 

  1317. <script type="text/x-red" data-help-name="AudioOutputADAT">

  1318. 	<h3>Summary</h3>

  1319. 	<div class=tooltipinfo>

  1320. 	<p>Transmit ADAT TOSLINK Optical Output</p>

  1321. 	<p align=center><img src="img/adat.jpg"></p>

  1322. 	</div>

  1323. 	<h3>Audio Connections</h3>

  1324. 	<table class=doc align=center cellpadding=3>

  1325. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1326. 		<tr class=odd><td align=center>In 0</td><td>Channel 1</td></tr>

  1327. 		<tr class=odd><td align=center>In 1</td><td>Channel 2</td></tr>

  1328. 		<tr class=odd><td align=center>In 2</td><td>Channel 3</td></tr>

  1329. 		<tr class=odd><td align=center>In 3</td><td>Channel 4</td></tr>

  1330. 		<tr class=odd><td align=center>In 4</td><td>Channel 5</td></tr>

  1331. 		<tr class=odd><td align=center>In 5</td><td>Channel 6</td></tr>

  1332. 		<tr class=odd><td align=center>In 6</td><td>Channel 7</td></tr>

  1333. 		<tr class=odd><td align=center>In 7</td><td>Channel 8</td></tr>

  1334. 	</table>

  1335. 	<h3>Functions</h3>

  1336. 	<p>This object has no functions to call from the Arduino sketch.  It

  1337. 		simply streams data from its 8 input ports to the TOSLINK output.</p>

  1338. 	<h3>Hardware</h3>

  1339. 	<table class=doc align=center cellpadding=3>

  1340. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1341. 		<tr class=odd><td align=center>22</td><td>TX</td><td>TOSLINK Signal</td></tr>

  1342. 	</table>

  1343. 	<p>For optical TOSLINK output, this

  1344. 		<a href="https://www.oshpark.com/shared_projects/KcDBKHta" target="_blank">OSH Park board</a>

  1345. 		can be used with the inexpensive Everlight PLT133/T6A connector, available

  1346. 		at Digikey, 1080-1434-ND.

  1347. 		</p>

  1348. 	<h3>Examples</h3>

  1349. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; ADAT_DrumSamplePlayer

  1350. 	</p>

  1351. 	<h3>Notes</h3>

  1352. 	<p>ADAT output was contributed by Ernstjan Freriks.  See <a href="https://forum.pjrc.com/threads/28639-S-pdif?p=159530&viewfull=1#post159530">this forum thread</a> for details.</p>

  1353. 	<p>A <a href="https://www.youtube.com/watch?v=e5ov3q02zxo">Youtube video</a>

  1354. 		also demonstrates how it works.</p>

  1355. </script>

  1356. <script type="text/x-red" data-template-name="AudioOutputADAT">

  1357. 	<div class="form-row">

  1358. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1359. 		<input type="text" id="node-input-name" placeholder="Name">

  1360. 	</div>

  1361. </script>

  1362. 

  1363. <script type="text/x-red" data-help-name="AudioOutputUSB">

  1364. 	<h3>Summary</h3>

  1365. 	<div class=tooltipinfo>

  1366. 	<p>Send stereo audio to a PC or Mac.  Teensy appears as a USB

  1367. 		sound device.</p>

  1368. 	<p align=center><img src="img/usbtype_audio_out.png"></p>

  1369. 	</div>

  1370. 	<h3>Audio Connections</h3>

  1371. 	<table class=doc align=center cellpadding=3>

  1372. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1373. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1374. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1375. 	</table>

  1376. 	<h3>Functions</h3>

  1377. 	<p>This object has no functions to call from the Arduino sketch.  It

  1378. 		simply streams from it's 2 input ports to the USB.</p>

  1379. 	<!--

  1380. 	<h3>Hardware</h3>

  1381. 	-->

  1382. 	<h3>Examples</h3>

  1383. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WavFilePlayerUSB</p>

  1384. 	</p>

  1385. 	<h3>Notes</h3>

  1386. 	<p>Arduino's <b>Tools &gt; USB Type</b> menu must be set to <b>Audio</b>.

  1387. 		</p>

  1388. 	<p align=center><img src="img/usbtype_audio.png"></p>

  1389. 	<p>USB input &amp; output does not cause the Teensy Audio Library to

  1390. 		update.  At least one non-USB input or output object must be

  1391. 		present for the entire library to update properly.</p>

  1392. 	<p>A known problem exists with USB audio from Macintosh computers.

  1393. 		An imperfect <a href="https://forum.pjrc.com/threads/34855-Distorted-audio-when-using-USB-input-on-Teensy-3-1?p=110392&viewfull=1#post110392">workaround

  1394. 		can be enabled by editing usb_audio.cpp</a>.

  1395. 		Find and uncomment "#define MACOSX_ADAPTIVE_LIMIT".</p>

  1396. </script>

  1397. <script type="text/x-red" data-template-name="AudioOutputUSB">

  1398. 	<div class="form-row">

  1399. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1400. 		<input type="text" id="node-input-name" placeholder="Name">

  1401. 	</div>

  1402. </script>

  1403. 

  1404. <script type="text/x-red" data-help-name="AudioMixer4">

  1405. 	<h3>Summary</h3>

  1406. 	<div class=tooltipinfo>

  1407. 	<p>Combine up to 4 audio signals together, each with adjustable gain.

  1408. 		All channels support signal attenuation or amplification.</p>

  1409. 	</div>

  1410. 	<h3>Audio Connections</h3>

  1411. 	<table class=doc align=center cellpadding=3>

  1412. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1413. 		<tr class=odd><td align=center>In 0</td><td>Input signal #1</td></tr>

  1414. 		<tr class=odd><td align=center>In 1</td><td>Input signal #2</td></tr>

  1415. 		<tr class=odd><td align=center>In 2</td><td>Input signal #3</td></tr>

  1416. 		<tr class=odd><td align=center>In 3</td><td>Input signal #4</td></tr>

  1417. 		<tr class=odd><td align=center>Out 0</td><td>Sum of all inputs</td></tr>

  1418. 	</table>

  1419. 	<h3>Functions</h3>

  1420. 	<p class=func><span class=keyword>gain</span>(channel, level);</p>

  1421. 	<p class=desc>Adjust the amplification or attenuation.  "channel" must

  1422. 		be 0 to 3.  "level" may be any floating point number from 0 to 32767.0.

  1423. 		1.0 passes the signal through directly.  Level of 0 shuts the channel

  1424. 		off completely.  Between 0 to 1.0 attenuates the signal, and above

  1425. 		1.0 amplifies it.  Negative numbers may also be used, to invert the

  1426. 		signal.  All 4 channels have separate gain settings.

  1427. 	</p>

  1428. 	<h3>Examples</h3>

  1429. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1430. 	</p>

  1431. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  1432. 	</p>

  1433. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  1434. 	</p>

  1435. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  1436. 	</p>

  1437. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  1438. 	</p>

  1439. 	<h3>Notes</h3>

  1440. 	<p>Signal clipping can occur when any channel has gain greater than 1.0,

  1441. 		or when multiple signals add together to greater than 1.0.</p>

  1442. 	<p>More than 4 channels may be combined by connecting multiple mixers

  1443. 		in tandem.  For example, a 16 channel mixer may be built using 5

  1444. 		mixers, where the fifth mixer combines the outputs of the first 4.

  1445. 	</p>

  1446. </script>

  1447. <script type="text/x-red" data-template-name="AudioMixer4">

  1448. 	<div class="form-row">

  1449. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1450. 		<input type="text" id="node-input-name" placeholder="Name">

  1451. 	</div>

  1452. </script>

  1453. 

  1454. <script type="text/x-red" data-help-name="AudioPlayMemory">

  1455. 	<h3>Summary</h3>

  1456. 	<div class=tooltipinfo>

  1457. 	<p>Play a short sound clip, stored directly in memory.

  1458. 		Data files are created with the

  1459. 		<a href="https://github.com/PaulStoffregen/Audio/tree/master/extras/wav2sketch" target="_blank">wav2sketch program</a>,

  1460. 		and copied to the sketch folder to become part of your sketch.</p>

  1461. 	</div>

  1462. 	<h3>Audio Connections</h3>

  1463. 	<table class=doc align=center cellpadding=3>

  1464. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1465. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1466. 	</table>

  1467. 	<h3>Functions</h3>

  1468. 	<p class=func><span class=keyword>play</span>(data);</p>

  1469. 	<p class=desc>Begin playing a sound clip.  If already playing, the

  1470. 		currently playing clip is stopped and this new data begins

  1471. 		playing from the beginning.

  1472. 	</p>

  1473. 	<p class=func><span class=keyword>stop</span>();</p>

  1474. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1475. 	</p>

  1476. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1477. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1478. 		when not playing.

  1479. 	</p>

  1480. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1481. 	<p class=desc>While playing, return the current time offset, in

  1482. 		milliseconds.  When not playing, the return from this function

  1483. 		is undefined.

  1484. 	</p>

  1485. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1486. 	<p class=desc>Return the total length of the current sound clip,

  1487. 		in milliseconds.  When not playing, the return from this function

  1488. 		is undefined.

  1489. 	</p>

  1490. 	<h3>Examples</h3>

  1491. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1492. 	</p>

  1493. 	<h3>Notes</h3>

  1494. 	<p><a href="https://forum.pjrc.com/threads/42401-Instructions-or-tutorials-for-using-wav2sketch?p=135069&viewfull=1#post135069">Step by step instructions for wav2sketch</a>

  1495. 		running in Terminal on Macintosh.</p>

  1496. 	<p>TODO: supported sample rates: 11.025, 22.05, 44.1</p>

  1497. 	<p>TODO: ulaw vs uncompressed encoding</p>

  1498. 	<p>Polyphonic playback can be built by creating multiple

  1499. 		objects, with their output combined by mixers.</p>

  1500. </script>

  1501. <script type="text/x-red" data-template-name="AudioPlayMemory">

  1502. 	<div class="form-row">

  1503. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1504. 		<input type="text" id="node-input-name" placeholder="Name">

  1505. 	</div>

  1506. </script>

  1507. 

  1508. <script type="text/x-red" data-help-name="AudioPlaySdWav">

  1509. 	<h3>Summary</h3>

  1510. 	<div class=tooltipinfo>

  1511. 	<p>Play a WAV file, stored on a SD card.</p>

  1512. 	</div>

  1513. 	<h3>Audio Connections</h3>

  1514. 	<table class=doc align=center cellpadding=3>

  1515. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1516. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel Output</td></tr>

  1517. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel Output</td></tr>

  1518. 	</table>

  1519. 	<h3>Functions</h3>

  1520. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1521. 	<p class=desc>Begin playing a WAV file.  If a file is already playing,

  1522. 		it is stopped and this file starts playing from the beginning.

  1523. 	</p>

  1524. 	<p class=func><span class=keyword>stop</span>();</p>

  1525. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1526. 	</p>

  1527. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1528. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1529. 		when not playing.  See the note below about delayed start.

  1530. 	</p>

  1531. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1532. 	<p class=desc>While playing, return the current time offset, in

  1533. 		milliseconds.  When not playing, the return from this function

  1534. 		is undefined.

  1535. 	</p>

  1536. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1537. 	<p class=desc>Return the total length of the current sound clip,

  1538. 		in milliseconds.  When not playing, the return from this function

  1539. 		is undefined.

  1540. 	</p>

  1541. 	<h3>Examples</h3>

  1542. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  1543. 	</p>

  1544. 	<h3>Notes</h3>

  1545. 	<p>Only 16 bit PCM, 44100 Hz WAV files are supported.  When mono

  1546. 		files are played, both output ports transmit a copy of the

  1547. 		single sound.  Of course, stereo WAV files play with the left

  1548. 		channel on port 0 and the right channel on port 1.

  1549. 	</p>

  1550. 	<p>A brief delay after calling play() will usually occur before

  1551. 		isPlaying() returns true and positionMillis() returns valid

  1552. 		time offset.  WAV files have a header at the beginning of the

  1553. 		file, which the audio library must read and parse before

  1554. 		playing can begin.

  1555. 	</p>

  1556. 	<p>While playing, the audio library accesses the SD card automatically.

  1557. 		If card access is required, you must

  1558. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">use AudioNoInterrupts()</a>

  1559. 		to prevent the library from accessing the SD card while you use it.

  1560. 		Disabling the audio library interrupt for too long may cause audible

  1561. 		dropouts or glitches.

  1562. 	</p>

  1563. 	<p>An experimental SD library optimization exists, which can remove these

  1564. 		SD library restrictions.  It also allows reliable playback of more

  1565. 		files at the same time.  To enable this special code, find and edit

  1566. 		the SD_t3.h file within your Arduino folder.  See the comments within

  1567. 		that file for details.

  1568. 	</p>

  1569. 

  1570. </script>

  1571. <script type="text/x-red" data-template-name="AudioPlaySdWav">

  1572. 	<div class="form-row">

  1573. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1574. 		<input type="text" id="node-input-name" placeholder="Name">

  1575. 	</div>

  1576. </script>

  1577. 

  1578. <script type="text/x-red" data-help-name="AudioPlaySdRaw">

  1579. 	<h3>Summary</h3>

  1580. 	<div class=tooltipinfo>

  1581. 	<p>Play a RAW data file, stored on a SD card.  RAW format is simpler

  1582. 		than WAV and begins playing immediately, without parsing WAV file

  1583. 		header info.</p>

  1584. 	</div>

  1585. 	<h3>Audio Connections</h3>

  1586. 	<table class=doc align=center cellpadding=3>

  1587. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1588. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1589. 	</table>

  1590. 	<h3>Functions</h3>

  1591. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1592. 	<p class=desc>Begin playing a RAW data file.  If a file is already playing,

  1593. 		it is stopped and this file starts playing from the beginning.

  1594. 	</p>

  1595. 	<p class=func><span class=keyword>stop</span>();</p>

  1596. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1597. 	</p>

  1598. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1599. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1600. 		when not playing.

  1601. 	</p>

  1602. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1603. 	<p class=desc>While playing, return the current time offset, in

  1604. 		milliseconds.  When not playing, the return from this function

  1605. 		is undefined.

  1606. 	</p>

  1607. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1608. 	<p class=desc>Return the total length of the current sound clip,

  1609. 		in milliseconds.  When not playing, the return from this function

  1610. 		is undefined.

  1611. 	</p>

  1612. 	<h3>Examples</h3>

  1613. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1614. 	</p>

  1615. 	<h3>Notes</h3>

  1616. 	<p>The data file must be RAW 16 bit signed integers in LSB-first format.

  1617. 	</p>

  1618. 	<p>While playing, the audio library accesses the SD card automatically.

  1619. 		If card access is required, you must

  1620. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  1621. 		to prevent the library from accessing the SD card while you use it.

  1622. 		Disabling the audio library interrupt for too long may cause audible

  1623. 		dropouts or glitches.

  1624. 	</p>

  1625. </script>

  1626. <script type="text/x-red" data-template-name="AudioPlaySdRaw">

  1627. 	<div class="form-row">

  1628. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1629. 		<input type="text" id="node-input-name" placeholder="Name">

  1630. 	</div>

  1631. </script>

  1632. 

  1633. <script type="text/x-red" data-help-name="AudioPlaySerialflashRaw">

  1634. 	<h3>Summary</h3>

  1635. 	<div class=tooltipinfo>

  1636. 	<p>Play a RAW data file, stored on a Serial Flash chip.  These chips

  1637. 		are far more efficient than SD cards, allowing many files to be

  1638. 		played simultaneously by copies of this object.

  1639. 		</p>

  1640. 	<p align=center><img src="img/w25q128fv.jpg"><br><small>W25Q128FV Serial Flash</small></p>

  1641. 	</div>

  1642. 	<h3>Audio Connections</h3>

  1643. 	<table class=doc align=center cellpadding=3>

  1644. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1645. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1646. 	</table>

  1647. 	<h3>Functions</h3>

  1648. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1649. 	<p class=desc>Begin playing a RAW data file.  If a file is already playing,

  1650. 		it is stopped and this file starts playing from the beginning.

  1651. 	</p>

  1652. 	<p class=func><span class=keyword>stop</span>();</p>

  1653. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1654. 	</p>

  1655. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1656. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1657. 		when not playing.

  1658. 	</p>

  1659. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1660. 	<p class=desc>While playing, return the current time offset, in

  1661. 		milliseconds.  When not playing, the return from this function

  1662. 		is undefined.

  1663. 	</p>

  1664. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1665. 	<p class=desc>Return the total length of the current sound clip,

  1666. 		in milliseconds.  When not playing, the return from this function

  1667. 		is undefined.

  1668. 	</p>

  1669. 	<h3>Examples</h3>

  1670. 	<!--

  1671. <p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1672. -->

  1673. 	<p class=exam>TODO: play example needed....

  1674. 	</p>

  1675. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; CopyFromSD

  1676. 	</p>

  1677. 	<h3>Notes</h3>

  1678. 	<p>The data file must be RAW 16 bit signed integers in LSB-first format.

  1679. 	</p>

  1680. 	<p>The <a href="https://github.com/PaulStoffregen/SerialFlash" target="_blank">SerialFlash library</a>

  1681. 		is used to access the flash chip.  You can also use SerialFlash's functions

  1682. 		to access the stored files, or add data to the flash chip.

  1683. 	</p>

  1684. 	<p>File names are case sensitive with SerialFlash.  If your sound does

  1685. 		not play, use <b>File &gt; Examples &gt; SerialFlash &gt; ListFiles</b> to

  1686. 		check the exact file names stored in the flash memory chip.

  1687. </script>

  1688. <script type="text/x-red" data-template-name="AudioPlaySerialflashRaw">

  1689. 	<div class="form-row">

  1690. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1691. 		<input type="text" id="node-input-name" placeholder="Name">

  1692. 	</div>

  1693. </script>

  1694. 

  1695. <script type="text/x-red" data-help-name="AudioPlayQueue">

  1696. 	<h3>Summary</h3>

  1697. 	<div class=tooltipinfo>

  1698. 	<p>Play audio data provided by the Arduino sketch.  This object provides

  1699. 		functions to allow the sketch code to push data into the audio system.</p>

  1700. 	</div>

  1701. 	<h3>Audio Connections</h3>

  1702. 	<table class=doc align=center cellpadding=3>

  1703. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1704. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1705. 	</table>

  1706. 	<h3>Functions</h3>

  1707. 	<p class=func><span class=keyword>play</span>(int16);</p>

  1708. 	<p class=desc>not yet implemented

  1709. 	</p>

  1710. 	<p class=func><span class=keyword>play</span>(int16[], length);</p>

  1711. 	<p class=desc>not yet implemented

  1712. 	</p>

  1713. 	<p class=func><span class=keyword>getBuffer</span>();</p>

  1714. 	<p class=desc>Returns a pointer to an array of 128 int16.  This buffer

  1715. 		is within the audio library memory pool, providing the most efficient

  1716. 		way to input data to the audio system.  The buffer is likely to be

  1717. 		populated by previously used data, so the entire 128 words should be

  1718. 		written before calling playBuffer().  Only a single buffer should be

  1719. 		requested at a time.  This function may return NULL if no memory is

  1720. 		available.

  1721. 	</p>

  1722. 	<p class=func><span class=keyword>playBuffer</span>();</p>

  1723. 	<p class=desc>Transmit the buffer previously obtained from getBuffer().

  1724. 	</p>

  1725. 	<h3>Examples</h3>

  1726. 		<p><a href="http://community.arm.com/groups/embedded/blog/2014/05/23/led-video-panel-at-maker-faire-2014" target="_blank">4320 LED Video+Sound Project</a>

  1727. 		</p>

  1728. 	<!--

  1729. <p class=exam>File &gt; Examples &gt; Audio &gt;

  1730. 	</p>

  1731. -->

  1732. 	<h3>Notes</h3>

  1733. 	<p>TODO: many caveats....</p>

  1734. 	<p>

  1735. 	</p>

  1736. </script>

  1737. <script type="text/x-red" data-template-name="AudioPlayQueue">

  1738. 	<div class="form-row">

  1739. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1740. 		<input type="text" id="node-input-name" placeholder="Name">

  1741. 	</div>

  1742. </script>

  1743. 

  1744. <script type="text/x-red" data-help-name="AudioRecordQueue">

  1745. 	<h3>Summary</h3>

  1746. 	<div class=tooltipinfo>

  1747. 	<p>Record audio data by sending to the Arduino sketch.  This object allows

  1748. 		sketch code to receive audio packets.</p>

  1749. 	</div>

  1750. 	<h3>Audio Connections</h3>

  1751. 	<table class=doc align=center cellpadding=3>

  1752. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1753. 		<tr class=odd><td align=center>In 0</td><td>Sound To Access</td></tr>

  1754. 	</table>

  1755. 	<h3>Functions</h3>

  1756. 	<p class=func><span class=keyword>begin</span>();</p>

  1757. 	<p class=desc>Begin capturing incoming audio to the queue.  After calling

  1758. 		begin, readBuffer() and freeBuffer(), or clear() must be used frequently

  1759. 		to prevent the queue from filling up.

  1760. 	</p>

  1761. 	<p class=func><span class=keyword>available</span>();</p>

  1762. 	<p class=desc>Returns the number of audio packets available to read.

  1763. 	</p>

  1764. 	<p class=func><span class=keyword>readBuffer</span>();</p>

  1765. 	<p class=desc>Read a single audio packet.  A pointer to a 128 sample

  1766. 		array of 16 bit integers is returned.  NULL is returned if no packets

  1767. 		are available.

  1768. 	</p>

  1769. 	<p class=func><span class=keyword>freeBuffer</span>();</p>

  1770. 	<p class=desc>Release the memory from the previously read packet returned

  1771. 		from readBuffer().  Only a single packet at a time may be read, and

  1772. 		each packet must be freed with this function, to return the memory to

  1773. 		the audio library.

  1774. 	</p>

  1775. 	<p class=func><span class=keyword>clear</span>();</p>

  1776. 	<p class=desc>Discard all audio held in the queue.

  1777. 	</p>

  1778. 	<p class=func><span class=keyword>end</span>();</p>

  1779. 	<p class=desc>Stop capturing incoming audio into the queue.  Data already

  1780. 		captured remains in the queue and may be read with readBuffer().

  1781. 	</p>

  1782. 	<h3>Examples</h3>

  1783. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1784. 	</p>

  1785. 	<h3>Notes</h3>

  1786. 	<p>

  1787. 		Up to 52 packets may be queued by this object, which allows approximately

  1788. 		150 ms of audio to be held in the queue, to allow time for the Arduino

  1789. 		sketch to write data to media or do other high-latency tasks.

  1790. 

  1791. The actual packets are taken

  1792. 		from the pool created by AudioMemory().

  1793. 	</p>

  1794. </script>

  1795. <script type="text/x-red" data-template-name="AudioRecordQueue">

  1796. 	<div class="form-row">

  1797. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1798. 		<input type="text" id="node-input-name" placeholder="Name">

  1799. 	</div>

  1800. </script>

  1801. 

  1802. <script type="text/x-red" data-help-name="AudioSynthSimpleDrum">

  1803. 	<h3>Summary</h3>

  1804. 	<div class=tooltipinfo>

  1805. 	<p>Generate a synthesised drum sound.  Also useful for laser pistol and bursting

  1806. 		bubble sound effects.</p>

  1807. 	</div>

  1808. 	<h3>Audio Connections</h3>

  1809. 	<table class=doc align=center cellpadding=3>

  1810. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1811. 		<tr class=odd><td align=center>Out 0</td><td>Drum Tone Output</td></tr>

  1812. 	</table>

  1813. 	<h3>Functions</h3>

  1814. 	<p class=func><span class=keyword>noteOn</span>();</p>

  1815. 	<p class=desc>Trigger the drum.

  1816. 	</p>

  1817. 	<p class=func><span class=keyword>frequency</span>(frequency);</p>

  1818. 	<p class=desc>Set the base frequency of the drum.

  1819. 	</p>

  1820. 	<p class=func><span class=keyword>length</span>(milliseconds);</p>

  1821. 	<p class=desc>Set the duration of the envelope, in milliseconds.

  1822. 	</p>

  1823. 	<p class=func><span class=keyword>secondMix</span>(level);</p>

  1824. 	<p class=desc>Emulates a two-headed tom, by adding a second sine wave that is

  1825. 	harmonized a perfect fifth above

  1826. 	the base frequency.  Using this involves a slight CPU penalty.

  1827. 	</p>

  1828. 	<p class=func><span class=keyword>pitchMod</span>(depth);</p>

  1829. 	<p class=desc>Set the depth of envelope of the pitch, by a maximum of two octaves.

  1830. 	Default is 0.5, with no modulation.  Values above 0.5 cause the pitch to sweep

  1831. 	downwards, values lower than 0.5 cause the pitch to sweep upwards.

  1832. 	</p>

  1833. 	<h3>Examples</h3>

  1834. 	<p class=exam>File &gt; Examples &gt; Synthesis &gt; SimpleDrum

  1835. 	</p>

  1836. 	<h3>Notes</h3>

  1837. 	<p></p>

  1838. </script>

  1839. <script type="text/x-red" data-template-name="AudioSynthSimpleDrum">

  1840. 	<div class="form-row">

  1841. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1842. 		<input type="text" id="node-input-name" placeholder="Name">

  1843. 	</div>

  1844. </script>

  1845. 

  1846. <script type="text/x-red" data-help-name="AudioSynthKarplusStrong">

  1847. 	<h3>Summary</h3>

  1848. 	<div class=tooltipinfo>

  1849. 	<p>Synthesize a plucked string sound, such as a guitar string.

  1850. 		</p>

  1851. 	<p align=center><img src="img/touchguitar.jpg"></p>

  1852. 	</div>

  1853. 	<h3>Audio Connections</h3>

  1854. 	<table class=doc align=center cellpadding=3>

  1855. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1856. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1857. 	</table>

  1858. 	<h3>Functions</h3>

  1859. 	<p class=func><span class=keyword>noteOn</span>(frequency, velocity);</p>

  1860. 	<p class=desc>Begin a new string note.  Velocity can be from 0 to 1.0,

  1861. 		indicating how hard the string is plucked.

  1862. 	</p>

  1863. 	<p class=func><span class=keyword>noteOff</span>(velocity);</p>

  1864. 	<p class=desc>Stop the sound output.

  1865. 	</p>

  1866. 	<h3>Examples</h3>

  1867. 	<p class=exam>File &gt; Examples &gt; Synthesis &gt; Guitar

  1868. 	</p>

  1869. 	<p class=exam><a href="https://github.com/PaulStoffregen/TouchGuitar" target="_blank">TouchGuitar</a>

  1870. 	</p>

  1871. 	<h3>Notes</h3>

  1872. 	<p></p>

  1873. </script>

  1874. <script type="text/x-red" data-template-name="AudioSynthSimpleDrum">

  1875. 	<div class="form-row">

  1876. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1877. 		<input type="text" id="node-input-name" placeholder="Name">

  1878. 	</div>

  1879. </script>

  1880. 

  1881. <script type="text/x-red" data-help-name="AudioSynthWaveformSine">

  1882. 	<h3>Summary</h3>

  1883. 	<div class=tooltipinfo>

  1884. 	<p>Create a sine wave signal</p>

  1885. 	</div>

  1886. 	<h3>Audio Connections</h3>

  1887. 	<table class=doc align=center cellpadding=3>

  1888. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1889. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave Output</td></tr>

  1890. 	</table>

  1891. 	<h3>Functions</h3>

  1892. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  1893. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  1894. 	</p>

  1895. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  1896. 	<p class=desc>Set the frequency, from 0 to 22000.  Very low values may

  1897. 		be used to create a LFO (Low Frequency Oscillator) for objects

  1898. 		with modulation signal inputs.

  1899. 	</p>

  1900. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  1901. 	<p class=desc>

  1902. 		Cause the generated waveform to jump to a specific point within

  1903. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  1904. 		are configured,

  1905. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  1906. 		should be used to guarantee all new settings take effect together.

  1907. 	</p>

  1908. 	<h3>Examples</h3>

  1909. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  1910. 	</p>

  1911. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  1912. 	</p>

  1913. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  1914. 	</p>

  1915. 	<h3>Notes</h3>

  1916. 	<p></p>

  1917. </script>

  1918. <script type="text/x-red" data-template-name="AudioSynthWaveformSine">

  1919. 	<div class="form-row">

  1920. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1921. 		<input type="text" id="node-input-name" placeholder="Name">

  1922. 	</div>

  1923. </script>

  1924. 

  1925. <script type="text/x-red" data-help-name="AudioSynthWaveformSineHires">

  1926. 	<h3>Summary</h3>

  1927. 	<div class=tooltipinfo>

  1928. 	<p>Create a highly precise, low distortion sine wave signal.

  1929. 		Mainly useful for codec &amp; analog circuitry testing.</p>

  1930. 	</div>

  1931. 	<h3>Audio Connections</h3>

  1932. 	<table class=doc align=center cellpadding=3>

  1933. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1934. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave, upper bits</td></tr>

  1935. 		<tr class=odd><td align=center>Out 1</td><td>Sine Wave, lower bits</td></tr>

  1936. 	</table>

  1937. 	<h3>Functions</h3>

  1938. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  1939. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  1940. 	</p>

  1941. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  1942. 	<p class=desc>Set the frequency, from 0 to 22000.  Very low values may

  1943. 		be used to create a LFO (Low Frequency Oscillator) for objects

  1944. 		with modulation signal inputs.

  1945. 	</p>

  1946. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  1947. 	<p class=desc>

  1948. 		Cause the generated waveform to jump to a specific point within

  1949. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  1950. 		are configured,

  1951. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  1952. 		should be used to guarantee all new settings take effect together.

  1953. 	</p>

  1954. 	<h3>Notes</h3>

  1955. 	<p>An 11th order Taylor series approximation is used to generate

  1956. 		a very accurate sine wave.  At least the upper 25 bits are believe

  1957. 		to be perfect.  This is mainly intended for testing 24 bit codec chips!</p>

  1958. </script>

  1959. <script type="text/x-red" data-template-name="AudioSynthWaveformSine">

  1960. 	<div class="form-row">

  1961. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1962. 		<input type="text" id="node-input-name" placeholder="Name">

  1963. 	</div>

  1964. </script>

  1965. 

  1966. <script type="text/x-red" data-help-name="AudioSynthWaveformSineModulated">

  1967. 	<h3>Summary</h3>

  1968. 	<div class=tooltipinfo>

  1969. 	<p>Create a modulated sine wave, using any audio signal to continuously

  1970. 		modulate the sine wave frequency.</p>

  1971. 	</div>

  1972. 	<h3>Audio Connections</h3>

  1973. 	<table class=doc align=center cellpadding=3>

  1974. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1975. 		<tr class=odd><td align=center>In 0</td><td>Modulation Signal</td></tr>

  1976. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave Output</td></tr>

  1977. 	</table>

  1978. 	<h3>Functions</h3>

  1979. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  1980. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  1981. 	</p>

  1982. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  1983. 	<p class=desc>Set the center frequency, from 0 to 11000.  The output will

  1984. 		be this center frequency when the input modulation signal is zero.

  1985. 		Modulation input 1.0 causes the frequency to double, and input -1.0

  1986. 		causes zero Hz (DC) output.  For less modulation, attenuate the input

  1987. 		signal (perhaps with a mixer object) before it arrives here.

  1988. 	</p>

  1989. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  1990. 	<p class=desc>

  1991. 		Cause the generated waveform to jump to a specific point within

  1992. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  1993. 		are configured,

  1994. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  1995. 		should be used to guarantee all new settings take effect together.

  1996. 	</p>

  1997. 	<!--

  1998. <h3>Examples</h3>

  1999. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2000. 	</p>

  2001. -->

  2002. 	<h3>Notes</h3>

  2003. 	<p></p>

  2004. </script>

  2005. <script type="text/x-red" data-template-name="AudioSynthWaveformSineModulated">

  2006. 	<div class="form-row">

  2007. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2008. 		<input type="text" id="node-input-name" placeholder="Name">

  2009. 	</div>

  2010. </script>

  2011. 

  2012. <script type="text/x-red" data-help-name="AudioSynthWaveform">

  2013. 	<h3>Summary</h3>

  2014. 	<div class=tooltipinfo>

  2015. 	<p>Create a waveform: sine, sawtooth, square, triangle, pulse, random S&H or arbitrary.</p>

  2016. 	<p align=center><img src="img/waveforms.png"></p>

  2017. 	</div>

  2018. 	<h3>Audio Connections</h3>

  2019. 	<table class=doc align=center cellpadding=3>

  2020. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2021. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2022. 	</table>

  2023. 	<h3>Functions</h3>

  2024. 	<p class=func><span class=keyword>begin</span>(waveform);</p>

  2025. 	<p class=desc>Configure the waveform type to create.

  2026. 	</p>

  2027. 	<p class=func><span class=keyword>begin</span>(level, frequency, waveform);</p>

  2028. 	<p class=desc>Output a waveform, and set the amplitude and frequency.

  2029. 	</p>

  2030. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2031. 	<p class=desc>Change the frequency.

  2032. 	</p>

  2033. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2034. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2035. 	</p>

  2036. 	<p class=func><span class=keyword>offset</span>(level);</p>

  2037. 	<p class=desc>Add a DC offset, from -1.0 to +1.0.  Useful for generating

  2038. 		waveforms to use as control or modulation signals.

  2039. 	</p>

  2040. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  2041. 	<p class=desc>

  2042. 		Cause the generated waveform to jump to a specific point within

  2043. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  2044. 		are configured,

  2045. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2046. 		should be used to guarantee all new settings take effect together.

  2047. 	</p>

  2048. 	<p class=func><span class=keyword>pulseWidth</span>(amount);</p>

  2049. 	<p class=desc>Change the width (duty cycle) of the pulse.</p>

  2050. 	<p class=func><span class=keyword>arbitraryWaveform</span>(array, maxFreq);</p>

  2051. 	<p class=desc>

  2052. 		Configure the waveform to be used with WAVEFORM_ARBITRARY.  Array

  2053. 		must be an array of 256 samples.  Currently, the data is used

  2054. 		without any filtering, which can cause aliasing with frequencies

  2055. 		above 172 Hz.  For higher frequency output, you must bandwidth

  2056. 		limit your waveform data.  Someday, "maxFreq" will be used to

  2057. 		do this automatically.

  2058. 	</p>

  2059. 	<h3>Examples</h3>

  2060. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Waveforms

  2061. 	</p>

  2062. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  2063. 	</p>

  2064. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; pulseWidth

  2065. 	</p>

  2066. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  2067. 	</p>

  2068. 	<h3>Notes</h3>

  2069. 	<p>Supported Waveforms:<br>

  2070. 		<ul>

  2071. 		<li><span class=literal>WAVEFORM_SINE</span></li>

  2072. 		<li><span class=literal>WAVEFORM_SAWTOOTH</span></li>

  2073. 		<li><span class=literal>WAVEFORM_SAWTOOTH_REVERSE</span></li>

  2074. 		<li><span class=literal>WAVEFORM_SQUARE</span></li>

  2075. 		<li><span class=literal>WAVEFORM_TRIANGLE</span></li>

  2076. 		<li><span class=literal>WAVEFORM_TRIANGLE_VARIABLE</span></li>

  2077. 		<li><span class=literal>WAVEFORM_ARBITRARY</span></li>

  2078. 		<li><span class=literal>WAVEFORM_PULSE</span></li>

  2079. 		<li><span class=literal>WAVEFORM_SAMPLE_HOLD</span></li>

  2080. 		</ul>

  2081. 	</p>

  2082. </script>

  2083. <script type="text/x-red" data-template-name="AudioSynthWaveform">

  2084. 	<div class="form-row">

  2085. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2086. 		<input type="text" id="node-input-name" placeholder="Name">

  2087. 	</div>

  2088. </script>

  2089. 

  2090. <script type="text/x-red" data-help-name="AudioSynthWaveformModulated">

  2091. 	<h3>Summary</h3>

  2092. 	<div class=tooltipinfo>

  2093. 	<p>Create a waveform <b>with modulation</b>: sine, sawtooth, square, triangle, pulse, random S&H or arbitrary.</p>

  2094. 	<p align=center><img src="img/waveformsmod.png"></p>

  2095. 	</div>

  2096. 	<h3>Audio Connections</h3>

  2097. 	<table class=doc align=center cellpadding=3>

  2098. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2099. 		<tr class=odd><td align=center>In 0</td><td>Frequency or Phase</td></tr>

  2100. 		<tr class=odd><td align=center>In 1</td><td>Shape (Pulse &amp; Var Triangle)</td></tr>

  2101. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2102. 	</table>

  2103. 	<h3>Functions</h3>

  2104. 	<p class=func><span class=keyword>begin</span>(waveform);</p>

  2105. 	<p class=desc>Configure the waveform type to create.

  2106. 	</p>

  2107. 	<p class=func><span class=keyword>begin</span>(level, frequency, waveform);</p>

  2108. 	<p class=desc>Output a waveform, and set the amplitude and base frequency.

  2109. 	</p>

  2110. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2111. 	<p class=desc>Change the base (unmodulated) frequency.

  2112. 	</p>

  2113. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2114. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2115. 	</p>

  2116. 	<p class=func><span class=keyword>offset</span>(level);</p>

  2117. 	<p class=desc>Add a DC offset, from -1.0 to +1.0.  Useful for generating

  2118. 		waveforms to use as control or modulation signals.

  2119. 	</p>

  2120. 	<p class=func><span class=keyword>frequencyModulation</span>(octaves);</p>

  2121. 	<p class=desc>

  2122. 		Configure for frequency modulation mode (the default) where the

  2123. 		input signal will adjust the frequency by a specific number of

  2124. 		octaves (the default is 8 octaves).  If the -1.0 to +1.0 signal

  2125. 		represents a &plusmn;10 volt range and you wish to have control

  2126. 		at 1 volt/octave, then configure for 10 octaves range.  The

  2127. 		maximum modulation sensitivity is 12 octaves.

  2128. 	</p>

  2129. 	<p class=func><span class=keyword>phaseModulation</span>(degrees);</p>

  2130. 	<p class=desc>

  2131. 		Configure for phase modulation mode where the input signal will

  2132. 		adjust the waveform phase angle a specific number of degrees.

  2133. 		180.0 allows a full scale &plusmn;1.0 signal to span 1 full

  2134. 		cycle of the waveform.  Maximum modulation sensitivity is 9000

  2135. 		degrees (&plusmn;25 cycles).

  2136. 	</p>

  2137. 	<p class=func><span class=keyword>arbitraryWaveform</span>(array, maxFreq);</p>

  2138. 	<p class=desc>

  2139. 		Configure the waveform to be used with WAVEFORM_ARBITRARY.  Array

  2140. 		must be an array of 256 samples.  Currently, the data is used

  2141. 		without any filtering, which can cause aliasing with frequencies

  2142. 		above 172 Hz.  For higher frequency output, you must bandwidth

  2143. 		limit your waveform data.  Someday, "maxFreq" will be used to

  2144. 		do this automatically.

  2145. 	</p>

  2146. 	<h3>Examples</h3>

  2147. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; WaveformsModulated

  2148. 	</p>

  2149. 	<h3>Notes</h3>

  2150. 	<p>Supported Waveforms:<br>

  2151. 		<ul>

  2152. 		<li><span class=literal>WAVEFORM_SINE</span></li>

  2153. 		<li><span class=literal>WAVEFORM_SAWTOOTH</span></li>

  2154. 		<li><span class=literal>WAVEFORM_SAWTOOTH_REVERSE</span></li>

  2155. 		<li><span class=literal>WAVEFORM_SQUARE</span></li>

  2156. 		<li><span class=literal>WAVEFORM_TRIANGLE</span></li>

  2157. 		<li><span class=literal>WAVEFORM_TRIANGLE_VARIABLE</span></li>

  2158. 		<li><span class=literal>WAVEFORM_ARBITRARY</span></li>

  2159. 		<li><span class=literal>WAVEFORM_PULSE</span></li>

  2160. 		<li><span class=literal>WAVEFORM_SAMPLE_HOLD</span></li>

  2161. 		</ul>

  2162. 	</p>

  2163. 	<p>The Sample &amp; Hold waveform does not support phase modulation.

  2164. 		Attempting to modulate its phase may give random or

  2165. 		inconsistent results.  Use only frequency modulation

  2166. 		to vary the Sample &amp; Hold waveform speed

  2167. 	</p>

  2168. </script>

  2169. <script type="text/x-red" data-template-name="AudioSynthWaveformModulated">

  2170. 	<div class="form-row">

  2171. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2172. 		<input type="text" id="node-input-name" placeholder="Name">

  2173. 	</div>

  2174. </script>

  2175. 

  2176. <script type="text/x-red" data-help-name="AudioSynthWaveformPWM">

  2177. 	<h3>Summary</h3>

  2178. 	<div class=tooltipinfo>

  2179. 	<p>Create a Pulse Width Modulated waveform, with an audio signal

  2180. 		controlling the pulse width duty cycle.</p>

  2181. 	<p align=center><img src="img/pwm.png"></p>

  2182. 	</div>

  2183. 	<h3>Audio Connections</h3>

  2184. 	<table class=doc align=center cellpadding=3>

  2185. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2186. 		<tr class=odd><td align=center>In 0</td><td>Control Signal Output</td></tr>

  2187. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2188. 	</table>

  2189. 	<p>The duty cycle is 50% when the control waveform is zero.

  2190. 		As the control input causes a linear changes in PWM duty

  2191. 		cycle, from nearly 0 to 100% over -1.0 to +1.0 range.

  2192. 		See the notes below for minimum and maximum limitations.

  2193. 	</p>

  2194. 	<h3>Functions</h3>

  2195. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2196. 	<p class=desc>Change the frequency.

  2197. 	</p>

  2198. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2199. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2200. 	</p>

  2201. 	<h3>Examples</h3>

  2202. 	<p class=exam>TODO, examples needed

  2203. 	</p>

  2204. 	<h3>Notes</h3>

  2205. 	<p>The maximum duty cycle is 65536 samples high followed by

  2206. 		one sample low (99.9985%) and the minimum duty cycle is

  2207. 		1 sample high followed by 65536 samples low (0.00153%).

  2208. 	</p>

  2209. </script>

  2210. <script type="text/x-red" data-template-name="AudioSynthWaveformPWM">

  2211. 	<div class="form-row">

  2212. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2213. 		<input type="text" id="node-input-name" placeholder="Name">

  2214. 	</div>

  2215. </script>

  2216. 

  2217. <script type="text/x-red" data-help-name="AudioSynthToneSweep">

  2218. 	<h3>Summary</h3>

  2219. 	<div class=tooltipinfo>

  2220. 	<p>Create a continuously varying (in frequency) sine wave</p>

  2221. 	</div>

  2222. 	<h3>Audio Connections</h3>

  2223. 	<table class=doc align=center cellpadding=3>

  2224. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2225. 		<tr class=odd><td align=center>Out 0</td><td>Continuously varying tone</td></tr>

  2226. 	</table>

  2227. 	<h3>Functions</h3>

  2228. 	<p class=func><span class=keyword>play</span>(level, lowFreq, highFreq, time);</p>

  2229. 	<p class=desc>Start generating frequency sweep output.  The time is specified

  2230. 		in seconds.  Level is 0 to 1.0.

  2231. 	</p>

  2232. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  2233. 	<p class=desc>Returns true (non-zero) while the output is active.

  2234. 	</p>

  2235. 	<p class=func><span class=keyword>read</span>();</p>

  2236. 	<p class=desc>Returns the current frequency, or zero if the output is not active.

  2237. 	</p>

  2238. 	<h3>Examples</h3>

  2239. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; ToneSweep

  2240. 	</p>

  2241. 	<h3>Notes</h3>

  2242. 	<p>Uses excessive CPU time.</p>

  2243. 	<p>The frequency actually changes in discrete steps every 128 samples (2.9 ms).</p>

  2244. </script>

  2245. <script type="text/x-red" data-template-name="AudioSynthToneSweep">

  2246. 	<div class="form-row">

  2247. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2248. 		<input type="text" id="node-input-name" placeholder="Name">

  2249. 	</div>

  2250. </script>

  2251. 

  2252. <script type="text/x-red" data-help-name="AudioSynthWaveformDc">

  2253. 	<h3>Summary</h3>

  2254. 	<div class=tooltipinfo>

  2255. 	<p>Create constant (DC) signal, useful for control of objects that take

  2256. 		a modulation or control input signal.  This constant level can be

  2257. 		used to modify other waveforms using mixer or multiplier objects</p>

  2258. 	</div>

  2259. 	<h3>Audio Connections</h3>

  2260. 	<table class=doc align=center cellpadding=3>

  2261. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2262. 		<tr class=odd><td align=center>Out 0</td><td>Output constant DC level</td></tr>

  2263. 	</table>

  2264. 	<h3>Functions</h3>

  2265. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2266. 	<p class=desc>Set the output.  Level is -1.0 to 1.0.  The output is

  2267. 		changed immediately.

  2268. 	</p>

  2269. 	<p class=func><span class=keyword>amplitude</span>(level, milliseconds);</p>

  2270. 	<p class=desc>Set the output.  Level is -1.0 to 1.0.  The output is

  2271. 		gradually changed over a "milliseconds" time period.  Any time may

  2272. 		be specified, but periods longer than 1 second may be automatically

  2273. 		shortened for small level changes, due to numerical precision limits.

  2274. 	</p>

  2275. 	<p class=func><span class=keyword>read</span>();</p>

  2276. 	<p class=desc>Read the current level.  Returns -1.0 to 1.0.  This can be

  2277. 		useful for monitoring the amplitude after configuring a slow change.

  2278. 	</p>

  2279. 	<!--

  2280. <h3>Examples</h3>

  2281. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2282. 	</p>

  2283. -->

  2284. 	<h3>Notes</h3>

  2285. 	<p>Of course, the term "DC", for Direct Current, doesn't properly apply

  2286. 		to a pure digital stream of numerical values.  But the term is widely

  2287. 		understood in audio applications, so hopefully it's not too confusing?</p>

  2288. </script>

  2289. <script type="text/x-red" data-template-name="AudioSynthWaveformDc">

  2290. 	<div class="form-row">

  2291. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2292. 		<input type="text" id="node-input-name" placeholder="Name">

  2293. 	</div>

  2294. </script>

  2295. 

  2296. <script type="text/x-red" data-help-name="AudioSynthNoiseWhite">

  2297. 	<h3>Summary</h3>

  2298. 	<div class=tooltipinfo>

  2299. 	<p>Create white noise.

  2300. 		</p>

  2301. 	<p align=center><img src="img/whitenoise.png"></p>

  2302. 	</div>

  2303. 	<h3>Audio Connections</h3>

  2304. 	<table class=doc align=center cellpadding=3>

  2305. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2306. 		<tr class=odd><td align=center>Out 0</td><td>White Noise</td></tr>

  2307. 	</table>

  2308. 	<h3>Functions</h3>

  2309. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2310. 	<p class=desc>Set the output peak level, from 0 (off) to 1.0.

  2311. 		The default is off.  Noise is generated only after setting

  2312. 		to a non-zero level.

  2313. 	</p>

  2314. 	<h3>Examples</h3>

  2315. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2316. 	</p>

  2317. 	<h3>Notes</h3>

  2318. 	<p>Setting the amplitude to zero causes this object to stop using

  2319. 		CPU time to generate random numbers.

  2320. 	</p>

  2321. </script>

  2322. <script type="text/x-red" data-template-name="AudioSynthNoiseWhite">

  2323. 	<div class="form-row">

  2324. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2325. 		<input type="text" id="node-input-name" placeholder="Name">

  2326. 	</div>

  2327. </script>

  2328. 

  2329. <script type="text/x-red" data-help-name="AudioSynthNoisePink">

  2330. 	<h3>Summary</h3>

  2331. 	<div class=tooltipinfo>

  2332. 	<p>Create pink noise, using Stefan Stenzel's "New Shade Of Pink" algorithm.

  2333. 		</p>

  2334. 	<!--

  2335. <p align=center><img src="img/whitenoise.png"></p>

  2336. -->

  2337. 	</div>

  2338. 	<h3>Audio Connections</h3>

  2339. 	<table class=doc align=center cellpadding=3>

  2340. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2341. 		<tr class=odd><td align=center>Out 0</td><td>Pink Noise</td></tr>

  2342. 	</table>

  2343. 	<h3>Functions</h3>

  2344. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2345. 	<p class=desc>Set the output peak level, from 0 (off) to 1.0.

  2346. 		The default is off.  Noise is generated only after setting

  2347. 		to a non-zero level.

  2348. 	</p>

  2349. 	<h3>Examples</h3>

  2350. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  2351. 	</p>

  2352. 	<h3>Notes</h3>

  2353. 	<p>Setting the amplitude to zero causes this object to stop using

  2354. 		CPU time.  CPU usage is approx 3% on Teensy 3.1.

  2355. 	</p>

  2356. 	<p>Stefan Stenzel's

  2357. 		<a href="http://stenzel.waldorfmusic.de/post/pink/" target="_blank">New Shade Of Pink</a>

  2358. 		algorithm.  Stefan's terms of use are "Use for any purpose. If used

  2359. 		in a commercial product, you should give me one."

  2360. 	</p>

  2361. </script>

  2362. <script type="text/x-red" data-template-name="AudioSynthNoisePink">

  2363. 	<div class="form-row">

  2364. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2365. 		<input type="text" id="node-input-name" placeholder="Name">

  2366. 	</div>

  2367. </script>

  2368. 

  2369. <script type="text/x-red" data-help-name="AudioEffectFade">

  2370. 	<h3>Summary</h3>

  2371. 	<div class=tooltipinfo>

  2372. 	<p>Gradually increase or decrease audio level.</p>

  2373. 	</div>

  2374. 	<h3>Audio Connections</h3>

  2375. 	<table class=doc align=center cellpadding=3>

  2376. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2377. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2378. 		<tr class=odd><td align=center>Out 0</td><td>Signal Output</td></tr>

  2379. 	</table>

  2380. 	<h3>Functions</h3>

  2381. 	<p class=func><span class=keyword>fadeIn</span>(milliseconds);</p>

  2382. 	<p class=desc>Begin increasing the audio level, to reach 1.0 (input passed

  2383. 		directly to the output) after "milliseconds" time.

  2384. 	</p>

  2385. 	<p class=func><span class=keyword>fadeOut</span>(milliseconds);</p>

  2386. 	<p class=desc>Begin decreasing the audio level, to reach 0 (no output)

  2387. 		after "milliseconds" time.

  2388. 	</p>

  2389. 	<!--

  2390. <h3>Examples</h3>

  2391. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2392. 	</p>

  2393. -->

  2394. 	<h3>Notes</h3>

  2395. 	<p>Cross fading can be built with 2 fade objects fed into a mixer.

  2396. 		When one fade object is off (fully faded out) and the other on

  2397. 		(fully faded in), if both are started at the same moment for the

  2398. 		same time duration, their signal gains always add to 1.0.  This

  2399. 		allows 2 fade objects to work together for a smooth transition

  2400. 		between a pair of signals.

  2401. 	</p>

  2402. 	<p><a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2403. 		should be used when changing

  2404. 		settings on multiple objects, so all changes always take effect

  2405. 		at the same moment.

  2406. 	</p>

  2407. </script>

  2408. <script type="text/x-red" data-template-name="AudioEffectFade">

  2409. 	<div class="form-row">

  2410. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2411. 		<input type="text" id="node-input-name" placeholder="Name">

  2412. 	</div>

  2413. </script>

  2414. 

  2415. <script type="text/x-red" data-help-name="AudioEffectChorus">

  2416. <h3>Summary</h3>

  2417. 	<div class=tooltipinfo>

  2418. 	<p>The chorus effect simulates the richness of several nearly-identical

  2419. 	sound sources (like the way a choir sounds different to a single singer).

  2420. 	It does this by sampling from a delay line, so each voice is actually

  2421. 	the same but at a slightly different point in time. This is a type of

  2422. 	comb filtering.</p>

  2423. 	</div>

  2424. 	<p>Chorus combines one or more samples ranging from the most recent

  2425. 	sample back to about 50ms ago. The additional samples are evenly spread

  2426. 	through the supplied delay line, and there is no modulation.</p>

  2427. 	<p>If the number of voices is specified as 2, then the

  2428. 	effect combines the current sample and the oldest sample (the last one

  2429. 	in the delay line). If the number of voices is 3 then the effect combines

  2430. 	the most recent sample, the oldest sample and the sample in the middle of

  2431. 	the delay line.</p>

  2432. 	<p>For two voices the effect can be represented as:<br/>

  2433. 	result = (sample(0) + sample(dt))/2<br/>

  2434. 	where sample(0) represents the current sample and sample(dt)

  2435. 	is the sample in the delay line from dt milliseconds ago.</p>

  2436. 	<h3>Audio Connections</h3>

  2437. 	<table class=doc align=center cellpadding=3>

  2438. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2439. 		<tr class="odd"><td align="center">In 0</td><td>Signal Input</td></tr>

  2440. 		<tr class="odd"><td align="center">Out 0</td><td>Chorused Output</td></tr>

  2441. 	</table>

  2442. 	<h3>Functions</h3>

  2443. 	<p class=func><span class=keyword>begin</span>(delayBuffer, length, n_chorus);</p>

  2444. 	<p class=desc>Create a chorus by specifying the address of the delayline, the

  2445. 	total number of samples in the delay line (often done as an integer multiple of

  2446. 	AUDIO_BLOCK_SAMPLES) and the number of voices in the chorus <em>including</em>

  2447. 	the original voice (so, 2 and up to get a chorus effect, although you can

  2448. 	specify 1 if you want).

  2449. 	</p>

  2450. 	<p class=func><span class=keyword>voices</span>(n_chorus);</p>

  2451. 	<p class=desc>Alters the number of voices in a running chorus (previously started with begin).

  2452. 	</p>

  2453. 	<h3>Examples</h3>

  2454. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  2455. 	</p>

  2456. 	<h3>Notes</h3>

  2457. 	<p>The longer the length of the chorus, the more memory blocks are used.</p>

  2458. </script>

  2459. <script type="text/x-red" data-template-name="AudioEffectChorus">

  2460. 	<div class="form-row">

  2461. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2462. 		<input type="text" id="node-input-name" placeholder="Name">

  2463. 	</div>

  2464. </script>

  2465. 

  2466. <script type="text/x-red" data-help-name="AudioEffectFlange">

  2467. <h3>Summary</h3>

  2468. 	<div class=tooltipinfo>

  2469. 	<p>Originally, flanging was produced by playing the same signal on two synchronized

  2470. 	reel-to-reel tape recorders and making one of the reels slow down and speed up by

  2471. 	pressing on the flange of the reel (hence the name). This is a type of

  2472. 	comb filtering, and produces a harmonically-related series of peaks and notches

  2473. 	in the audio spectrum.</p>

  2474. 	</div>

  2475. 	<p>This flanger uses a delay line, combining the original voice with only one sample from the delay

  2476. 	line, but the position of that sample varies sinusoidally.</p>

  2477. 	<p>The effect can be represented as:<br>

  2478. 	result = sample(0) + sample(dt + depth*sin(2*PI*Fe))</p>

  2479. 	<p>The value of the sine function is always a number from -1 to +1 and

  2480. 	so the result of depth*(sin(Fe)) is always a number from -depth to +depth.

  2481. 	Thus, the delayed sample will be selected from the range (dt-depth) to

  2482. 	(dt+depth). This selection will vary at whatever rate is specified as the

  2483. 	frequency of the effect, Fe. Typically a low frequency (a few Hertz) is used.

  2484. 	<h3>Audio Connections</h3>

  2485. 	<table class=doc align=center cellpadding=3>

  2486. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2487. 		<tr class="odd"><td align="center">In 0</td><td>Signal Input</td></tr>

  2488. 		<tr class="odd"><td align="center">Out 0</td><td>Flanged Output</td></tr>

  2489. 	</table>

  2490. 	<h3>Functions</h3>

  2491. 	<p class=func><span class=keyword>begin</span>(delayBuffer, length, offset, depth, delayRate);</p>

  2492. 	<p class=desc>Create a flanger by specifying the address of the delayline, the

  2493. 	total number of samples in the delay line (often done as an integer multiple of

  2494. 	AUDIO_BLOCK_SAMPLES), the offset (how far back the flanged sample is from the original voice),

  2495. 	the modulation depth (larger values give a greater variation) and the modulation

  2496. 	frequency, in Hertz.

  2497. 	</p>

  2498. 	<p class=func><span class=keyword>voices</span>(offset, depth, delayRate);</p>

  2499. 	<p class=desc>Alters the parameters in a running flanger (previously started with begin).

  2500. 	</p>

  2501. 

  2502. 	<h3>Examples</h3>

  2503. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  2504. 	</p>

  2505. 	<h3>Notes</h3>

  2506. 	<p>The longer the length of the delay buffer, the more memory blocks are used.</p>

  2507. 	<p>Try these settings:<br>

  2508. #define FLANGE_DELAY_LENGTH (2*AUDIO_BLOCK_SAMPLES)<br>

  2509. and<br>

  2510. int s_idx = 2*FLANGE_DELAY_LENGTH/4;<br>

  2511. int s_depth = FLANGE_DELAY_LENGTH/4;<br>

  2512. double s_freq = 3;</p>

  2513. <p>The flange effect can also produce a chorus-like effect if a longer

  2514. delay line is used with a slower modulation rate, for example try:<br>

  2515. #define FLANGE_DELAY_LENGTH (12*AUDIO_BLOCK_SAMPLES)<br>

  2516. and<br>

  2517. int s_idx = 3*FLANGE_DELAY_LENGTH/4;<br>

  2518. int s_depth = FLANGE_DELAY_LENGTH/8;<br>

  2519. double s_freq = .0625;</p>

  2520. </script>

  2521. <script type="text/x-red" data-template-name="AudioEffectFlange">

  2522. 	<div class="form-row">

  2523. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2524. 		<input type="text" id="node-input-name" placeholder="Name">

  2525. 	</div>

  2526. </script>

  2527. 

  2528. <script type="text/x-red" data-help-name="AudioEffectReverb">

  2529. <h3>Summary</h3>

  2530. 	<div class=tooltipinfo>

  2531. 	<p>Reverb with adjustable reverberation time.  Contributed by Joao Rossi FIlho.

  2532. 	</p>

  2533. 	</div>

  2534. 	<h3>Audio Connections</h3>

  2535. 	<table class=doc align=center cellpadding=3>

  2536. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2537. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2538. 		<tr class="odd"><td align="center">Out 0</td><td>Output</td></tr>

  2539. 	</table>

  2540. 	<h3>Functions</h3>

  2541. 	<p class=func><span class=keyword>reverbTime</span>(seconds);</p>

  2542. 	<p class=desc>Sets the amount of reverberation time.

  2543. 	</p>

  2544. 

  2545. 	<h3>Examples</h3>

  2546. 	<p><a href="https://twitter.com/joaorossifilho/status/779737126841753601">Video Demo</a>

  2547. 	</p>

  2548. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  2549. 	</p>-->

  2550. 	<h3>Notes</h3>

  2551. 	<p>This effect may have distortion problems with the input signal is more than 0.5.</p>

  2552. </script>

  2553. <script type="text/x-red" data-template-name="AudioEffectReverb">

  2554. 	<div class="form-row">

  2555. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2556. 		<input type="text" id="node-input-name" placeholder="Name">

  2557. 	</div>

  2558. </script>

  2559. 

  2560. <script type="text/x-red" data-help-name="AudioEffectFreeverb">

  2561. <h3>Summary</h3>

  2562. 	<div class=tooltipinfo>

  2563. 	<p>High quality Reverb effect, based on Freeverb by Jezar at Dreampoint.

  2564. 	</p>

  2565. 	</div>

  2566. 	<h3>Audio Connections</h3>

  2567. 	<table class=doc align=center cellpadding=3>

  2568. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2569. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2570. 		<tr class="odd"><td align="center">Out 0</td><td>Output</td></tr>

  2571. 	</table>

  2572. 	<h3>Functions</h3>

  2573. 	<p class=func><span class=keyword>roomsize</span>(amount);</p>

  2574. 	<p class=desc>Sets the amount of reverberant echo or apparent room

  2575. 		size, from 0 (smallest) to 1.0 (largest);

  2576. 	</p>

  2577. 	<p class=func><span class=keyword>damping</span>(amount);</p>

  2578. 	<p class=desc>Sets the damping factor, from 0 to 1.0.  More damping

  2579. 		causes higher frequency echo to decay, creating a softer sound,

  2580. 		similar to a large room filled with people or materials which

  2581. 		absorb some sound as it travels between reflecting surfaces.

  2582. 		Lower damping simulates a harsher reverberant field.

  2583. 	</p>

  2584. 

  2585. 	<h3>Examples</h3>

  2586. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Freeverb

  2587. 		</p>

  2588. 	<h3>Notes</h3>

  2589. 	<p>Freeverb mono consumes about 21% of the CPU time on Teensy 3.2 and

  2590. 		requires about 22K of RAM.</p>

  2591. </script>

  2592. <script type="text/x-red" data-template-name="AudioEffectFreeverb">

  2593. 	<div class="form-row">

  2594. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2595. 		<input type="text" id="node-input-name" placeholder="Name">

  2596. 	</div>

  2597. </script>

  2598. 

  2599. <script type="text/x-red" data-help-name="AudioEffectFreeverbStereo">

  2600. <h3>Summary</h3>

  2601. 	<div class=tooltipinfo>

  2602. 	<p>High quality stereo Reverb effect, based on Freeverb by Jezar at Dreampoint.

  2603. 	</p>

  2604. 	<p>Teensy 3.5 or 3.6 required to run stereo version.</p>

  2605. 	</div>

  2606. 	<h3>Audio Connections</h3>

  2607. 	<table class=doc align=center cellpadding=3>

  2608. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2609. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2610. 		<tr class="odd"><td align="center">Out 0</td><td>Left Output</td></tr>

  2611. 		<tr class="odd"><td align="center">Out 1</td><td>Right Output</td></tr>

  2612. 	</table>

  2613. 	<h3>Functions</h3>

  2614. 	<p class=func><span class=keyword>roomsize</span>(amount);</p>

  2615. 	<p class=desc>Sets the amount of reverberant echo or apparent room

  2616. 		size, from 0 (smallest) to 1.0 (largest);

  2617. 	</p>

  2618. 	<p class=func><span class=keyword>damping</span>(amount);</p>

  2619. 	<p class=desc>Sets the damping factor, from 0 to 1.0.  More damping

  2620. 		causes higher frequency echo to decay, creating a softer sound,

  2621. 		similar to a large room filled with people or materials which

  2622. 		absorb some sound as it travels between reflecting surfaces.

  2623. 		Lower damping simulates a harsher reverberant field.

  2624. 	</p>

  2625. 

  2626. 	<h3>Examples</h3>

  2627. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Freeverb_Stereo

  2628. 		</p>

  2629. 	<h3>Notes</h3>

  2630. 	<p>Freeverb mono consumes about 18% of the CPU time on Teensy 3.6 and

  2631. 		requires about 45K of RAM.</p>

  2632. 	<p>Teensy 3.2 does not have enough RAM to

  2633. 		run this effect while playing WAV file and implementing USB Serial.</p>

  2634. </script>

  2635. <script type="text/x-red" data-template-name="AudioEffectFreeverbStereo">

  2636. 	<div class="form-row">

  2637. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2638. 		<input type="text" id="node-input-name" placeholder="Name">

  2639. 	</div>

  2640. </script>

  2641. 

  2642. <script type="text/x-red" data-help-name="AudioEffectEnvelope">

  2643. 	<h3>Summary</h3>

  2644. 	<div class=tooltipinfo>

  2645. 	<p>Modify a signal with a DAHDSR (Delay Attack Hold Decay Sustain

  2646. 		Release) envelope.

  2647. 	</p>

  2648. 	<p align=center><img src="img/dahdsr.png"></p>

  2649. 	</div>

  2650. 	<h3>Audio Connections</h3>

  2651. 	<table class=doc align=center cellpadding=3>

  2652. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2653. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2654. 		<tr class=odd><td align=center>Out 0</td><td>Signal with Envelope Applied</td></tr>

  2655. 	</table>

  2656. 	<h3>Functions</h3>

  2657. 	<p class=func><span class=keyword>noteOn</span>();</p>

  2658. 	<p class=desc>Begin the delay to attack, or the attack phase is

  2659. 		delay is zero.

  2660. 	</p>

  2661. 	<p class=func><span class=keyword>noteOff</span>();</p>

  2662. 	<p class=desc>Begin the release phase.

  2663. 	</p>

  2664. 	<p class=func><span class=keyword>delay</span>(milliseconds);</p>

  2665. 	<p class=desc>Set the delay from noteOn to the attach phase.  The

  2666. 		default is zero, for no delay.

  2667. 	</p>

  2668. 	<p class=func><span class=keyword>attack</span>(milliseconds);</p>

  2669. 	<p class=desc>Set the attack time.  The default is 10.5 milliseconds.

  2670. 		The maximum is 11880 milliseconds.

  2671. 	</p>

  2672. 	<p class=func><span class=keyword>hold</span>(milliseconds);</p>

  2673. 	<p class=desc>Set the hold time.  The default is 2.5 milliseconds.

  2674. 		The maximum is 11880 milliseconds.

  2675. 	</p>

  2676. 	<p class=func><span class=keyword>decay</span>(milliseconds);</p>

  2677. 	<p class=desc>Set the decay time.  The default is 35 milliseconds.

  2678. 		The maximum is 11880 milliseconds.

  2679. 	</p>

  2680. 	<p class=func><span class=keyword>sustain</span>(level);</p>

  2681. 	<p class=desc>Set the sustain level.  The range is 0 to 1.0.  The

  2682. 		gain will be maintained at this level after the decay phase,

  2683. 		until noteOff() is called.  The sustain phase may last any

  2684. 		length of time, controlled by when release() is called.

  2685. 	</p>

  2686. 	<p class=func><span class=keyword>release</span>(milliseconds);</p>

  2687. 	<p class=desc>Set the release time.  The default is 300 millisecond.

  2688. 		The maximum is 11880 milliseconds.

  2689. 	</p>

  2690. 	<p class=func><span class=keyword>releaseNoteOn</span>(milliseconds);</p>

  2691. 	<p class=desc>Set a quick release time to be used when a new note is

  2692. 		started while the envelop is in any state passing the signal.

  2693. 		This will add latency before your new attack phase begins, so

  2694. 		short times are recommended.  Zero may be used to completely

  2695. 		disable this feature (never extra latency).  Longer times help

  2696. 		reduce clicks or pops.  The default is 5 millisecond.

  2697. 	</p>

  2698. 	<p class=func><span class=keyword>isActive</span>();</p>

  2699. 	<p class=desc>Returns true when the envelope is currently in any of

  2700. 		its 6 phases.

  2701. 	</p>

  2702. 	<p class=func><span class=keyword>isSustain</span>();</p>

  2703. 	<p class=desc>Returns true when the envelope is currently in the

  2704. 		sustain phase.

  2705. 	</p>

  2706. 	<h3>Examples</h3>

  2707. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  2708. 	</p>

  2709. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; pulseWidth

  2710. 	</p>

  2711. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  2712. 	</p>

  2713. 	<h3>Notes</h3>

  2714. 	<p>To achieve the more common ADSR shape, simply

  2715.         set delay and hold to zero.</p>

  2716. </script>

  2717. <script type="text/x-red" data-template-name="AudioEffectEnvelope">

  2718. 	<div class="form-row">

  2719. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2720. 		<input type="text" id="node-input-name" placeholder="Name">

  2721. 	</div>

  2722. </script>

  2723. 

  2724. <script type="text/x-red" data-help-name="AudioEffectMultiply">

  2725. 	<h3>Summary</h3>

  2726. 	<div class=tooltipinfo>

  2727. 	<p>Multiply two signals together, useful for amplitude modulation

  2728. 		or "voltage controlled amplification".

  2729. 	</p>

  2730. 	<p align=center><img src="img/multiply.png"><br><small>56 Hz and 1 kHz sine waves multiplied.</small></p>

  2731. 	</div>

  2732. 	<h3>Audio Connections</h3>

  2733. 	<table class=doc align=center cellpadding=3>

  2734. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2735. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2736. 		<tr class=odd><td align=center>In 1</td><td>Signal Input</td></tr>

  2737. 		<tr class=odd><td align=center>Out 0</td><td>Signal with Envelope Applied</td></tr>

  2738. 	</table>

  2739. 	<h3>Functions</h3>

  2740. 	<p>There are no functions to call from the Arduino sketch.

  2741. 		This object simply multiplies the 2 signals to create

  2742. 		a continuous output

  2743. 	</p>

  2744. 	<!--

  2745. <h3>Examples</h3>

  2746. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2747. 	</p>

  2748. -->

  2749. 	<h3>Notes</h3>

  2750. 	<p>

  2751.     </p>

  2752. </script>

  2753. <script type="text/x-red" data-template-name="AudioEffectMultiply">

  2754. 	<div class="form-row">

  2755. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2756. 		<input type="text" id="node-input-name" placeholder="Name">

  2757. 	</div>

  2758. </script>

  2759. 

  2760. <script type="text/x-red" data-help-name="AudioEffectDelay">

  2761. 	<h3>Summary</h3>

  2762. 	<div class=tooltipinfo>

  2763. 	<p>Delay a signal.  Up to 8 separate delay taps can be used.</p>

  2764. 	<p align=center><img src="img/delay.png"><br><small>1 kHz burst, delayed 5.2 ms.</small></p>

  2765. 	</div>

  2766. 	<h3>Audio Connections</h3>

  2767. 	<table class=doc align=center cellpadding=3>

  2768. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2769. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2770. 		<tr class=odd><td align=center>Out 0</td><td>Delay Tap #1</td></tr>

  2771. 		<tr class=odd><td align=center>Out 1</td><td>Delay Tap #2</td></tr>

  2772. 		<tr class=odd><td align=center>Out 2</td><td>Delay Tap #3</td></tr>

  2773. 		<tr class=odd><td align=center>Out 3</td><td>Delay Tap #4</td></tr>

  2774. 		<tr class=odd><td align=center>Out 4</td><td>Delay Tap #5</td></tr>

  2775. 		<tr class=odd><td align=center>Out 5</td><td>Delay Tap #6</td></tr>

  2776. 		<tr class=odd><td align=center>Out 6</td><td>Delay Tap #7</td></tr>

  2777. 		<tr class=odd><td align=center>Out 7</td><td>Delay Tap #8</td></tr>

  2778. 	</table>

  2779. 	<h3>Functions</h3>

  2780. 	<p class=func><span class=keyword>delay</span>(channel, milliseconds);</p>

  2781. 	<p class=desc>Set output channel (0 to 7) to delay the signals by

  2782. 		milliseconds.  See the table below for the maximum delay.  The actual delay

  2783. 		is rounded to the nearest sample.  Each channel can be configured for

  2784. 		any delay.  There is no requirement to configure the "taps" in increasing

  2785. 		delay order.

  2786. 	</p>

  2787. 	<p class=func><span class=keyword>disable</span>(channel);</p>

  2788. 	<p class=desc>Disable a channel.  The output of this channel becomes

  2789. 		silent.  If this channel is the longest delay, memory usage is

  2790. 		automatically reduced to accomodate only the remaining channels used.

  2791. 	</p>

  2792. 	<h3>Examples</h3>

  2793. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Delay

  2794. 	</p>

  2795. 	<h3>Notes</h3>

  2796. 	<p>Memory for the delayed signal is take from the memory pool allocated by

  2797. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioConnection.html" target="_blank">AudioMemory()</a>.

  2798. 		Each block allows about 2.9 milliseconds of delay, so AudioMemory

  2799. 		should be increased to allow for the longest delay tap.

  2800. 	</p>

  2801. 	<p>Each board has a maximum possible delay.

  2802. 	</p>

  2803. 	<table class=doc align=center cellpadding=3>

  2804. 		<tr class=top><th>Board</th><th>Maximum</th></tr>

  2805. 		<tr class=odd><td>Teensy 3.0</td><td align=center>139.26 ms</td></tr>

  2806. 		<tr class=odd><td>Teensy 3.1</td><td align=center>449.39 ms</td></tr>

  2807. 		<tr class=odd><td>Teensy 3.2</td><td align=center>449.39 ms</td></tr>

  2808. 		<tr class=odd><td>Teensy 3.5</td><td align=center>1671.19 ms</td></tr>

  2809. 		<tr class=odd><td>Teensy 3.6</td><td align=center>2413.94 ms</td></tr>

  2810. 	</table>

  2811. </script>

  2812. <script type="text/x-red" data-template-name="AudioEffectDelay">

  2813. 	<div class="form-row">

  2814. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2815. 		<input type="text" id="node-input-name" placeholder="Name">

  2816. 	</div>

  2817. </script>

  2818. 

  2819. <script type="text/x-red" data-help-name="AudioEffectDelayExternal">

  2820. 	<h3>Summary</h3>

  2821. 	<div class=tooltipinfo>

  2822. 	<p>Delay a signal, using external memory for longer delay times!  Up to 8 separate delay taps can be used.</p>

  2823. 	<p align=center><img src="img/delay.png"><br><small>1 kHz burst, delayed 5.2 ms.</small></p>

  2824. 	</div>

  2825. 	<h3>Audio Connections</h3>

  2826. 	<table class=doc align=center cellpadding=3>

  2827. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2828. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2829. 		<tr class=odd><td align=center>Out 0</td><td>Delay Tap #1</td></tr>

  2830. 		<tr class=odd><td align=center>Out 1</td><td>Delay Tap #2</td></tr>

  2831. 		<tr class=odd><td align=center>Out 2</td><td>Delay Tap #3</td></tr>

  2832. 		<tr class=odd><td align=center>Out 3</td><td>Delay Tap #4</td></tr>

  2833. 		<tr class=odd><td align=center>Out 4</td><td>Delay Tap #5</td></tr>

  2834. 		<tr class=odd><td align=center>Out 5</td><td>Delay Tap #6</td></tr>

  2835. 		<tr class=odd><td align=center>Out 6</td><td>Delay Tap #7</td></tr>

  2836. 		<tr class=odd><td align=center>Out 7</td><td>Delay Tap #8</td></tr>

  2837. 	</table>

  2838. 	<h3>Functions</h3>

  2839. 	<p class=func><span class=keyword>delay</span>(channel, milliseconds);</p>

  2840. 	<p class=desc>Set output channel (0 to 7) to delay the signals by

  2841. 		milliseconds.  The maximum delay is approx 1.5 seconds for each 23LC1024 chip.

  2842. 		The actual delay

  2843. 		is rounded to the nearest sample.  Each channel can be configured for

  2844. 		any delay.  There is no requirement to configure the "taps" in increasing

  2845. 		delay order.

  2846. 	</p>

  2847. 	<p class=func><span class=keyword>disable</span>(channel);</p>

  2848. 	<p class=desc>Disable a channel.  The output of this channel becomes

  2849. 		silent.  If this channel is the longest delay, memory usage is

  2850. 		automatically reduced to accomodate only the remaining channels used.

  2851. 	</p>

  2852. 	<h3>Hardware</h3>

  2853. 	<p>By default, or when <span class=literal>AUDIO_MEMORY_23LC1024</span> is used (see below),

  2854. 		 a single 23LC1024 RAM chip is used, with these pins:

  2855.     <table class=doc align=center cellpadding=3>

  2856.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2857.         <tr class=odd><td align=center>6</td><td>CS</td></tr>

  2858.         <tr class=odd><td align=center>7</td><td>MOSI</td></tr>

  2859.         <tr class=odd><td align=center>12</td><td>MISO</td></tr>

  2860.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2861.     </table>

  2862. 	</p>

  2863. 	<p>When <span class=literal>AUDIO_MEMORY_CY15B104</span> is used, a single

  2864. 		CY15B104 FRAM chip is used, with these pins:

  2865.     <table class=doc align=center cellpadding=3>

  2866.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2867.         <tr class=odd><td align=center>6</td><td>CS</td></tr>

  2868.         <tr class=odd><td align=center>7</td><td>SI</td></tr>

  2869.         <tr class=odd><td align=center>12</td><td>SO</td></tr>

  2870.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2871.     </table>

  2872. 	</p>

  2873. 	<p>When <span class=literal>AUDIO_MEMORY_MEMORYBOARD</span> is used, up to six

  2874. 		23LC1024 chips are used.

  2875. 	</p>

  2876. 	<p align=center><img src="img/memoryboard.jpg"><br><small><a href="https://oshpark.com/shared_projects/KZt5PaU7" target="_blank">Memoryboard 4</a></small></p>

  2877. 	<p>

  2878.     <table class=doc align=center cellpadding=3>

  2879.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2880.         <tr class=odd><td align=center>2</td><td>CS0 (encoded)</td></tr>

  2881.         <tr class=odd><td align=center>3</td><td>CS1 (encoded)</td></tr>

  2882.         <tr class=odd><td align=center>4</td><td>CS2 (encoded)</td></tr>

  2883.         <tr class=odd><td align=center>7</td><td>MOSI</td></tr>

  2884.         <tr class=odd><td align=center>12</td><td>MISO</td></tr>

  2885.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2886.     </table>

  2887. 	</p>

  2888. 	<p>

  2889. 	If fewer than 6 chips are soldered, the optional parameter for maximum delay

  2890. 	must be used.  See below for details.  Each chip provides 1485 ms of delay

  2891. 	memory, so the total of all objects using AUDIO_MEMORY_MEMORYBOARD must not

  2892. 	exceed the amount of memory physically present.

  2893. 	</p>

  2894. 	<h3>Examples</h3>

  2895. 	<p>

  2896. 	<a href="https://www.youtube.com/watch?v=d80d1HWy5_s" target="_blank">Demo Video</a> (YouTube)

  2897. 	</p>

  2898. 	<!--

  2899.  <p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Delay

  2900. 	</p>

  2901. -->

  2902. 	<p>

  2903. 	<a href="https://forum.pjrc.com/threads/29276-Limits-of-delay-effect-in-audio-library?p=79436&viewfull=1#post79436" target="_blank">Forum Conversaton</a> (with sample code)

  2904. 	</p>

  2905. 	<h3>Notes</h3>

  2906. 	<p>External RAM allows for longer delays without consuming

  2907. 		limited internal RAM.  However, SPI communication is required,

  2908. 		which consumes much more CPU time.  The

  2909. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html">AudioProcessorUsageMax</a>

  2910. 		function may be used to monitor how much CPU time is consumed.

  2911. 	</p>

  2912. 	<p>You may specify the type of hardware to be used by editing the code.  AUDIO_MEMORY_23LC1024

  2913. 		specifies a single 23LC1024 chip.  AUDIO_MEMORY_MEMORYBOARD allows using up to 6 of these

  2914. 		chips.

  2915. 	</p>

  2916. 	<p class=desc><span class=keyword>AudioEffectDelayExternal</span>  delayExt1(<span class=literal>AUDIO_MEMORY_23LC1024</span>);

  2917. 	</p>

  2918. 	<p>You may also create more than one delay using the same hardware, where the memory is partitioned

  2919. 		by specifying a maximum delay in milliseconds.  This can be useful if you wish to delay both

  2920. 		channels of a stereo signal.

  2921. 

  2922. 	<p class=desc><span class=keyword>AudioEffectDelayExternal</span>  delayExt1(<span class=literal>AUDIO_MEMORY_23LC1024</span>, 700);<br><span class=keyword>AudioEffectDelayExternal</span>  delayExt2(<span class=literal>AUDIO_MEMORY_23LC1024</span>, 700);

  2923. 	</p>

  2924. 	<p>When using CY15B104, you

  2925. 		<a href="https://forum.pjrc.com/threads/45872-Memory-Chip-for-Audio-Adaptor-Board?p=151839&viewfull=1#post151839">may need to add a capacitor between 3.3V & GND</a>

  2926. 		to make the chip work.

  2927. 	</p>

  2928. </script>

  2929. <script type="text/x-red" data-template-name="AudioEffectDelayExternal">

  2930. 	<div class="form-row">

  2931. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2932. 		<input type="text" id="node-input-name" placeholder="Name">

  2933. 	</div>

  2934. </script>

  2935. 

  2936. <script type="text/x-red" data-help-name="AudioEffectBitcrusher">

  2937.     <h3>Summary</h3>

  2938. 	<div class=tooltipinfo>

  2939.     <p>Reduce the samplerate and/or bitdepth of a source signal, resulting in

  2940. 		a distorted sound.</p>

  2941. 	</div>

  2942.     <h3>Audio Connections</h3>

  2943.     <table class=doc align=center cellpadding=3>

  2944.         <tr class=top><th>Port</th><th>Purpose</th></tr>

  2945.         <tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2946.         <tr class=odd><td align=center>Out 0</td><td>Signal Output</td></tr>

  2947.     </table>

  2948.     <h3>Functions</h3>

  2949.     <p class=func><span class=keyword>bits</span>(xcrushBits);</p>

  2950.     <p class=desc>xcrushBits sets the bitdepth, from 1 to 16. A Value of 16

  2951.     does not crush the bitdepth, and is effectively a passthru for this part

  2952.     of the function.</p>

  2953. 

  2954.     <p class=func><span class=keyword>sampleRate</span>(xsampleRate);</p>

  2955. 

  2956.     <p class=desc>xsampleRate sets the frequency, from 1 to 44100Hz, however it

  2957.     works in integer steps so you will only really get a handful of results from

  2958.     the many samplerates you can pass. 44100 is passthru.</p>

  2959. 

  2960.     <p class=desc>set xbitDepth to 16 and xsampleRate to 44100 to pass audio

  2961.     	through without any Bitcrush effect.</p>

  2962.     <h3>Examples</h3>

  2963.     <p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Bitcrusher

  2964.     </p>

  2965.     <h3>Notes</h3>

  2966.     <p>Needs a lot of improvement. Options for anti-aliasing would be nice in

  2967.     the future, but for now, it's rough, it's dirty and it sounds a bit like

  2968.     Nine Inch Nails.

  2969.     </p>

  2970.     <p><a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2971.         should be used when changing

  2972.         settings on multiple objects, so all changes always take effect

  2973.         at the same moment.

  2974.     </p>

  2975. </script>

  2976. <script type="text/x-red" data-template-name="AudioEffectBitcrusher">

  2977.     <div class="form-row">

  2978.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2979.         <input type="text" id="node-input-name" placeholder="Name">

  2980.     </div>

  2981. </script>

  2982. 

  2983. <script type="text/x-red" data-help-name="AudioEffectMidSide">

  2984. 	<h3>Summary</h3>

  2985. 	<div class=tooltipinfo>

  2986. 	<p>Convert stereo signals to/from Mid-Side format.

  2987. 		Mid-Side encoding can be used to increase stereo width, make the lower

  2988. 		frequencies mono (to please your sub), or as the basis of audio compression.</p>

  2989. 	</div>

  2990. 	<h3>Audio Connections</h3>

  2991. 	<table class=doc align=center cellpadding=3>

  2992. 		<tr class=top><th>Port</th><th>While<br>Encoding</th><th>While<br>Decoding</th></tr>

  2993. 		<tr class=odd><td align=center>In 0</td><td>Left Input</td><td>Mid Output</td></tr>

  2994. 		<tr class=odd><td align=center>In 1</td><td>Right Input</td><td>Side Output</td></tr>

  2995. 		<tr class=odd><td align=center>Out 0</td><td>Mid Input</td><td>Left Output</td></tr>

  2996. 		<tr class=odd><td align=center>Out 1</td><td>Side Input</td><td>Right Output</td></tr>

  2997. 	</table>

  2998. 	<h3>Functions</h3>

  2999. 	<p class=func><span class=keyword>encode</span>();</p>

  3000. 	<p class=desc>Configure this object to encode from stereo to Mid-Side format.</p>

  3001. 	<p class=func><span class=keyword>decode</span>();</p>

  3002. 	<p class=desc>Configure this object to decode from Mid-Side format back to stereo signals.</p>

  3003. 

  3004. 	<h3>Examples</h3>

  3005. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Mid_Side</p>

  3006. 	<h3>Notes</h3>

  3007. 	<p>Many interesting stereo effects can be achieved by manipulating Mid-Side signals.</p>

  3008. 	<p>Normally a pair of these objects are used, one to encode, then additional

  3009. 		gain/attenuation or effects applied to the Mid-Side signals, and finally

  3010. 		decoding back to stereo signals</p>

  3011. 	<p>To prevent saturation, halving is done in the encoding, that is:</p>

  3012. 	<p>Mid = (left+right)/2</p>

  3013. 	<p>Side = (left-right)/2</p>

  3014. 	<p>And to decode:</p>

  3015. 	<p>Left = Mid+Side</p>

  3016. 	<p>Right = Mid-Side</p>

  3017. </script>

  3018. <script type="text/x-red" data-template-name="AudioEffectMidSide">

  3019.     <div class="form-row">

  3020.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3021.         <input type="text" id="node-input-name" placeholder="Name">

  3022.     </div>

  3023. </script>

  3024. 

  3025. <script type="text/x-red" data-help-name="AudioEffectWaveshaper">

  3026. 	<h3>Summary</h3>

  3027. 	<div class=tooltipinfo>

  3028. 	<p>Modify the waveform shape of a signal.</p>

  3029. 	<p align=center><img src="img/waveshaper.png"></p>

  3030. 	<p>Useful for overdrive, distortion, fuzz,

  3031. 		clipping, expo converters, phase inversion, waveform modification &amp; adjustments.

  3032. 	</p>

  3033. 	</div>

  3034. 	<h3>Audio Connections</h3>

  3035. 	<table class=doc align=center cellpadding=3>

  3036. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3037. 		<tr class=odd><td align=center>In 0</td><td>Original Input Signal</td></tr>

  3038. 		<tr class=odd><td align=center>Out 0</td><td>Shaped Output</td></tr>

  3039. 	</table>

  3040. 	<h3>Functions</h3>

  3041. 	<p class=func><span class=keyword>shape</span>(array, length);</p>

  3042. 	<p class=desc>Configure the waveform shape.  Array is a list of float

  3043. 		numbers, given in order.  The first number maps to input -1.0.  The

  3044. 		last maps to input +1.0.  The numbers represent the desired output

  3045. 		level at each of these input levels.  Length must be 2, 3, 5, 9, 17,

  3046. 		33, 65, 129, 257, 513, 1025, 2049, 4097, 8193, 16385, or 32769.

  3047. 		</p>

  3048. 

  3049. 	<h3>Examples</h3>

  3050. 	<p class=exam>TODO: example needed</p>

  3051. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Mid_Side</p>-->

  3052. 	<h3>Notes</h3>

  3053. 	<p><a href="https://github.com/dxinteractive/TeensyAudioWaveshaper">More information</a>

  3054. 		</p>

  3055. </script>

  3056. <script type="text/x-red" data-template-name="AudioEffectWaveshaper">

  3057.     <div class="form-row">

  3058.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3059.         <input type="text" id="node-input-name" placeholder="Name">

  3060.     </div>

  3061. </script>

  3062. 

  3063. <script type="text/x-red" data-help-name="AudioEffectGranular">

  3064. 	<h3>Summary</h3>

  3065. 	<div class=tooltipinfo>

  3066. 	<p>Classic granular effect that uses a variable speed buffer to shift the pitch

  3067. 		and freeze incoming audio.

  3068. 		Contributed by Bleep Labs.

  3069. 	</p>

  3070. 	</div>

  3071. 	<h3>Audio Connections</h3>

  3072. 	<table class=doc align=center cellpadding=3>

  3073. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3074. 		<tr class=odd><td align=center>In 0</td><td>Input Signal</td></tr>

  3075. 		<tr class=odd><td align=center>Out 0</td><td>Granular Output</td></tr>

  3076. 	</table>

  3077. 	<h3>Functions</h3>

  3078. 	<p class=func><span class=keyword>begin</span>(array, length);</p>

  3079. 	<p class=desc>Initialize the granular processing with an array of 16 bit

  3080. 		integers used to store the sound grains.  Until memory is allocated

  3081. 		with this function, no audio appears at the output.

  3082. 		</p>

  3083. 	<p class=func><span class=keyword>setSpeed</span>(ratio);</p>

  3084. 	<p class=desc>Configure the relative speed grains will be played.  1.0

  3085. 		plays the grains without any change.  Less than 1.0 slows the sound,

  3086. 		and greater than 1.0 speeds up.  The allowed range is 0.125 to 8.0,

  3087. 		for &plusmn;3 octaves shift.

  3088. 		</p>

  3089. 	<p class=func><span class=keyword>beginFreeze</span>(grainLength);</p>

  3090. 	<p class=desc>Freeze the sound by sampling one grain, then repeated playing

  3091. 		it.  The grainLength is specified in milliseconds, up to the size allowed

  3092. 		by the array from begin().

  3093. 		</p>

  3094. 	<p class=func><span class=keyword>beginPitchShift</span>(grainLength);</p>

  3095. 	<p class=desc>Pitch shift by continuously sampling grains and playing them

  3096. 		at altered speed.  The grainLength is specified in milliseconds, up to

  3097. 		one third of the memory from begin();

  3098. 		</p>

  3099. 	<p class=func><span class=keyword>end</span>();</p>

  3100. 	<p class=desc>Stop granual processing.  The input signal is passed to the

  3101. 		output without any changes.

  3102. 		</p>

  3103. 	<h3>Examples</h3>

  3104. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Granular</p>

  3105. 	<!--<h3>Notes</h3>

  3106. 	<p> </p>-->

  3107. </script>

  3108. <script type="text/x-red" data-template-name="AudioEffectGranular">

  3109.     <div class="form-row">

  3110.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3111.         <input type="text" id="node-input-name" placeholder="Name">

  3112.     </div>

  3113. </script>

  3114. 

  3115. <script type="text/x-red" data-help-name="AudioEffectDigitalCombine">

  3116. 	<h3>Summary</h3>

  3117. 	<div class=tooltipinfo>

  3118. 	<p>Combine signals with digital logic functions, with results from

  3119. 		interesting new waveforms to aggressive digital distortion.

  3120. 		Contributed by Bleep Labs.

  3121. 	</p>

  3122. 	</div>

  3123. 	<h3>Audio Connections</h3>

  3124. 	<table class=doc align=center cellpadding=3>

  3125. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3126. 		<tr class=odd><td align=center>In 0</td><td>Input Signal #1</td></tr>

  3127. 		<tr class=odd><td align=center>In 1</td><td>Input Signal #2</td></tr>

  3128. 		<tr class=odd><td align=center>Out 0</td><td>Combined Output</td></tr>

  3129. 	</table>

  3130. 	<h3>Functions</h3>

  3131. 	<p class=func><span class=keyword>setCombineMode</span>(mode);</p>

  3132. 	<p class=desc>Configure which digital combine operation is performed.

  3133. 	</p>

  3134. 	<p class=desc>Supported modes:<br>

  3135. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::OR</b><br>

  3136. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::XOR</b><br>

  3137. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::AND</b><br>

  3138. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::MODULO</b><br>

  3139. 	</p>

  3140. 	<h3>Examples</h3>

  3141. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Combine</p>-->

  3142. 	<!--<h3>Notes</h3>

  3143. 	<p> </p>-->

  3144. </script>

  3145. <script type="text/x-red" data-template-name="AudioEffectDigitalCombine">

  3146.     <div class="form-row">

  3147.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3148.         <input type="text" id="node-input-name" placeholder="Name">

  3149.     </div>

  3150. </script>

  3151. 

  3152. <script type="text/x-red" data-help-name="AudioFilterBiquad">

  3153. 	<h3>Summary</h3>

  3154. 	<div class=tooltipinfo>

  3155. 	<p>Biquadratic cascaded filter, useful for all sorts of filtering.

  3156. 		Up to 4 stages may be cascaded.

  3157. 	</p>

  3158. 	<p align=center><img src="img/biquad.png"></p>

  3159. 	</div>

  3160. 	<h3>Audio Connections</h3>

  3161. 	<table class=doc align=center cellpadding=3>

  3162. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3163. 		<tr class=odd><td align=center>In 0</td><td>Signal to be filtered</td></tr>

  3164. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Signal Output</td></tr>

  3165. 	</table>

  3166. 	<h3>Functions</h3>

  3167. 	<p class=func><span class=keyword>setLowpass</span>(stage, frequency, Q);</p>

  3168. 	<p class=desc>Configure one stage of the filter (0 to 3) with low pass

  3169. 		response, with the specified corner frequency and Q shape.  If Q is

  3170. 		higher that 0.7071, be careful of filter gain (see below).

  3171. 	</p>

  3172. 	<p class=func><span class=keyword>setHighpass</span>(stage, frequency, Q);</p>

  3173. 	<p class=desc>Configure one stage of the filter (0 to 3) with high pass

  3174. 		response, with the specified corner frequency and Q shape.  If Q is

  3175. 		higher that 0.7071, be careful of filter gain (see below).

  3176. 	</p>

  3177. 	<p class=func><span class=keyword>setBandpass</span>(stage, frequency, Q);</p>

  3178. 	<p class=desc>Configure one stage of the filter (0 to 3) with band pass

  3179. 		response.  The filter has unity gain at the specified frequency.  Q

  3180. 		controls the width of frequencies allowed to pass.

  3181. 	</p>

  3182. 	<p class=func><span class=keyword>setNotch</span>(stage, frequency, Q);</p>

  3183. 	<p class=desc>Configure one stage of the filter (0 to 3) with band reject (notch)

  3184. 		response.  Q controls the width of rejected frequencies.

  3185. 	</p>

  3186. 	<p class=func><span class=keyword>setLowShelf</span>(stage, frequency, gain, slope);</p>

  3187. 	<p class=desc>Configure one stage of the filter (0 to 3) with low shelf response.

  3188. 		A low shelf filter attenuates or amplifies signals below the specified frequency.

  3189. 		Frequency controls the slope midpoint, gain is in dB and can be both

  3190. 		positive or negative. The slope parameter controls steepness of gain transition.

  3191. 		A slope of 1 yields maximum steepness without overshoot,

  3192. 		lower values yield a less steep slope. See the picture below for a visualization

  3193. 		of the slope parameter's effect.

  3194. 		Be careful with positive gains and slopes higher than 1 as they introduce gain

  3195. 		(see warning below).

  3196. 	</p>

  3197. 	</p>

  3198. 	<p class=func><span class=keyword>setHighShelf</span>(stage, frequency, gain, slope);</p>

  3199. 	<p class=desc>Configure one stage of the filter (0 to 3) with high shelf response.

  3200. 		A high shelf filter attenuates or amplifies signals above the specified frequency.

  3201. 		Frequency controls the slope midpoint, gain is in dB and can be both

  3202. 		positive or negative. The slope parameter controls steepness of gain transition.

  3203. 		A slope of 1 yields maximum steepness without overshoot,

  3204. 		lower values yield a less steep slope. See the picture below for a visualization

  3205. 		of the slope parameter's effect.

  3206. 		Be careful with positive gains and slopes higher than 1 as they introduce gain

  3207. 		(see warning below).

  3208. 	</p>

  3209. 	<p align=center><img src="img/shelf_filter.png"></p>

  3210. 	<p class=func><span class=keyword>setCoefficients</span>(stage, array[5]);</p>

  3211. 	<p class=desc>Configure one stage of the filter (0 to 3) with an arbitrary

  3212. 		filter response.  The array of coefficients is in order: B0, B1, B2, A1, A2.

  3213. 		Each coefficient must be less than 2.0 and greater than -2.0.  The array

  3214. 		should be type double.  Alternately, it may be type int, where 1.0 is

  3215. 		represented with 1073741824 (2<sup>30</sup>).

  3216. 	</p>

  3217. 	<h3>Examples</h3>

  3218. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter

  3219. 	</p>

  3220. 	<h3>Notes</h3>

  3221. 	<p>Filters can with gain must have their input signals attenuated, so the

  3222. 		signal does not exceed 1.0.

  3223. 	</p>

  3224. 	<p>This object implements up to 4 cascaded stages.  Unconfigured stages will

  3225. 		not pass any signal.

  3226. 	</p>

  3227. 	<p>Biquad filters with low corner frequency (under about 400 Hz) can run into

  3228. 		trouble with limited numerical precision, causing the filter to perform

  3229. 		poorly.  For very low corner frequency, the State Variable (Chamberlin)

  3230. 		filter should be used.

  3231. 	</p>

  3232. </script>

  3233. <script type="text/x-red" data-template-name="AudioFilterBiquad">

  3234. 	<div class="form-row">

  3235. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3236. 		<input type="text" id="node-input-name" placeholder="Name">

  3237. 	</div>

  3238. </script>

  3239. 

  3240. <script type="text/x-red" data-help-name="AudioFilterFIR">

  3241. 	<h3>Summary</h3>

  3242. 	<div class=tooltipinfo>

  3243. 	<p>Finite impulse response filter, useful for all sorts of filtering.

  3244. 	</p>

  3245. 	<p align=center><img src="img/fir_filter.png"></p>

  3246. 	</div>

  3247. 	<h3>Audio Connections</h3>

  3248. 	<table class=doc align=center cellpadding=3>

  3249. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3250. 		<tr class=odd><td align=center>In 0</td><td>Signal to be filtered</td></tr>

  3251. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Signal Output</td></tr>

  3252. 	</table>

  3253. 	<h3>Functions</h3>

  3254. 	<p class=func><span class=keyword>begin</span>(array, length);</p>

  3255. 	<p class=desc>Initialize the filter.  The array must be 16 bit integers (the

  3256. 		filter's impulse response), and

  3257. 		length indicates the number of points in the array.  Array may also be

  3258. 		FIR_PASSTHRU (length = 0), to directly pass the input to output without

  3259. 		filtering.

  3260. 	</p>

  3261. 	<p class=func><span class=keyword>end</span>();</p>

  3262. 	<p class=desc>Turn the filter off.

  3263. 	</p>

  3264. 	<h3>Examples</h3>

  3265. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter_FIR

  3266. 	</p>

  3267. 	<h3>Known Issues</h3>

  3268. 	<p>Your filter's impulse response array must have an even length.  If you have

  3269. 		add odd number of taps, you must add an extra zero to increase the length

  3270. 		to an even number.

  3271. 	</p>

  3272. 	<p>The minimum number of taps is 4.  If you use less, add extra zeros to increase

  3273. 		the length to 4.

  3274. 	</p>

  3275. 	<p>The impulse response must be given in reverse order.  Many filters have

  3276. 		symetrical impluse response, making this a non-issue.  If your filter has

  3277. 		a non-symetrical response, make sure the data is in reverse time order.

  3278. 	</p>

  3279. 	<h3>Notes</h3>

  3280. 	<p>FIR filters requires more CPU time than Biquad (IIR), but they can

  3281. 		implement filters with better phase response.

  3282. 	</p>

  3283. 	<p>A 100 point filter requires 9% CPU time on Teensy 3.1.  The maximum

  3284. 		supported filter length is 200 points.

  3285. 	</p>

  3286. 	<p>The free

  3287. 		<a href="http://t-filter.engineerjs.com/" target="_blank"> TFilter Design Tool</a>

  3288. 		can be used to create the impulse response array.  Be sure to set the sampling

  3289. 		frequency to 44117 HZ (it defaults to only 2000 Hz) and the output type to "int" (16 bit).

  3290. 	</p>

  3291. 	<p>

  3292. 		If you use TFilter Design's "C/C++ array" option, it's output has "int" definition, which

  3293. 		is 32 bits on Teensy 3.1.  Edit "int" to "short" for an array of 16 bit numbers,

  3294. 		and add "const" to avoid consuming extra RAM.

  3295. 	</p>

  3296. </script>

  3297. <script type="text/x-red" data-template-name="AudioFilterFIR">

  3298. 	<div class="form-row">

  3299. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3300. 		<input type="text" id="node-input-name" placeholder="Name">

  3301. 	</div>

  3302. </script>

  3303. 

  3304. <script type="text/x-red" data-help-name="AudioFilterStateVariable">

  3305. 	<h3>Summary</h3>

  3306. 	<div class=tooltipinfo>

  3307. 	<p>A State Variable (Chamberlin) Filter with 12 dB/octave roll-off,

  3308. 		adjustable resonance, and optional signal control of corner

  3309. 		frequency.</p>

  3310. 	</div>

  3311. 	<h3>Audio Connections</h3>

  3312. 	<table class=doc align=center cellpadding=3>

  3313. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3314. 		<tr class=odd><td align=center>In 0</td><td>Signal to Filter</td></tr>

  3315. 		<tr class=odd><td align=center>In 1</td><td>Frequency Control</td></tr>

  3316. 		<tr class=odd><td align=center>Out 0</td><td>Low Pass Output</td></tr>

  3317. 		<tr class=odd><td align=center>Out 1</td><td>Band Pass Output</td></tr>

  3318. 		<tr class=odd><td align=center>Out 2</td><td>High Pass Output</td></tr>

  3319. 	</table>

  3320. 	<h3>Functions</h3>

  3321. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  3322. 	<p class=desc>Set the filter's corner frequency.  When a signal is

  3323. 		connected to the control input, the filter will implement this

  3324. 		frequency when the signal is zero.

  3325. 	</p>

  3326. 	<p class=func><span class=keyword>resonance</span>(Q);</p>

  3327. 	<p class=desc>Set the filter's resonance.  Q ranges from 0.7 to 5.0.

  3328. 		Resonance greater than 0.707 will amplify the signal near the

  3329. 		corner frequency.  You must attenuate the signal before input

  3330. 		to this filter, to prevent clipping.

  3331. 	</p>

  3332. 	<p class=func><span class=keyword>octaveControl</span>(octaves);</p>

  3333. 	<p class=desc>Set how much (in octaves) the control signal can alter

  3334. 		the filter's corner freqency.  Range is 0 to 7 octaves.  For

  3335. 		example, when set to 2.5, a full scale positive signal (1.0) will

  3336. 		shift the filter frequency up 2.5 octaves, and a full scale negative

  3337. 		signal will shift it down 2.5 octaves.

  3338. 	</p>

  3339. 	<!--

  3340. <h3>Examples</h3>

  3341. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  3342. 	</p>

  3343. -->

  3344. 	<h3>Notes</h3>

  3345. 	<p>

  3346. 		When controlled by a signal, the equation for the filter

  3347. 		frequency is:

  3348. 	</p>

  3349. 	<p>

  3350. 		F = Fcenter * 2^<sup>(signal * octaves)</sup>

  3351. 		<br><small>If anyone knows how to do HTML equations, please

  3352. 		help me improve this.....</small>

  3353. 	</p>

  3354. 	<p>When operating with signal control of corner frequency, this

  3355. 		object uses approximately 4% of the CPU time on Teensy 3.1.

  3356. 	</p>

  3357. </script>

  3358. <script type="text/x-red" data-template-name="AudioFilterStateVariable">

  3359. 	<div class="form-row">

  3360. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3361. 		<input type="text" id="node-input-name" placeholder="Name">

  3362. 	</div>

  3363. </script>

  3364. 

  3365. <script type="text/x-red" data-help-name="AudioAnalyzePeak">

  3366. 	<h3>Summary</h3>

  3367. 	<div class=tooltipinfo>

  3368. 	<p>Track the signal peak amplitude.  Very useful for simple

  3369. 		audio level response projects, and general troubleshooting.</p>

  3370. 	</div>

  3371. 	<h3>Audio Connections</h3>

  3372. 	<table class=doc align=center cellpadding=3>

  3373. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3374. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3375. 	</table>

  3376. 	<h3>Functions</h3>

  3377. 	<p class=func><span class=keyword>available</span>();</p>

  3378. 	<p class=desc>Returns true each time new peak data is available.

  3379. 	</p>

  3380. 	<p class=func><span class=keyword>read</span>();</p>

  3381. 	<p class=desc>Read the highest peak amplitude value since the last read.

  3382. 		Return is from 0.0 to 1.0.

  3383. 	</p>

  3384. 	<p class=func><span class=keyword>readPeakToPeak</span>();</p>

  3385. 	<p class=desc>Read the highest peak-to-peak amplitude since the last read.

  3386. 		Return is from 0.0 to 2.0.

  3387. 	</p>

  3388. 	<h3>Examples</h3>

  3389. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  3390. 	</p>

  3391. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterStereo

  3392. 	</p>

  3393. 	<h3>Notes</h3>

  3394. 	<p></p>

  3395. </script>

  3396. <script type="text/x-red" data-template-name="AudioAnalyzePeak">

  3397. 	<div class="form-row">

  3398. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3399. 		<input type="text" id="node-input-name" placeholder="Name">

  3400. 	</div>

  3401. </script>

  3402. 

  3403. <script type="text/x-red" data-help-name="AudioAnalyzeRMS">

  3404. 	<h3>Summary</h3>

  3405. 	<div class=tooltipinfo>

  3406. 	<p>Track the signal RMS amplitude.  Useful for

  3407. 		audio level response projects, and general troubleshooting.</p>

  3408. 	</div>

  3409. 	<h3>Audio Connections</h3>

  3410. 	<table class=doc align=center cellpadding=3>

  3411. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3412. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3413. 	</table>

  3414. 	<h3>Functions</h3>

  3415. 	<p class=func><span class=keyword>available</span>();</p>

  3416. 	<p class=desc>Returns true if new RMS data is available.

  3417. 	</p>

  3418. 	<p class=func><span class=keyword>read</span>();</p>

  3419. 	<p class=desc>Read the new RMS value.

  3420. 		Return is from 0.0 to 1.0.

  3421. 	</p>

  3422. 	<h3>Examples</h3>

  3423. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakAndRMSMeterStereo</p>

  3424. 	</p>

  3425. 	<h3>Notes</h3>

  3426. 	<p></p>

  3427. </script>

  3428. <script type="text/x-red" data-template-name="AudioAnalyzeRMS">

  3429. 	<div class="form-row">

  3430. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3431. 		<input type="text" id="node-input-name" placeholder="Name">

  3432. 	</div>

  3433. </script>

  3434. 

  3435. <script type="text/x-red" data-help-name="AudioAnalyzeFFT256">

  3436. 	<h3>Summary</h3>

  3437. 	<div class=tooltipinfo>

  3438. 	<p>Compute a 256 point Fast Fourier Transform (FFT) frequency analysis,

  3439. 		with real value (magnitude) output.  The frequency resolution is

  3440. 		172 Hz, useful for simple audio visualization.</p>

  3441. 	</div>

  3442. 	<h3>Audio Connections</h3>

  3443. 	<table class=doc align=center cellpadding=3>

  3444. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3445. 		<tr class=odd><td align=center>In 0</td><td>Signal to convert to frequency bins</td></tr>

  3446. 	</table>

  3447. 	<h3>Functions</h3>

  3448. 	<p class=func><span class=keyword>available</span>();</p>

  3449. 	<p class=desc>Returns true each time the FFT analysis produces new output data.

  3450. 	</p>

  3451. 	<p class=func><span class=keyword>read</span>(binNumber);</p>

  3452. 	<p class=desc>Read a single frequency bin, from 0 to 127.  The result is scaled

  3453. 		so 1.0 represents a full scale sine wave.

  3454. 	</p>

  3455. 	<p class=func><span class=keyword>read</span>(firstBin, lastBin);</p>

  3456. 	<p class=desc>Read several frequency bins, returning their sum.  The higher

  3457. 		audio octaves are represented by many bins, which are typically read

  3458. 		as a group for audio visualization.

  3459. 	</p>

  3460. 	<p class=func><span class=keyword>averageTogether</span>(number);</p>

  3461. 	<p class=desc>New data is produced very radidly, approximately 344 times

  3462. 		per second.  Multiple outputs can be averaged together, so available()

  3463. 		returns true at a slower rate.

  3464. 	</p>

  3465. 	<p class=func><span class=keyword>windowFunction</span>(window);</p>

  3466. 	<p class=desc>Set the window function to be used.  AudioWindowHanning256

  3467. 		is the default.  Windowing may be disabled by NULL, but windowing

  3468. 		should be used for all non-periodic (music) signals, and all periodic

  3469. 		signals that are not exact integer division of the sample rate.

  3470. 	</p>

  3471. 

  3472. 	<h3>Examples</h3>

  3473. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  3474. 	</p>

  3475. 	<h3>Notes</h3>

  3476. 	<p>The raw 16 bit output data bins may be access with myFFT.output[num], where

  3477. 		num is 0 to 127.</p>

  3478. 	<p>TODO: caveats about spectral leakage vs frequency precision for arbitrary signals</p>

  3479. 	<p>Window Types:

  3480. 		<ul>

  3481. 		<li><span class=literal>AudioWindowHanning256</span> (default)</li>

  3482. 		<li><span class=literal>AudioWindowBartlett256</span></li>

  3483. 		<li><span class=literal>AudioWindowBlackman256</span></li>

  3484. 		<li><span class=literal>AudioWindowFlattop256</span></li>

  3485. 		<li><span class=literal>AudioWindowBlackmanHarris256</span></li>

  3486. 		<li><span class=literal>AudioWindowNuttall256</span></li>

  3487. 		<li><span class=literal>AudioWindowBlackmanNuttall256</span></li>

  3488. 		<li><span class=literal>AudioWindowWelch256</span></li>

  3489. 		<li><span class=literal>AudioWindowHamming256</span></li>

  3490. 		<li><span class=literal>AudioWindowCosine256</span></li>

  3491. 		<li><span class=literal>AudioWindowTukey256</span></li>

  3492. 		</ul>

  3493. 	</p>

  3494. </script>

  3495. <script type="text/x-red" data-template-name="AudioAnalyzeFFT256">

  3496. 	<div class="form-row">

  3497. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3498. 		<input type="text" id="node-input-name" placeholder="Name">

  3499. 	</div>

  3500. </script>

  3501. 

  3502. <script type="text/x-red" data-help-name="AudioAnalyzeFFT1024">

  3503. 	<h3>Summary</h3>

  3504. 	<div class=tooltipinfo>

  3505. 	<p>Compute a 1024 point Fast Fourier Transform (FFT) frequency analysis,

  3506. 		with real value (magnitude) output.  The frequency resolution is

  3507. 		43 Hz, useful detailed for audio visualization.</p>

  3508. 	</div>

  3509. 	<h3>Audio Connections</h3>

  3510. 	<table class=doc align=center cellpadding=3>

  3511. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3512. 		<tr class=odd><td align=center>In 0</td><td>Signal to convert to frequency bins</td></tr>

  3513. 	</table>

  3514. 	<h3>Functions</h3>

  3515. 	<p class=func><span class=keyword>available</span>();</p>

  3516. 	<p class=desc>Returns true each time the FFT analysis produces new output data.

  3517. 	</p>

  3518. 	<p class=func><span class=keyword>read</span>(binNumber);</p>

  3519. 	<p class=desc>Read a single frequency bin, from 0 to 511.  The result is scaled

  3520. 		so 1.0 represents a full scale sine wave.

  3521. 	</p>

  3522. 	<p class=func><span class=keyword>read</span>(firstBin, lastBin);</p>

  3523. 	<p class=desc>Read several frequency bins, returning their sum.  The higher

  3524. 		audio octaves are represented by many bins, which are typically read

  3525. 		as a group for audio visualization.

  3526. 	</p>

  3527. 	<p class=func><span class=keyword>averageTogether</span>(number);</p>

  3528. 	<p class=desc>This function does nothing.  The 1024 point FFT always

  3529. 		updates at approximately 86 times per second.

  3530. 	</p>

  3531. 	<p class=func><span class=keyword>windowFunction</span>(window);</p>

  3532. 	<p class=desc>Set the window function to be used.  AudioWindowHanning1024

  3533. 		is the default.  Windowing may be disabled by NULL, but windowing

  3534. 		should be used for all non-periodic (music) signals, and all periodic

  3535. 		signals that are not exact integer division of the sample rate.

  3536. 	</p>

  3537. 	<h3>Examples</h3>

  3538. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  3539. 	</p>

  3540. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  3541. 	</p>

  3542. 	<h3>Notes</h3>

  3543. 	<p>The raw 16 bit output data bins may be access with myFFT.output[num], where

  3544. 		num is 0 to 511.</p>

  3545. 	<p>TODO: caveats about spectral leakage vs frequency precision for arbitrary signals</p>

  3546. 	<p>Window Types:

  3547. 		<ul>

  3548. 		<li><span class=literal>AudioWindowHanning1024</span> (default)</li>

  3549. 		<li><span class=literal>AudioWindowBartlett1024</span></li>

  3550. 		<li><span class=literal>AudioWindowBlackman1024</span></li>

  3551. 		<li><span class=literal>AudioWindowFlattop1024</span></li>

  3552. 		<li><span class=literal>AudioWindowBlackmanHarris1024</span></li>

  3553. 		<li><span class=literal>AudioWindowNuttall1024</span></li>

  3554. 		<li><span class=literal>AudioWindowBlackmanNuttall1024</span></li>

  3555. 		<li><span class=literal>AudioWindowWelch1024</span></li>

  3556. 		<li><span class=literal>AudioWindowHamming1024</span></li>

  3557. 		<li><span class=literal>AudioWindowCosine1024</span></li>

  3558. 		<li><span class=literal>AudioWindowTukey1024</span></li>

  3559. 		</ul>

  3560. 	</p>

  3561. 	<p>1024 point FFT has a peak CPU usage of approx 52% on Teensy 3.1.

  3562. 		Average usage is much lower.  Future versions might distribute the

  3563. 		load more evenly over time....

  3564. 	</p>

  3565. </script>

  3566. <script type="text/x-red" data-template-name="AudioAnalyzeFFT1024">

  3567. 	<div class="form-row">

  3568. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3569. 		<input type="text" id="node-input-name" placeholder="Name">

  3570. 	</div>

  3571. </script>

  3572. 

  3573. <script type="text/x-red" data-help-name="AudioAnalyzeToneDetect">

  3574. 	<h3>Summary</h3>

  3575. 	<div class=tooltipinfo>

  3576. 	<p>Detect the level of a single tone</p>

  3577. 	</div>

  3578. 	<h3>Audio Connections</h3>

  3579. 	<table class=doc align=center cellpadding=3>

  3580. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3581. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3582. 	</table>

  3583. 	<h3>Functions</h3>

  3584. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  3585. 	<p class=desc>Set the frequency to detect.  The default detection time

  3586. 		will be 10 cycles of this frequency.

  3587. 	</p>

  3588. 	<p class=func><span class=keyword>frequency</span>(freq, cycles);</p>

  3589. 	<p class=desc>Set the frequency to detect, and the number of cycles.

  3590. 		Longer detection time (more cycles) will give higher precision,

  3591. 		but of course slower response.

  3592. 	</p>

  3593. 	<p class=func><span class=keyword>available</span>();</p>

  3594. 	<p class=desc>Returns true (non-zero) each time a detection interval

  3595. 		(number of cycles) completed and a new level is detected.

  3596. 	</p>

  3597. 	<p class=func><span class=keyword>read</span>();</p>

  3598. 	<p class=desc>Read the detected signal level.  Range is 0 to 1.0.

  3599. 	</p>

  3600. 	<p class=func><span class=keyword>threshold</span>(level);</p>

  3601. 	<p class=desc>Set a detection threshold, where the bool test operation

  3602. 		will return true if at or above this level, or false when below.

  3603. 	</p>

  3604. 	<p class=func>(bool)</p>

  3605. 	<p class=desc>By testing the object as a boolean value, you can respond

  3606. 		to detection of a tone.

  3607. 	</p>

  3608. 	<h3>Examples</h3>

  3609. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  3610. 	</p>

  3611. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  3612. 	</p>

  3613. 	<h3>Notes</h3>

  3614. 	<p>Low frequency detection has trouble with numerical precision.

  3615. 		Works really well for all 8 DTMF frequencies, but fails for

  3616. 		detecting "sub audible tones" used in some control applications.</p>

  3617. 	<p>The (bool) test continues to return true until the next detection

  3618. 		interval (the configured number of cycles).  This behavior may

  3619. 		change in future versions, for a single true each time the signal

  3620. 		is detected, and then false for the remainder of that interval.</p>

  3621. </script>

  3622. <script type="text/x-red" data-template-name="AudioAnalyzeToneDetect">

  3623. 	<div class="form-row">

  3624. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3625. 		<input type="text" id="node-input-name" placeholder="Name">

  3626. 	</div>

  3627. </script>

  3628. 

  3629. <script type="text/x-red" data-help-name="AudioAnalyzeNoteFrequency">

  3630. 	<h3>Summary</h3>

  3631. 	<div class=tooltipinfo>

  3632. 	<p>Detect with fairly good accuracy the fundamental frequency f<sub>o</sub>

  3633. 		of musical notes, such as electric guitar and bass.</p>

  3634. 	</div>

  3635.     <p>Written By Collin Duffy</p>

  3636. 	<h3>Audio Connections</h3>

  3637. 	<table class=doc align=center cellpadding=3>

  3638. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3639. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3640. 	</table>

  3641. 	<h3>Functions</h3>

  3642. 	<p class=func><span class=keyword>begin</span>(threshold);</p>

  3643. 	<p class=desc>Initialize and start detecting frequencies,

  3644. 		with an initial threshold (the amount of allowed uncertainty).

  3645. 	</p>

  3646. 	<p class=func><span class=keyword>available</span>();</p>

  3647. 	<p class=desc>Returns true (non-zero) when a valid

  3648. 		frequency is detected.

  3649. 	</p>

  3650. 	<p class=func><span class=keyword>read</span>();</p>

  3651. 	<p class=desc>Read the detected frequency.

  3652. 	</p>

  3653. 	<p class=func><span class=keyword>probability</span>();</p>

  3654. 	<p class=desc>Return the level of certainty, betweeo 0 to 1.0.

  3655. 	</p>

  3656. 	<p class=func><span class=keyword>threshold</span>(level);</p>

  3657. 	<p class=desc>Set the detection threshold, the amount of allowed uncertainty.

  3658. 	</p>

  3659. 	<h3>Examples</h3>

  3660. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; NoteFrequency

  3661. 	</p>

  3662. 	<h3>Notes</h3>

  3663. 	<p>The <a href="http://recherche.ircam.fr/equipes/pcm/cheveign/pss/2002_JASA_YIN.pdf">YIN algorithm</a> (PDF)

  3664. 		is used to detect frequencies, with many optimizations for

  3665. 		frequencies between 29-400Hz.  This algorithm can be somewhat

  3666. 		memory and processor hungry but will allow you to detect with

  3667. 		fairly good accuracy the fundamental frequencies from

  3668. 		electric guitars and basses.</p>

  3669. 	<p>Within the code, AUDIO_GUITARTUNER_BLOCKS

  3670. 		may be edited to control low frequency range.  The default

  3671. 		(24) allows measurement down to 29.14 Hz, or B(flat)0.</p>

  3672. 	<p>TODO: The usable upper range of this object is not well known.

  3673. 		Duff says "it should be good up to 1000Hz", but may have trouble

  3674. 		at 4 kHz.  Please <a href="https://forum.pjrc.com/threads/32252-Different-Range-FFT-Algorithm/page2">post feedback here</a>, ideally with audio clips for the NoteFrequency example.</p>

  3675. 	<p>This object was contributed by Collin Duffy from his

  3676. 		<a href="https://github.com/duff2013/AudioTuner">AudioTuner project</a>.

  3677. 		Additional details and documentation may be found there.</p>

  3678. </script>

  3679. <script type="text/x-red" data-template-name="AudioAnalyzeNoteFrequency">

  3680. 	<div class="form-row">

  3681. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3682. 		<input type="text" id="node-input-name" placeholder="Name">

  3683. 	</div>

  3684. </script>

  3685. 

  3686. <script type="text/x-red" data-help-name="AudioAnalyzePrint">

  3687. 	<h3>Summary</h3>

  3688. 	<div class=tooltipinfo>

  3689. 	<p>Print raw audio data to the Arduino Serial Monitor.  This

  3690. 		object creates massive output quickly, and should not normally be used.</p>

  3691. 	</div>

  3692. 	<h3>Audio Connections</h3>

  3693. 	<table class=doc align=center cellpadding=3>

  3694. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3695. 		<tr class=odd><td align=center>In 0</td><td>Signal to print</td></tr>

  3696. 	</table>

  3697. 	<h3>Functions</h3>

  3698. 	<p class=func><span class=keyword>name</span>(string);</p>

  3699. 	<p class=desc>blah blah blah blah

  3700. 	</p>

  3701. 	<p class=func><span class=keyword>trigger</span>();</p>

  3702. 	<p class=desc>blah blah blah blah

  3703. 	</p>

  3704. 	<p class=func><span class=keyword>trigger</span>(level, edge);</p>

  3705. 	<p class=desc>blah blah blah blah

  3706. 	</p>

  3707. 	<p class=func><span class=keyword>delay</span>(samples);</p>

  3708. 	<p class=desc>blah blah blah blah

  3709. 	</p>

  3710. 	<p class=func><span class=keyword>length</span>(samples);</p>

  3711. 	<p class=desc>blah blah blah blah

  3712. 	</p>

  3713. 	<!--

  3714. <h3>Examples</h3>

  3715. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  3716. 	</p>

  3717. -->

  3718. 	<h3>Notes</h3>

  3719. 	<p>This object doesn't work very well and probably should not be used.</p>

  3720. </script>

  3721. <script type="text/x-red" data-template-name="AudioAnalyzePrint">

  3722. 	<div class="form-row">

  3723. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3724. 		<input type="text" id="node-input-name" placeholder="Name">

  3725. 	</div>

  3726. </script>

  3727. 

  3728. <script type="text/x-red" data-help-name="AudioControlSGTL5000">

  3729. 	<h3>Summary</h3>

  3730. 	<div class=tooltipinfo>

  3731. 	<p>Control the SGTL5000 chip on the

  3732. 		<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>.

  3733. 		SGTL5000 is always used in slave mode, where Teensy controls

  3734. 		all I2S timing.

  3735. 	</p>

  3736. 	<p align=center><img src="img/sgtl5000closeup.jpg"></p>

  3737. 	</div>

  3738. 	<h3>Audio Connections</h3>

  3739. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  3740. 		are used to send and receive audio data.  I2S master mode objects

  3741. 		must be used, because this object configures the SGTL5000 in slave

  3742. 		mode, where it depends on Teensy to provide all I2S clocks.

  3743. 		This object controls

  3744. 		how the SGTL5000 will use those I2S audio streams.</p>

  3745. 

  3746. 	<h3>Functions</h3>

  3747. 	<p>These are the most commonly used SGTL5000 functions.</p>

  3748. 	<p class=func><span class=keyword>enable</span>();</p>

  3749. 	<p class=desc>Start the SGTL5000.  This function should be called first.

  3750. 	</p>

  3751. 	<p class=func><span class=keyword>volume</span>(level);</p>

  3752. 	<p class=desc>Set the headphone volume level.  Range is 0 to 1.0, but

  3753. 		0.8 corresponds to the maximum undistorted output for a full scale

  3754. 		signal.  Usually 0.5 is a comfortable listening level.  The line

  3755. 		level outputs are <em>not</em> changed by this function.

  3756. 	</p>

  3757. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  3758. 	<p class=desc>Select which input to use: AUDIO_INPUT_LINEIN or AUDIO_INPUT_MIC.

  3759. 	</p>

  3760. 	<p class=func><span class=keyword>micGain</span>(dB);</p>

  3761. 	<p class=desc>When using the microphone input, set the amplifier gain.

  3762. 		The input number is in decibels, from 0 to 63.

  3763. 	</p>

  3764. 

  3765. 	<h3>Signal Levels</h3>

  3766. 

  3767. 	<p>The default signal levels should be used for most applications,

  3768. 		but these functions allow you to customize the analog signals.</p>

  3769. 

  3770. 	<p class=func><span class=keyword>muteHeadphone</span>();</p>

  3771. 	<p class=desc>Silence the headphone output.

  3772. 	</p>

  3773. 	<p class=func><span class=keyword>unmuteHeadphone</span>();</p>

  3774. 	<p class=desc>Turn the headphone output on.

  3775. 	</p>

  3776. 	<p class=func><span class=keyword>muteLineout</span>();</p>

  3777. 	<p class=desc>Silence the line level outputs.

  3778. 	</p>

  3779. 	<p class=func><span class=keyword>unmuteLineout</span>();</p>

  3780. 	<p class=desc>Turn the line level outputs on.

  3781. 	</p>

  3782. 	<p class=func><span class=keyword>lineInLevel</span>(both);</p>

  3783. 	<p class=desc style="padding-bottom:0.2em;">Adjust the sensitivity of the line-level inputs.

  3784. 		Fifteen settings are possible:

  3785. 	</p>

  3786. <pre class="desc">

  3787.  0: 3.12 Volts p-p

  3788.  1: 2.63 Volts p-p

  3789.  2: 2.22 Volts p-p

  3790.  3: 1.87 Volts p-p

  3791.  4: 1.58 Volts p-p

  3792.  5: 1.33 Volts p-p  (default)

  3793.  6: 1.11 Volts p-p

  3794.  7: 0.94 Volts p-p

  3795.  8: 0.79 Volts p-p

  3796.  9: 0.67 Volts p-p

  3797. 10: 0.56 Volts p-p

  3798. 11: 0.48 Volts p-p

  3799. 12: 0.40 Volts p-p

  3800. 13: 0.34 Volts p-p

  3801. 14: 0.29 Volts p-p

  3802. 15: 0.24 Volts p-p

  3803. </pre>

  3804. 	<p class=func><span class=keyword>lineInLevel</span>(left, right);</p>

  3805. 	<p class=desc>Adjust the sensitivity of the line-level inputs, with different

  3806. 		settings for left and right.  The same 15 settings are available.

  3807. 	</p>

  3808. 	<p class=func><span class=keyword>lineOutLevel</span>(both);</p>

  3809. 	<p class=desc style="padding-bottom:0.2em;">Adjust the line level output

  3810. 		voltage range.  The following settings are possible:

  3811. 	</p>

  3812. <pre class="desc">

  3813. 13: 3.16 Volts p-p

  3814. 14: 2.98 Volts p-p

  3815. 15: 2.83 Volts p-p

  3816. 16: 2.67 Volts p-p

  3817. 17: 2.53 Volts p-p

  3818. 18: 2.39 Volts p-p

  3819. 19: 2.26 Volts p-p

  3820. 20: 2.14 Volts p-p

  3821. 21: 2.02 Volts p-p

  3822. 22: 1.91 Volts p-p

  3823. 23: 1.80 Volts p-p

  3824. 24: 1.71 Volts p-p

  3825. 25: 1.62 Volts p-p

  3826. 26: 1.53 Volts p-p

  3827. 27: 1.44 Volts p-p

  3828. 28: 1.37 Volts p-p

  3829. 29: 1.29 Volts p-p  (default)

  3830. 30: 1.22 Volts p-p

  3831. 31: 1.16 Volts p-p

  3832. </pre>

  3833. 	<p class=func><span class=keyword>lineOutLevel</span>(left, right);</p>

  3834. 	<p class=desc>Adjust the line level outout voltage range, with separate

  3835. 		settings for left and right.  The same settings (13 to 31) are available.

  3836. 	</p>

  3837. 

  3838. 

  3839. 	<h3>Signal Conditioning</h3>

  3840. 

  3841. 	<p>Usually these digital signal conditioning features should be left at their

  3842. 		default settings.

  3843. 	</p>

  3844. 

  3845. 	<p class=func><span class=keyword>adcHighPassFilterFreeze</span>();</p>

  3846. 	<p class=desc>By default, the analog input (either line-level inputs or mic)

  3847. 		is high-pass filtered, to remove any DC component.  This function

  3848. 		freezes the filter, so the current DC component is still substracted, but

  3849. 		the filter stops tracking any DC or low frequency changes.

  3850. 	</p>

  3851. 	<p class=func><span class=keyword>adcHighPassFilterDisable</span>();</p>

  3852. 	<p class=desc>Completely disable the analog input filter.  DC and sub-audible

  3853. 		low frequencies are allowed to enter the digital signal.  This

  3854. 		<a href="http://openaudio.blogspot.com/2017/03/teensy-audio-board-self-noise.html">may

  3855. 		reduce noise</a> in some cases.

  3856. 	</p>

  3857. 	<p class=func><span class=keyword>adcHighPassFilterEnable</span>();</p>

  3858. 	<p class=desc>Turn the DC-blocking filter back on, if disabled, or

  3859. 		allows it to resume tracking DC and low frequency changes, if

  3860. 		previously frozen. This is the default setting.

  3861. 	</p>

  3862. 	<p class=func><span class=keyword>dacVolume</span>(both);</p>

  3863. 	<p class=desc>Normally output volume should be used with volume(), which

  3864. 		changes the analog gain in the headphone amplifier.  This function

  3865. 		on the other hand controls digital attenuation before conversion to analog, which

  3866. 		reduces resolution, but allows another fine control of output

  3867. 		signal level.  The ranges is 0 to 1.0, with the default (no digital attenuation)

  3868. 		at 1.0.

  3869. 	</p>

  3870. 	<p  class=desc>dacVolume uses zero-crossing detect to avoid clicks, and graceful

  3871. 		ramping is handled by the chip so that a new volume may be set directly in

  3872. 		a single call.

  3873. 	</p>

  3874. 	<p class=func><span class=keyword>dacVolume</span>(left, right);</p>

  3875. 	<p class=desc>Adjust the digital output volume separately on left and

  3876. 		right channels.

  3877. 	</p>

  3878. 	<p class=func><span class=keyword>dacVolumeRamp</span>();</p>

  3879. 	<p class=desc>Enable graceful volume ramping.  The dacVolume adjusts gradually using

  3880. 		an exponential curve.  Pops or loud clicks are avoided when making large

  3881. 		changes in volume level.

  3882. 	</p>

  3883. 	<p class=func><span class=keyword>dacVolumeRampLinear</span>();</p>

  3884. 	<p class=desc>Enable faster volume ramping.  A slight click may be heard during a

  3885. 		large volume change.

  3886. 	</p>

  3887. 	<p class=func><span class=keyword>dacVolumeRampDisable</span>();</p>

  3888. 	<p class=desc>Do not use any gradual ramping.  The zero cross feature still helps

  3889. 		for small changes, but large volume changes may produce a pop or click.

  3890. 	</p>

  3891. 

  3892. 	<h3>Audio Processor</h3>

  3893. 

  3894. 	<p>The optional digital audio processor is capable of implementing

  3895. 		one or more of: automatic volume control, surround sound control,

  3896. 		bass enhancement, and tonal adjustments (either a

  3897. 		simple tone control, or a parametric equalizer, or a graphic equalizer),

  3898. 		in that order.

  3899. 	</p>

  3900. 	<p>These signal processing features are implemented in the SGTL5000 chip,

  3901. 		so they do not consume CPU time on Teensy. However, the order of

  3902. 		these processes is fixed in the hardware.

  3903. 	</p>

  3904. 	<p>It is good practice to mute the outputs before enabling or disabling

  3905. 	the Audio Processor, to avoid clicks or thumps.

  3906. 	</p>

  3907. 

  3908. 	<p class=func><span class=keyword>audioPreProcessorEnable</span>();</p>

  3909. 	<p class=desc>Enable the audio processor to pre-process the input

  3910. 		(from either line-level inputs or microphone) before it's sent

  3911. 		to Teensy by I2S.

  3912. 	</p>

  3913. 	<p class=func><span class=keyword>audioPostProcessorEnable</span>();</p>

  3914. 	<p class=desc>Enable the audio processor to post-process Teensy's

  3915. 		I2S output before it's turned into analog signals for the

  3916. 		headphones and/or line level outputs.

  3917. 	</p>

  3918. 	<p class=func><span class=keyword>audioProcessorDisable</span>();</p>

  3919. 	<p class=desc>Disable the audio processor.

  3920. 	</p>

  3921. 	<p class=func><span class=keyword>autoVolumeControl</span>(maxGain, response, hardLimit, threshold, attack, decay);</p>

  3922. 	<p class=desc>Configures the auto volume control, which is implemented as a compressor/expander

  3923. 	or hard limiter. 	<em>maxGain</em> is the maximum gain that can be applied for expanding, and

  3924. 	can take one of three values: 0 (0dB), 1 (6.0dB) and 2 (12dB). Values greater than 2 are treated

  3925. 	as 2. <em>response</em> controls the integration time for the compressor and can take

  3926. 	four values: 0 (0ms), 1 (25ms), 2 (50ms) or 3 (100ms). Larger values average the volume

  3927. 	over a longer time, allowing short-term peaks through.

  3928. 	</p>

  3929. 	<p class=desc>If <em>hardLimit</em> is 0, a 'soft

  3930. 	knee' compressor is used to progressively compress louder values which are near to or above the

  3931. 	threashold (the louder they are, the greater the compression). If it is 1, a hard compressor

  3932. 	is used (all values above the threashold are the same loudness). The <em>threashold</em> is specified

  3933. 	as a float in the range 0dBFS to -96dBFS, where -18dBFS is a typical value.

  3934. 	<em>attack</em> is a float controlling the rate of decrease in gain when the signal is over

  3935. 	threashold, in dB/s. <em>decay</em> controls how fast gain is restored once the level

  3936. 	drops below threashold, again in dB/s. It is typically set to a longer value than attack.

  3937. 	</p>

  3938. 	<p class=func><span class=keyword>autoVolumeEnable</span>();</p>

  3939. 	<p class=desc>Enables auto volume control, using the previously specified settings.

  3940. 	</p>

  3941. 	<p class=func><span class=keyword>autoVolumeDisable</span>();</p>

  3942. 	<p class=desc>Disables auto volume control.

  3943. 	</p>

  3944. 

  3945. 	<p class=func><span class=keyword>surroundSoundEnable</span>();</p>

  3946. 	<p class=desc>Enable virtual surround processing, to give a broader and

  3947. 	deeper stereo image (even with mono input).

  3948. 	</p>

  3949. 	<p class=func><span class=keyword>surroundSoundDisable</span>();</p>

  3950. 	<p class=desc>Disable virtual surround processing. Before disabling, ramp up

  3951. 	the width to maximum to avoid pops.

  3952. 	</p>

  3953. 	<p class=func><span class=keyword>surroundSound</span>(width);</p>

  3954. 	<p class=desc>Configures virtual surround width from 0 (mono) to 7 (widest).

  3955. 	</p>

  3956. 	<p class=func><span class=keyword>surroundSound</span>(width, select);</p>

  3957. 	<p class=desc>Configures virtual surround width from 0 (mono) to 7 (widest).

  3958. 	<em>select</em> may be set to 1 (disable), 2 (mono input) or 3 (stereo input).

  3959. 	</p>

  3960. 

  3961. 	<p class=func><span class=keyword>enhanceBassEnable</span>();</p>

  3962. 	<p class=desc>Enable bass enhancement. A mono, low-pass filtered copy of

  3963. 	the original stereo signal has bass levels boosted and is then mixed back into

  3964. 	the stereo signal, which is then optionally high pass filtered (to remove

  3965. 	inaudible subsonic frequencies).

  3966. 	</p>

  3967. 	<p class=func><span class=keyword>enhanceBassDisable</span>();</p>

  3968. 	<p class=desc>Disable bass enhancement. Before disabling, ramp down the bass

  3969. 	enhancement level to zero.

  3970. 	</p>

  3971. 	<p class=func><span class=keyword>enhanceBass</span>(lr_lev, bass_lev);</p>

  3972. 	<p class=desc>Configures the bass enhancement by setting the levels of the

  3973. 	original stereo signal and the bass-enhanced mono level which will be mixed together.

  3974. 	There is no high-pass filter.

  3975. 	</p>

  3976. 	<p  class=desc>When changing bass level, call this function repeatedly to ramp up or down the bass in

  3977. 	steps of 0.5dB, to avoid pops.

  3978. 	</p>

  3979. 	<p class=func><span class=keyword>enhanceBass</span>(lr_lev, bass_lev, hpf_bypass, cutoff);</p>

  3980. 	<p class=desc>Configures the bass enhancement by setting the levels of the

  3981. 	original stereo signal and the bass-enhanced mono level which will be mixed together.

  3982. 	The high-pass filter may be enabled (0) or bypassed (1). The cutoff frequency is specified

  3983. 	as follows:

  3984. 	</p>

  3985. 	<pre class="desc">

  3986. value  frequency

  3987.  0      80Hz

  3988.  1     100Hz

  3989.  2     125Hz

  3990.  3     150Hz

  3991.  4     175Hz

  3992.  5     200Hz

  3993.  6     225Hz

  3994. </pre>

  3995. 	<p  class=desc>When changing bass level, call this function repeatedly to ramp up or down the bass in

  3996. 	steps of 0.5dB, to avoid pops.

  3997. 	</p>

  3998. 

  3999. 	<p class=func><span class=keyword>eqSelect</span>(n);</p>

  4000. 	<p class=desc>Selects the type of frequency control, where <em>n</em> is

  4001. 	one of</p>

  4002. 	<p class=desc><b>FLAT_FREQUENCY (0)</b><br>

  4003.     Equalizers and tone controls disabled, flat frequency response.</p>

  4004.     <p class=desc><b>PARAMETRIC_EQUALIZER (1)</b><br>

  4005.     Enables the 7-band parametric equalizer, thus disabling the

  4006. 	tone controls and graphic equalizer.</p>

  4007.     <p class=desc><b>TONE_CONTROLS (2)</b><br>

  4008.     Enables bass and treble tone controls, disabling the parametric

  4009. 	equalization and graphic equalizer.</p>

  4010.     <p class=desc><b>GRAPHIC_EQUALIZER (3)</b><br>

  4011.     Enables the five-band graphic equalizer, disabling the parametric

  4012. 	equalization and tone controls.</p>

  4013. 

  4014. 

  4015. 	<p class=func><span class=keyword>eqBands</span>(bass, treble);</p>

  4016. 	<p class=desc>Configures bass and treble tone controls, which are

  4017. 	implemented as one second order low pass filter (bass) in parallel with

  4018. 	one second order high pass filter (treble).

  4019. 	</p>

  4020. 	<p class=desc>When changing bass or treble level, call this function repeatedly to ramp

  4021. 	up or down the level in steps of 0.04 (=0.5dB) or so, to avoid pops.

  4022. 	</p>

  4023. 	<p class=func><span class=keyword>eqBands</span>(bass, mid_bass, midrange, mid_treble, treble);</p>

  4024. 	<p class=desc>Configures the graphic equalizer. It is implemented by five parallel,

  4025. 	second order biquad filters with fixed frequencies of 115Hz, 330Hz, 990Hz, 3kHz,

  4026. 	and 9.9kHz. Each band has a range of adjustment from 1.00 (+12dB) to -1.00 (-11.75dB).

  4027. 	</p>

  4028. 	<p class=func><span class=keyword>eqBand</span>(bandNum, n);</p>

  4029. 	<p class=desc>Configures the gain or cut on one band in the graphic equalizer.

  4030. 	<em>bandnum</em> can range from 1 to 5; <em>n</em> is a float in the range 1.00 to -1.00.

  4031. 	</p>

  4032. 	<p  class=desc>When changing a band, call this function repeatedly to ramp up the gain in steps of 0.5dB,

  4033. 	to avoid pops.

  4034. 	</p>

  4035. 

  4036. 	<p class=func><span class=keyword>eqFilter</span>(filterNum, filterParameters);</p>

  4037. 	<p class=desc>Configurs the parametric equalizer. The number of filters (1 to 7)

  4038. 	is specified along with  a pointer to an array of filter coefficients.

  4039. 	The parametric equalizer is implemented using 7 cascaded, second order bi-quad

  4040. 	filters whose frequencies, gain, and Q may be freely configured, but each filter

  4041. 	can only be specified as a set of filter coefficients.

  4042. 	</p>

  4043. 	<p class=func><span class=keyword>eqFilterCount</span>(n);</p>

  4044. 	<p class=desc>Enables zero or more of the already enabled parametric filters.

  4045. 	</p>

  4046. 

  4047. 	<h3>Examples</h3>

  4048. 	<p>Nearly all of the library's examples use this object.  These

  4049. 		examples demonstrate its special features.

  4050. 	</p>

  4051. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  4052. 	</p>

  4053. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; dap_bass_enhance

  4054. 	</p>

  4055. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; dap_avc_agc

  4056. 	</p>

  4057. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; balanceDAC

  4058. 	</p>

  4059. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; balanceHP

  4060. 	</p>

  4061. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; CalcBiquadToneControlDAP

  4062. 	</p>

  4063. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; VolumeRamp

  4064. 	</p>

  4065. 	<h3>Notes</h3>

  4066. 	<p>TODO: add example with rock/classical/speech presets, where rock uses bass boost

  4067. 	and surround enhancement while speech uses bandpass filtering and auto volume control

  4068. 	compression.

  4069. 	</p>

  4070. 	<p>TODO: add example with two analogRead pots for bass and treble to demonstrate ramping.

  4071. 	</p>

  4072. </script>

  4073. <script type="text/x-red" data-template-name="AudioControlSGTL5000">

  4074. 	<div class="form-row">

  4075. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4076. 		<input type="text" id="node-input-name" placeholder="Name">

  4077. 	</div>

  4078. </script>

  4079. 

  4080. <script type="text/x-red" data-help-name="AudioControlWM8731">

  4081. 	<h3>Summary</h3>

  4082. 	<div class=tooltipinfo>

  4083. 	<p>Control a WM8731 chip in slave mode, where it receives all clocks from Teensy</p>

  4084. 	</div>

  4085. 	<h3>Audio Connections</h3>

  4086. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  4087. 		are used to send and receive audio data.  I2S master mode objects

  4088. 		must be used, since this control object configures the WM8731 into

  4089. 		slave mode.

  4090. 	</p>

  4091. 	<h3>Functions</h3>

  4092. 	<p class=func><span class=keyword>enable</span>();</p>

  4093. 	<p class=desc>blah blah blah blah

  4094. 	</p>

  4095. 	<p class=func><span class=keyword>disable</span>();</p>

  4096. 	<p class=desc>not implemented

  4097. 	</p>

  4098. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4099. 	<p class=desc>blah blah blah blah

  4100. 	</p>

  4101. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4102. 	<p class=desc>not implemented

  4103. 	</p>

  4104. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4105. 	<p class=desc>not implemented

  4106. 	</p>

  4107. 	<!--

  4108. <h3>Examples</h3>

  4109. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  4110. 	</p>

  4111. -->

  4112. 	<h3>Notes</h3>

  4113. 	<p></p>

  4114. </script>

  4115. <script type="text/x-red" data-template-name="AudioControlWM8731">

  4116. 	<div class="form-row">

  4117. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4118. 		<input type="text" id="node-input-name" placeholder="Name">

  4119. 	</div>

  4120. </script>

  4121. 

  4122. <script type="text/x-red" data-help-name="AudioControlWM8731master">

  4123. 	<h3>Summary</h3>

  4124. 	<div class=tooltipinfo>

  4125. 	<p>Control a WM8731 chip in master mode, where it controls all I2S timing.</p>

  4126. 	</div>

  4127. 	<h3>Audio Connections</h3>

  4128. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  4129. 		are used to send and receive audio data.  I2S slave mode objects

  4130. 		must be used, since this control object configures the WM8731 into

  4131. 		master mode.

  4132. 	</p>

  4133. 	<h3>Functions</h3>

  4134. 	<p class=func><span class=keyword>enable</span>();</p>

  4135. 	<p class=desc>blah blah blah blah

  4136. 	</p>

  4137. 	<p class=func><span class=keyword>disable</span>();</p>

  4138. 	<p class=desc>not implemented

  4139. 	</p>

  4140. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4141. 	<p class=desc>blah blah blah blah

  4142. 	</p>

  4143. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4144. 	<p class=desc>not implemented

  4145. 	</p>

  4146. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4147. 	<p class=desc>not implemented

  4148. 	</p>

  4149. 	<h3>Examples</h3>

  4150. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  4151. 	</p>

  4152. 	<h3>Notes</h3>

  4153. 	<p></p>

  4154. </script>

  4155. <script type="text/x-red" data-template-name="AudioControlWM8731master">

  4156. 	<div class="form-row">

  4157. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4158. 		<input type="text" id="node-input-name" placeholder="Name">

  4159. 	</div>

  4160. </script>

  4161. 

  4162. <script type="text/x-red" data-help-name="AudioControlAK4558">

  4163. 	<h3>Summary</h3>

  4164. 	<div class=tooltipinfo>

  4165. 	<p>Control the AK4558 chip on the <a href="https://hackaday.io/project/8567-hifi-audio-codec-module" target="_blank">HiFi Audio CODEC Module</a>

  4166. 	in slave mode, where the Teensy controls all I2S timing.</p>

  4167. 	</div>

  4168. 	<h3>Audio Connections</h3>

  4169. 	<p>This object has no audio inputs or outputs.  Separate I2S objects

  4170. 		are used to send and receive audio data.

  4171. 	</p>

  4172. 	<h3>Functions</h3>

  4173. 	<p class=func><span class=keyword>enable</span>();</p>

  4174. 	<p class=desc>Enables the CODEC to work with 44.1 KHz - 16 bit data. This function does not enable the ADC/DAC modules.

  4175. 	</p>

  4176. 	<p class=func><span class=keyword>enableIn</span>();</p>

  4177. 	<p class=desc>Enables the ADC module.

  4178. 	</p>

  4179. 	<p class=func><span class=keyword>enableOut</span>();</p>

  4180. 	<p class=desc>Enables the DAC module.

  4181. 	</p>

  4182. 	<p class=func><span class=keyword>disable</span>();</p>

  4183. 	<p class=desc>Disables the ADC and the DAC modules.

  4184. 	</p>

  4185. 	<p class=func><span class=keyword>disableIn</span>();</p>

  4186. 	<p class=desc>Disable the ADC module.

  4187. 	</p>

  4188. 	<p class=func><span class=keyword>disableOut</span>();</p>

  4189. 	<p class=desc>Disable the DAC module.

  4190. 	</p>

  4191. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4192. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the line output volume accordingly.

  4193. 	</p>

  4194. 	<p class=func><span class=keyword>volumeLeft</span>(level);</p>

  4195. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the left line output volume accordingly.

  4196. 	</p>

  4197. 	<p class=func><span class=keyword>volumeRight</span>(level);</p>

  4198. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the right line output volume accordingly.

  4199. 	</p>

  4200. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4201. 	<p class=desc>NOT SUPPORTED BY THE AK4558

  4202. 	</p>

  4203. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4204. 	<p class=desc>not implemented yet

  4205. 	</p>

  4206. 	<h3>Examples</h3>

  4207. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; AK4558 &gt; PassthroughTest

  4208. 	</p>

  4209. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; AK4558 &gt; SineOutTest

  4210. 	</p>

  4211. 	<h3>Notes</h3>

  4212. 	<p>TODO: Implement inputSelect() function to enable mono left, mono right, stereo operation.</p>

  4213. 	<p>TODO: Implement ADC and DAC filters control.</p>

  4214. 	<p>TODO: Implement DAC level attenuator attack rate modifier.</p>

  4215. </script>

  4216. <script type="text/x-red" data-template-name="AudioControlAK4558">

  4217. 	<div class="form-row">

  4218. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4219. 		<input type="text" id="node-input-name" placeholder="Name">

  4220. 	</div>

  4221. </script>

  4222. 

  4223. <script type="text/x-red" data-help-name="AudioControlCS4272">

  4224. 	<h3>Summary</h3>

  4225. 	<div class=tooltipinfo>

  4226. 	<p>Control the CS4272 chip on the <a href="https://hackaday.io/project/5912-teensy-super-audio-board" target="_blank">Super Audio Board</a>.

  4227. 	</p>

  4228. 	<p>TODO: does this control object put the CS4272 into I2S master or slave mode</p>

  4229. 	</div>

  4230. 	<h3>Audio Connections</h3>

  4231. 	<p>This object has no audio inputs or outputs.  Separate I2S objects

  4232. 		are used to send and receive audio data.

  4233. 	</p>

  4234. 	<h3>Functions</h3>

  4235. 	<p class=func><span class=keyword>enable</span>();</p>

  4236. 	<p class=desc>Enables the CODEC to work with 44.1 KHz - 16 bit data. This function does not enable the ADC/DAC modules.

  4237. 	</p>

  4238. 	<p class=func><span class=keyword>volume</span>(vol);</p>

  4239. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4240. 	</p>

  4241. 	<p class=func><span class=keyword>volume</span>(left, right);</p>

  4242. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4243. 	</p>

  4244. 	<p class=func><span class=keyword>dacVolume</span>(vol);</p>

  4245. 	<p class=desc>Set the volume level. Range is 0 to 1.0.  TODO: what's the

  4246. 		distinction between volume() and dacVolume()?

  4247. 	</p>

  4248. 	<p class=func><span class=keyword>dacVolume</span>(left, right);</p>

  4249. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4250. 	</p>

  4251. 

  4252. 	<p class=func><span class=keyword>muteOutput</span>();</p>

  4253. 	<p class=desc>TODO: description

  4254. 	</p>

  4255. 	<p class=func><span class=keyword>unmuteOutput</span>();</p>

  4256. 	<p class=desc>TODO: description

  4257. 	</p>

  4258. 	<p class=func><span class=keyword>muteInput</span>();</p>

  4259. 	<p class=desc>TODO: description

  4260. 	</p>

  4261. 	<p class=func><span class=keyword>unmuteInput</span>();</p>

  4262. 	<p class=desc>TODO: description

  4263. 	</p>

  4264. 	<p class=func><span class=keyword>enableDither</span>();</p>

  4265. 	<p class=desc>TODO: description

  4266. 	</p>

  4267. 	<p class=func><span class=keyword>disableDither</span>();</p>

  4268. 	<p class=desc>TODO: description

  4269. 	</p>

  4270. 

  4271. 	<h3>Hardware</h3>

  4272. 	<p>Pin 2 must be connected to the CS4272 reset.  SDA &amp; SCL are used for all control.

  4273. 	</p>

  4274. 

  4275. 	<h3>Notes</h3>

  4276. </script>

  4277. <script type="text/x-red" data-template-name="AudioControlCS4272">

  4278. 	<div class="form-row">

  4279. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4280. 		<input type="text" id="node-input-name" placeholder="Name">

  4281. 	</div>

  4282. </script>

  4283. 

  4284. <script type="text/x-red" data-help-name="AudioControlCS42448">

  4285. 	<h3>Summary</h3>

  4286. 	<div class=tooltipinfo>

  4287. 	<p>Control the CS42448 chip in TDM mode, for 6 inputs and 8 outputs.

  4288. 	</p>

  4289. 	<p align=center><img src="img/cs42448.jpg"></p>

  4290. 	</div>

  4291. 	</div>

  4292. 	<h3>Audio Connections</h3>

  4293. 	<p>This object has no audio inputs or outputs.  Separate TDM objects

  4294. 		are used to send and receive audio data.

  4295. 	</p>

  4296. 	<h3>Functions</h3>

  4297. 	<p class=func><span class=keyword>enable</span>();</p>

  4298. 	<p class=desc>Enables the CS42448 to work in TDM mode.

  4299. 	</p>

  4300. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4301. 	<p class=desc>Set the volume level for all output channels. Range is 0 to 1.0.

  4302. 	</p>

  4303. 	<p class=func><span class=keyword>volume</span>(channel, level);</p>

  4304. 	<p class=desc>Set the volume level for a single output. Channel is 1 to 8.  Range is 0 to 1.0.

  4305. 	</p>

  4306. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4307. 	<p class=desc>Set the input gain level for all input channels. Range is 0 to 15.85.

  4308. 	</p>

  4309. 	<p class=func><span class=keyword>inputLevel</span>(channel, level);</p>

  4310. 	<p class=desc>Set the input gain level for a single input. Channel is 1 to 6. Range is 0 to 15.85.

  4311. 	</p>

  4312. 	<h3>Hardware</h3>

  4313. 	<p>Tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  4314. 		CS42448 Circuit Board</a>.

  4315. 	</p>

  4316. 	<p align=center><img src="img/tdm.jpg"></p>

  4317. 	</div>

  4318. 	<h3>Notes</h3>

  4319. </script>

  4320. <script type="text/x-red" data-template-name="AudioControlCS42448">

  4321. 	<div class="form-row">

  4322. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4323. 		<input type="text" id="node-input-name" placeholder="Name">

  4324. 	</div>

  4325. </script>

  4326. 

  4327. 

  4328. 

  4329. </body>

  4330. </html>