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teensy-audio
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teensy-audio/gui/index.html

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  1. <!DOCTYPE html>

  2. <!-- vim: set ts=4: -->

  3. <html>

  4. <meta charset="utf-8">

  5. <meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1, user-scalable=0"/>

  6. <meta name="apple-mobile-web-app-capable" content="yes">

  7. <meta name="mobile-web-app-capable" content="yes">

  8. 

  9. <!--

  10.   Modified from original Node-Red source, for audio system visualization

  11. 

  12.   Copyright 2013 IBM Corp.

  13. 

  14.   Licensed under the Apache License, Version 2.0 (the "License");

  15.   you may not use this file except in compliance with the License.

  16.   You may obtain a copy of the License at

  17. 

  18.   http://www.apache.org/licenses/LICENSE-2.0

  19. 

  20.   Unless required by applicable law or agreed to in writing, software

  21.   distributed under the License is distributed on an "AS IS" BASIS,

  22.   WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.

  23.   See the License for the specific language governing permissions and

  24.   limitations under the License.

  25. -->

  26. <head>

  27. <title>Audio System Design Tool for Teensy Audio Library</title>

  28. <link href="bootstrap/css/bootstrap.min.css" rel="stylesheet" media="screen">

  29. <link href="jquery/css/smoothness/jquery-ui-1.10.3.custom.min.css" rel="stylesheet" media="screen">

  30. <link rel="stylesheet" type="text/css" href="orion/built-editor.css"/>

  31. <link rel="stylesheet" type="text/css" href="font-awesome/css/font-awesome.min.css"/>

  32. <link rel="stylesheet" href="style.css">

  33. <style>

  34. table.doc {border-spacing:3px; border-collapse:separate; font-size: 80%}

  35. tr.top {background-color:#C0C0C0}

  36. tr.odd {background-color:#F0F0F0}

  37. tr.even {background-color:#E0E0E0}

  38. p.func {padding-bottom:0; margin:0px}

  39. p.desc {padding-left:2em; margin:0px; padding-top:0.2em; padding-bottom:0.8em; font-size:0.75em}

  40. p.exam {padding-left:2em; text-indent:-1.2em; margin:0px; padding-top:0; padding-bottom:0.5em; font-size:0.75em; font-weight:bold}

  41. pre.desc {padding-left:3em; margin:0px; padding-top:0em; padding-bottom:0.8em; font-size:0.75em;

  42. 	background-color:#FFFFFF; border:0px; line-height:100%;

  43. }

  44. span.indent {padding-left:2em}

  45. span.literal {color: #006699}

  46. span.comment {color: #777755}

  47. span.keyword {color: #cc6600}

  48. span.function {color: #996600}

  49. span.mainfunction {color: #993300; font-weight: bolder}

  50. </style>

  51. </head>

  52. <body spellcheck="false">

  53. <div class="navbar navbar-inverse navbar-fixed-top">

  54. 	<div class="navbar-inner">

  55. 		<div class="container-fluid">

  56. 			<span class="brand">Audio System Design Tool for <a href="http://www.pjrc.com/teensy/td_libs_Audio.html" target="_blank">Teensy Audio Library</a></span>

  57. 			<div class="btn-group pull-right">

  58. 				<a class="btn dropdown-toggle" data-toggle="dropdown" href="#"><i class="icon-align-justify"></i> <span class="caret"></span></a>

  59. 				<ul class="dropdown-menu">

  60. 					<li><a id="btn-sidebar" tabindex="-1" href="#"><i class="icon-ok pull-right"></i><i class="icon-list-alt"></i> Sidebar</a></li>

  61. 					<li class="divider"></li>

  62. 					<!-- <li><a id="btn-node-status" tabindex="-1" href="#"><i class="icon-ok pull-right"></i><i class="icon-info-sign"></i> Node Status</a></li>

  63. 					<li class="divider"></li>

  64. -->

  65. 					<!--

  66. <li class="dropdown-submenu pull-left"><a tabindex="-1" href="#"><i class="icon-edit"></i> Import from...</a>

  67. 						<ul class="dropdown-menu">

  68. 							<li><a id="btn-import" tabindex="-1" href="#"><i class="icon-edit"></i> Clipboard...</a></li>

  69. 							<li id="flow-menu-parent" class="dropdown-submenu pull-left">

  70. 								<a tabindex="-1" href="#"><i class="icon-book"></i> Library</a>

  71. 								<ul class="dropdown-menu"></ul>

  72. 							</li>

  73. 						</ul>

  74. 					</li>

  75. 					<li id="li-menu-export" class="dropdown-submenu disabled pull-left"><a tabindex="-1" href="#"><i class="icon-share"></i> Export to...</a>

  76. 						<ul class="dropdown-menu">

  77. 							<li id="li-menu-export-clipboard" class="disabled"><a id="btn-export-clipboard" tabindex="-1" href="#"><i class="icon-share"></i> Clipboard...</a></li>

  78. 							<li id="li-menu-export-library" class="disabled"><a id="btn-export-library" tabindex="-1" href="#"><i class="icon-book"></i> Library...</a></li>

  79. 						</ul>

  80. 					</li>

  81. 					<li class="divider"></li>

  82. -->

  83. 					<!--

  84.  <li><a id="btn-config-nodes" tabindex="-1" href="#"><i class="icon-th-list"></i> Configuration nodes...</a></li>

  85. 					<li class="divider"></li>

  86. -->

  87. 					<!--

  88. <li class="dropdown-submenu pull-left"><a tabindex="-1" href="#"><i class="icon-th-large"></i> Workspaces</a>

  89. 						<ul id="workspace-menu-list" class="dropdown-menu">

  90. 							<li><a id="btn-workspace-add" tabindex="-1" href="#"><i class="icon-plus"></i> Add</a></li>

  91. 							<li><a id="btn-workspace-edit" tabindex="-1" href="#"><i class="icon-edit"></i> Rename</a></li>

  92. 							<li><a id="btn-workspace-delete" tabindex="-1" href="#"><i class="icon-minus"></i> Delete</a></li>

  93. 							<li class="divider"></li>

  94. 						</ul>

  95. 					</li>

  96. 					<li class="divider"></li>-->

  97. 					<li><a id="btn-keyboard-shortcuts" tabindex="-1" href="#"><i class="icon-question-sign"></i> Keyboard Shortcuts</a></li>

  98. 					<li><a id="btn-help" tabindex="-1" href="http://node-red.github.io/docs" target="_blank"><i class="icon-question-sign"></i> Help...</a></li>

  99. 				</ul>

  100. 			</div>

  101. 			<div class="btn-group pull-left">

  102. 				<a id="btn-deploy" class="btn action-deploy disabled" href="#"><i id="btn-icn-deploy" class="icon-upload"></i>Export</a>

  103. 				<a id="btn-import" class="btn action-import disabled" href="#"><i id="btn-icn-download" class="icon-download"></i>Import</a>

  104. 			</div>

  105. 		</div>

  106. 	</div>

  107. </div>

  108. <div id="main-container" class="sidebar-closed">

  109. 	<div id="palette">

  110. 		<img src="img/spin.svg" class="palette-spinner"/>

  111. 		<div id="palette-container" class="palette-scroll">

  112. 		</div>

  113. 		<div id="palette-search">

  114. 			<i class="icon-search"></i><input id="palette-search-input" type="text" placeholder="filter"><a href="#" id="palette-search-clear"><i class="icon-remove"></i></a></input>

  115. 		</div>

  116. 	</div><!-- /palette -->

  117. 

  118. 	<div id="workspace">

  119. 		<ul id="workspace-tabs"></ul>

  120. 		<!--<div id="workspace-add-tab"><a id="btn-workspace-add-tab" href="#"><i class="icon-plus"></i></a></div>-->

  121. 		<div id="chart"></div>

  122. 		<div id="workspace-toolbar">

  123. 			<div class="btn-group">

  124. 				<a class="btn btn-small" href="#"><i class="icon-zoom-out"></i></a>

  125. 				<a class="btn btn-small" href="#"><i class="icon-th"></i></a>

  126. 				<a class="btn btn-small" href="#"><i class="icon-zoom-in"></i></a>

  127. 			</div>

  128. 		</div>

  129. 	</div>

  130. 

  131. 	<div id="chart-zoom-controls">

  132. 		<div class="btn-group">

  133. 			<a class="btn btn-mini" id="btn-zoom-out" href="#"><i class="icon-zoom-out"></i></a>

  134. 			<a class="btn btn-mini" id="btn-zoom-zero" href="#"><i class="icon-th"></i></a>

  135. 			<a class="btn btn-mini" id="btn-zoom-in" href="#"><i class="icon-zoom-in"></i></a>

  136. 		</div>

  137. 	</div>

  138. 

  139. 	<div id="sidebar">

  140. 		<ul id="sidebar-tabs"></ul>

  141. 		<div id="sidebar-content"></div>

  142. 	</div>

  143. 

  144. 	<div id="sidebar-separator"></div>

  145. 

  146. </div>

  147. 

  148. <div id="notifications"></div>

  149. <div id="dropTarget"><div>Drop the flow here</div></div>

  150. 

  151. <div id="dialog" class="hide"><form id="dialog-form" class="form-horizontal"></form></div>

  152. <div id="node-config-dialog" class="hide"><form id="dialog-config-form" class="form-horizontal"></form><div class="form-tips" id="node-config-dialog-user-count"></div></div>

  153. 

  154. <div id="node-dialog-confirm-deploy" class="hide">

  155. 	<form class="form-horizontal">

  156. 		<div id="node-dialog-confirm-deploy-config" style="text-align: center; padding-top: 30px;">

  157. 			Some of the nodes are not properly configured. Are you sure you want to deploy?

  158. 		</div>

  159. 		<div id="node-dialog-confirm-deploy-unknown" style="text-align: center; padding-top: 10px;">

  160. 			The workspace contains some unknown node types:

  161. 			<ul style="width: 300px; margin: auto; text-align: left;" id="node-dialog-confirm-deploy-unknown-list"></ul>

  162. 			Are you sure you want to deploy?

  163. 		</div>

  164. 	</form>

  165. </div>

  166. 

  167. <div id="node-dialog-error-deploy" class="hide">

  168. 	<form class="form-horizontal">

  169. 		<div id="node-dialog-error-deploy-noio" style="text-align: center; padding-top: 10px;">

  170. 			<p>The workspace contains no input/output nodes!</p>

  171. 			<p>You need an input or an output to export the data!</p>

  172. 			<p>Without such a input/output function the exported

  173. 			code will not run properly!</p>

  174. 		</div>

  175. 	</form>

  176. </div>

  177. 

  178. <div id="node-help" class="modal hide fade" tabindex="-1" role="dialog" aria-labelledby="node-help-label" aria-hidden="true">

  179.   <div class="modal-header">

  180. 	<h5 id="node-help-label">Keyboard Shortcuts <span style="float: right;"><a href="http://node-red.github.io/docs" target="_blank">Open help in new window &raquo;</a></span></h5>

  181.   </div>

  182.   <div class="modal-body">

  183. 	<table>

  184. 		<tr>

  185. 		  <td><span class="help-key">?</span></td><td>Help</td>

  186. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">a</span></td><td>Select all nodes</td>

  187. 		</tr>

  188. 		<tr>

  189. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">Space</span></td><td>Toggle sidebar</td>

  190. 		  <td><span class="help-key">Shift</span> <span class="help-key">Click</span></td><td>Select all connected nodes</td>

  191. 		</tr>

  192. 		<tr>

  193. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">z</span></td><td>Undo</td>

  194. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">Click</span></td><td>Add/remove node from selection</td>

  195. 		</tr>

  196. 		<tr>

  197. 		  <td></td><td></td>

  198. 		  <td><span class="help-key">Delete</span></td><td>Delete selected nodes or link</td>

  199. 		</tr>

  200. 		<tr>

  201. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">x</span></td><td>Cut selected nodes</td>

  202. 		  <td></td><td></td>

  203. 		</tr>

  204. 		<tr>

  205. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">c</span></td><td>Copy selected nodes</td>

  206. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">v</span></td><td>Paste nodes</td>

  207. 		</tr>

  208. 		<tr>

  209. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">i</span></td><td>Import nodes</td>

  210. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">e</span></td><td>Export selected nodes</td>

  211. 		</tr>

  212. 		<tr>

  213. 		  <td colspan="2"></td>

  214. 		</tr>

  215. 		<tr>

  216. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">+</span></td><td>Zoom in</td>

  217. 		  <td><span class="help-key">Ctrl</span> <span class="help-key">-</span></td><td>Zoom out</td>

  218. 		</tr>

  219. 	</table>

  220.   </div>

  221.   <div class="modal-footer">

  222. 	<button class="btn" data-dismiss="modal" aria-hidden="true">Close</button>

  223.   </div>

  224. </div>

  225. 

  226. <div id="node-dialog-library-save-confirm" class="hide">

  227. 	<form class="form-horizontal">

  228. 		<div style="text-align: center; padding-top: 30px;">

  229. 		 A <span id="node-dialog-library-save-type"></span> called <span id="node-dialog-library-save-name"></span> already exists. Overwrite?

  230. 		</div>

  231. 	</form>

  232. </div>

  233. 

  234. <div id="node-dialog-library-save" class="hide">

  235. 	<form class="form-horizontal">

  236. 		<div class="form-row">

  237. 			<label for="node-dialog-library-save-folder"><i class="icon-folder-open"></i> Folder</label>

  238. 			<input type="text" id="node-dialog-library-save-folder" placeholder="Folder">

  239. 		</div>

  240. 		<div class="form-row">

  241. 			<label for="node-dialog-library-save-filename"><i class="icon-file"></i> Filename</label>

  242. 			<input type="text" id="node-dialog-library-save-filename" placeholder="Filename">

  243. 		</div>

  244. 	</form>

  245. </div>

  246. 

  247. <div id="node-dialog-library-lookup" class="hide">

  248. 	<form class="form-horizontal">

  249. 		<div class="form-row">

  250. 			<ul id="node-dialog-library-breadcrumbs" class="breadcrumb">

  251. 				<li class="active"><a href="#">Library</a></li>

  252. 			</ul>

  253. 		</div>

  254. 		<div class="form-row">

  255. 			<div style="vertical-align: top; display: inline-block; height: 100%; width: 30%; padding-right: 20px;">

  256. 				<div id="node-select-library" style="border: 1px solid #999; width: 100%; height: 100%; overflow:scroll;"><ul></ul></div>

  257. 			</div>

  258. 			<div style="vertical-align: top; display: inline-block;width: 65%; height: 100%;">

  259. 				<div style="height: 100%; width: 95%;" class="node-text-editor" id="node-select-library-text" ></div>

  260. 			</div>

  261. 		</div>

  262. 	</form>

  263. </div>

  264. <div id="node-dialog-rename-workspace" class="hide">

  265. 	<form class="form-horizontal">

  266. 		<div class="form-row">

  267. 			<label for="node-input-workspace-name" ><i class="icon-tag"></i> Name:</label>

  268. 			<input type="text" id="node-input-workspace-name">

  269. 		</div>

  270. 	</form>

  271. </div>

  272. <div id="node-dialog-delete-workspace" class="hide">

  273. 	<form class="form-horizontal">

  274. 		<div style="text-align: center; padding-top: 30px;">

  275. 		 Are you sure you want to delete '<span id="node-dialog-delete-workspace-name"></span>'?

  276. 		</div>

  277. 	</form>

  278. </div>

  279. 

  280. <script type="text/x-red" data-template-name="export-clipboard-dialog">

  281. 	<div class="form-row">

  282. 		<label for="node-input-export" style="display: block; width:100%;"><i class="icon-share"></i> Source Code:</label>

  283. 		<textarea readonly style="font-family: monospace; font-size: 12px; background:rgb(226, 229, 255); padding-left: 0.5em;" class="input-block-level" id="node-input-export" rows="12"></textarea>

  284. 	</div>

  285. 	<div class="form-tips">

  286. 		Select the text above and copy to the clipboard with Ctrl-A Ctrl-C.

  287. 	</div>

  288. </script>

  289. <script type="text/x-red" data-template-name="export-library-dialog">

  290. 	<div class="form-row">

  291. 		<label for="node-input-filename" ><i class="icon-tag"></i> Filename:</label>

  292. 		<input type="text" id="node-input-filename" placeholder="Filename">

  293. 	</div>

  294. </script>

  295. <script type="text/x-red" data-template-name="import-dialog">

  296. 	<div class="form-row">

  297. 		<label for="node-input-import"><i class="icon-share"></i>Nodes:</label>

  298. 		<textarea style="font-family: monospace; font-size: 12px; background:rgb(226, 229, 255); padding-left: 0.5em;" class="input-block-level" id="node-input-import" rows="5" placeholder="Paste nodes here, or lookup in the library. When importing Arduino code, the whole flow will be replaced."></textarea>

  299. 	</div>

  300. 	<div class="form-tips">

  301. 		<label for="node-input-arduino" style="font-size: 13px; padding: 2px 0px 0px 4px;">

  302. 			<input style="margin-bottom: 4px; margin-right: 4px;" type="checkbox" id="node-input-arduino" checked="checked" class="input-block-level" />

  303. 				&nbsp;Import copied code from the Arduino IDE

  304. 		</label>

  305. 	</div>

  306. </script>

  307. 

  308. <script src="jquery/js/jquery-1.9.1.js"></script>

  309. <script src="bootstrap/js/bootstrap.min.js"></script>

  310. <script src="jquery/js/jquery-ui-1.10.3.custom.min.js"></script>

  311. <script src="jquery/js/jquery.ui.touch-punch.min.js"></script>

  312. <script src="orion/built-editor.min.js"></script>

  313. <script src="red/d3/d3.v3.min.js"></script>

  314. <script src="red/main.js"></script>

  315. <script src="red/ui/state.js"></script>

  316. <script src="red/nodes.js"></script>

  317. <script src="red/storage.js"></script>

  318. <script src="red/history.js"></script>

  319. <script src="red/ui/keyboard.js"></script>

  320. <script src="red/ui/tabs.js"></script>

  321. <script src="red/ui/view.js"></script>

  322. <script src="red/ui/sidebar.js"></script>

  323. <script src="red/ui/palette.js"></script>

  324. <script src="red/ui/tab-info.js"></script>

  325. <script src="red/ui/tab-config.js"></script>

  326. <script src="red/ui/editor.js"></script>

  327. <script src="red/ui/library.js"></script>

  328. <script src="red/ui/notifications.js"></script>

  329. <script src="red/ui/touch/radialMenu.js"></script>

  330. 

  331. <!--

  332.  TODO: generate some or all of this automatically from the C++ source

  333. -->

  334. 

  335. <!--

  336.  TODO: add a field for maximum instance count

  337. -->

  338. <!--

  339.  TODO: add a field for exclusive to other objects (not allowed if they're used)

  340. -->

  341. <!--

  342.  TODO: add "parameters" fields, to replace the form html stuff

  343. -->

  344. 

  345. <script  type="text/x-red" data-container-name="NodeDefinitions">

  346. 	{"nodes":[

  347. 		{"type":"AudioInputI2S","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  348. 		{"type":"AudioInputI2SQuad","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s_quad","inputs":0,"outputs":4,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  349. 		{"type":"AudioInputAnalog","data":{"defaults":{"name":{"value":"new"}},"shortName":"adc","inputs":0,"outputs":1,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  350. 		{"type":"AudioInputAnalogStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"adcs","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  351. 		{"type":"AudioInputI2Sslave","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2sslave","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  352. 		{"type":"AudioInputPDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pdm","inputs":0,"outputs":1,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  353. 		{"type":"AudioInputTDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"tdm","inputs":0,"outputs":16,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  354. 		{"type":"AudioInputUSB","data":{"defaults":{"name":{"value":"new"}},"shortName":"usb","inputs":0,"outputs":2,"category":"input-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  355. 		{"type":"AudioOutputI2S","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  356. 		{"type":"AudioOutputI2SQuad","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2s_quad","inputs":4,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  357. 		{"type":"AudioOutputSPDIF","data":{"defaults":{"name":{"value":"new"}},"shortName":"spdif","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  358. 		{"type":"AudioOutputPT8211","data":{"defaults":{"name":{"value":"new"}},"shortName":"pt8211","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  359. 		{"type":"AudioOutputAnalog","data":{"defaults":{"name":{"value":"new"}},"shortName":"dac","inputs":1,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  360. 		{"type":"AudioOutputAnalogStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"dacs","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  361. 		{"type":"AudioOutputPWM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pwm","inputs":1,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  362. 		{"type":"AudioOutputI2Sslave","data":{"defaults":{"name":{"value":"new"}},"shortName":"i2sslave","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  363. 		{"type":"AudioOutputTDM","data":{"defaults":{"name":{"value":"new"}},"shortName":"tdm","inputs":16,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  364. 		{"type":"AudioOutputADAT","data":{"defaults":{"name":{"value":"new"}},"shortName":"adat","inputs":8,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  365. 		{"type":"AudioOutputUSB","data":{"defaults":{"name":{"value":"new"}},"shortName":"usb","inputs":2,"outputs":0,"category":"output-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  366. 		{"type":"AudioAmplifier","data":{"defaults":{"name":{"value":"new"}},"shortName":"amp","inputs":1,"outputs":1,"category":"mixer-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  367. 		{"type":"AudioMixer4","data":{"defaults":{"name":{"value":"new"}},"shortName":"mixer","inputs":4,"outputs":1,"category":"mixer-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  368. 		{"type":"AudioPlayMemory","data":{"defaults":{"name":{"value":"new"}},"shortName":"playMem","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  369. 		{"type":"AudioPlaySdWav","data":{"defaults":{"name":{"value":"new"}},"shortName":"playSdWav","inputs":0,"outputs":2,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  370. 		{"type":"AudioPlaySdRaw","data":{"defaults":{"name":{"value":"new"}},"shortName":"playSdRaw","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  371. 		{"type":"AudioPlaySerialflashRaw","data":{"defaults":{"name":{"value":"new"}},"shortName":"playFlashRaw","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  372. 		{"type":"AudioPlayQueue","data":{"defaults":{"name":{"value":"new"}},"shortName":"queue","inputs":0,"outputs":1,"category":"play-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  373. 		{"type":"AudioRecordQueue","data":{"defaults":{"name":{"value":"new"}},"shortName":"queue","inputs":1,"outputs":0,"category":"record-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  374. 		{"type":"AudioSynthWavetable","data":{"defaults":{"name":{"value":"new"}},"shortName":"wavetable","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  375. 		{"type":"AudioSynthSimpleDrum","data":{"defaults":{"name":{"value":"new"}},"shortName":"drum","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  376. 		{"type":"AudioSynthKarplusStrong","data":{"defaults":{"name":{"value":"new"}},"shortName":"string","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  377. 		{"type":"AudioSynthWaveformSine","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  378. 		{"type":"AudioSynthWaveformSineHires","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine_hires","inputs":0,"outputs":2,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  379. 		{"type":"AudioSynthWaveformSineModulated","data":{"defaults":{"name":{"value":"new"}},"shortName":"sine_fm","inputs":1,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  380. 		{"type":"AudioSynthWaveform","data":{"defaults":{"name":{"value":"new"}},"shortName":"waveform","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  381. 		{"type":"AudioSynthWaveformModulated","data":{"defaults":{"name":{"value":"new"}},"shortName":"waveformMod","inputs":2,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  382. 		{"type":"AudioSynthWaveformPWM","data":{"defaults":{"name":{"value":"new"}},"shortName":"pwm","inputs":1,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  383. 		{"type":"AudioSynthToneSweep","data":{"defaults":{"name":{"value":"new"}},"shortName":"tonesweep","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  384. 		{"type":"AudioSynthWaveformDc","data":{"defaults":{"name":{"value":"new"}},"shortName":"dc","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  385. 		{"type":"AudioSynthNoiseWhite","data":{"defaults":{"name":{"value":"new"}},"shortName":"noise","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  386. 		{"type":"AudioSynthNoisePink","data":{"defaults":{"name":{"value":"new"}},"shortName":"pink","inputs":0,"outputs":1,"category":"synth-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  387. 		{"type":"AudioEffectFade","data":{"defaults":{"name":{"value":"new"}},"shortName":"fade","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  388. 		{"type":"AudioEffectChorus","data":{"defaults":{"name":{"value":"new"}},"shortName":"chorus","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  389. 		{"type":"AudioEffectFlange","data":{"defaults":{"name":{"value":"new"}},"shortName":"flange","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  390. 		{"type":"AudioEffectReverb","data":{"defaults":{"name":{"value":"new"}},"shortName":"reverb","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  391. 		{"type":"AudioEffectFreeverb","data":{"defaults":{"name":{"value":"new"}},"shortName":"freeverb","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  392. 		{"type":"AudioEffectFreeverbStereo","data":{"defaults":{"name":{"value":"new"}},"shortName":"freeverbs","inputs":1,"outputs":2,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  393. 		{"type":"AudioEffectEnvelope","data":{"defaults":{"name":{"value":"new"}},"shortName":"envelope","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  394. 		{"type":"AudioEffectMultiply","data":{"defaults":{"name":{"value":"new"}},"shortName":"multiply","inputs":2,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  395. 		{"type":"AudioEffectDelay","data":{"defaults":{"name":{"value":"new"}},"shortName":"delay","inputs":1,"outputs":8,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  396. 		{"type":"AudioEffectDelayExternal","data":{"defaults":{"name":{"value":"new"}},"shortName":"delayExt","inputs":1,"outputs":8,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  397. 		{"type":"AudioEffectBitcrusher","data":{"shortName":"bitcrusher","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  398. 		{"type":"AudioEffectMidSide","data":{"shortName":"midside","inputs":2,"outputs":2,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  399. 		{"type":"AudioEffectWaveshaper","data":{"shortName":"waveshape","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  400. 		{"type":"AudioEffectGranular","data":{"shortName":"granular","inputs":1,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  401. 		{"type":"AudioEffectDigitalCombine","data":{"shortName":"combine","inputs":2,"outputs":1,"category":"effect-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  402. 		{"type":"AudioFilterBiquad","data":{"defaults":{"name":{"value":"new"}},"shortName":"biquad","inputs":1,"outputs":1,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  403. 		{"type":"AudioFilterFIR","data":{"defaults":{"name":{"value":"new"}},"shortName":"fir","inputs":1,"outputs":1,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  404. 		{"type":"AudioFilterStateVariable","data":{"defaults":{"name":{"value":"new"}},"shortName":"filter","inputs":2,"outputs":3,"category":"filter-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  405. 		{"type":"AudioAnalyzePeak","data":{"defaults":{"name":{"value":"new"}},"shortName":"peak","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  406. 		{"type":"AudioAnalyzeRMS","data":{"defaults":{"name":{"value":"new"}},"shortName":"rms","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  407. 		{"type":"AudioAnalyzeFFT256","data":{"defaults":{"name":{"value":"new"}},"shortName":"fft256","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  408. 		{"type":"AudioAnalyzeFFT1024","data":{"defaults":{"name":{"value":"new"}},"shortName":"fft1024","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  409. 		{"type":"AudioAnalyzeToneDetect","data":{"defaults":{"name":{"value":"new"}},"shortName":"tone","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  410. 		{"type":"AudioAnalyzeNoteFrequency","data":{"defaults":{"name":{"value":"new"}},"shortName":"notefreq","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  411. 		{"type":"AudioAnalyzePrint","data":{"defaults":{"name":{"value":"new"}},"shortName":"print","inputs":1,"outputs":0,"category":"analyze-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  412. 		{"type":"AudioControlSGTL5000","data":{"defaults":{"name":{"value":"new"}},"shortName":"sgtl5000","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  413. 		{"type":"AudioControlAK4558","data":{"defaults":{"name":{"value":"new"}},"shortName":"ak4558","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  414. 		{"type":"AudioControlCS4272","data":{"defaults":{"name":{"value":"new"}},"shortName":"cs4272","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  415. 		{"type":"AudioControlWM8731","data":{"defaults":{"name":{"value":"new"}},"shortName":"wm8731","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  416. 		{"type":"AudioControlWM8731master","data":{"defaults":{"name":{"value":"new"}},"shortName":"wm8731m","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}},

  417. 		{"type":"AudioControlCS42448","data":{"defaults":{"name":{"value":"new"}},"shortName":"cs42448","inputs":0,"outputs":0,"category":"control-function","color":"#E6E0F8","icon":"arrow-in.png"}}

  418. 	]}

  419. </script>

  420. 

  421. <script type="text/x-red" data-help-name="AudioInputI2S">

  422. 	<h3>Summary</h3>

  423. 	<div class=tooltipinfo>

  424. 	<p>Receive 16 bit stereo audio from the

  425. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  426. 		or another I2S device, using I2S master mode.</p>

  427. 	<p align=center><img src="img/audioshield_inputs.jpg"></p>

  428. 	</div>

  429. 	<h3>Audio Connections</h3>

  430. 	<table class=doc align=center cellpadding=3>

  431. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  432. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  433. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  434. 	</table>

  435. 	<h3>Functions</h3>

  436. 	<p>This object has no functions to call from the Arduino sketch.  It

  437. 		simply streams data from the I2S hardware to its 2 output ports.</p>

  438. 	<h3>Hardware</h3>

  439. 	<p align=center><img src="img/audioshield_backside.jpg"></p>

  440. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  441. 		all 3 clock signals and controls all data timing.</p>

  442. 	<table class=doc align=center cellpadding=3>

  443. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  444. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  445. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  446. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input</td></tr>

  447. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  448. 	</table>

  449. 	<p>Audio from

  450. 		master mode I2S may be used in the same project as ADC, DAC and

  451. 		PWM signals, because all remain in sync to Teensy's timing</p>

  452. 	<h3>Examples</h3>

  453. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  454. 	</p>

  455. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  456. 	</p>

  457. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterStereo

  458. 	</p>

  459. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  460. 	</p>

  461. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  462. 	</p>

  463. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  464. 	</p>

  465. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  466. 	</p>

  467. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter

  468. 	</p>

  469. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter_FIR

  470. 	</p>

  471. 	<h3>Notes</h3>

  472. 	<p>Normally, this object is used with the Audio Shield, which

  473. 		is controlled separately by the "sgtl5000" object.</p>

  474. 	<p>Only one I2S input and one I2S output object may be used.  Master

  475. 		and slave modes may not be mixed (both must be of the same type).

  476. 	</p>

  477. 	<p>I2S master objects can be used together with non-I2S input and output

  478. 		objects, for simultaneous audio streaming on different hardware.</p>

  479. </script>

  480. <script type="text/x-red" data-template-name="AudioInputI2S">

  481. 	<div class="form-row">

  482. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  483. 		<input type="text" id="node-input-name" placeholder="Name">

  484. 	</div>

  485. </script>

  486. 

  487. <script type="text/x-red" data-help-name="AudioInputI2SQuad">

  488. 	<h3>Summary</h3>

  489. 	<div class=tooltipinfo>

  490. 	<p>Receive 16 bit quad (4) channel audio from two

  491. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shields</a>

  492. 		or another I2S devices, using I2S master mode.</p>

  493. 	<p align=center><img src="img/audioshield_quad_in.jpg"></p>

  494. 	</div>

  495. 	<h3>Audio Connections</h3>

  496. 	<table class=doc align=center cellpadding=3>

  497. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  498. 		<tr class=odd><td align=center>Out 0</td><td>Channel #1</td></tr>

  499. 		<tr class=odd><td align=center>Out 1</td><td>Channel #2</td></tr>

  500. 		<tr class=odd><td align=center>Out 2</td><td>Channel #3</td></tr>

  501. 		<tr class=odd><td align=center>Out 3</td><td>Channel #4</td></tr>

  502. 	</table>

  503. 	<h3>Functions</h3>

  504. 	<p>This object has no functions to call from the Arduino sketch.  It

  505. 		simply streams data from the I2S hardware to its 4 output ports.</p>

  506. 	<h3>Hardware</h3>

  507. 	<p>See this Sparkfun blog for <a href="https://www.sparkfun.com/news/2055" target="_blank">how

  508. 		to connect two audio adaptors for 4 channel audio</a>.

  509. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  510. 		all 3 clock signals and controls all data timing.</p>

  511. 	<table class=doc align=center cellpadding=3>

  512. 		<tr class=top><th>Teensy<br>3.2 Pin</th><th>Teensy<br>3.5/3.6 Pin</th><th>Signal</th><th>Direction</th></tr>

  513. 		<tr class=odd><td align=center>9</td><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  514. 		<tr class=odd><td align=center>11</td><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  515. 		<tr class=odd><td align=center>13</td><td align=center>13</td><td>RX</td><td>Input</td></tr>

  516. 		<tr class=odd><td align=center>30</td><td align=center>38</td><td>RX</td><td>Input</td></tr>

  517. 		<tr class=odd><td align=center>23</td><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  518. 	</table>

  519. 	<p>Audio from

  520. 		master mode I2S may be used in the same project as ADC, DAC and

  521. 		PWM signals, because all remain in sync to Teensy's timing</p>

  522. 	<h3>Examples</h3>

  523. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughQuad

  524. 	</p>

  525. 	<h3>Notes</h3>

  526. 	<p>Normally, this object is used with two Audio Shield, which

  527. 		are controlled separately by a pair "sgtl5000" object.</p>

  528. </script>

  529. <script type="text/x-red" data-template-name="AudioInputI2SQuad">

  530. 	<div class="form-row">

  531. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  532. 		<input type="text" id="node-input-name" placeholder="Name">

  533. 	</div>

  534. </script>

  535. 

  536. <script type="text/x-red" data-help-name="AudioInputAnalog">

  537. 	<h3>Summary</h3>

  538. 	<div class=tooltipinfo>

  539. 	<p>Receive audio using the built-in analog to digital converter.</p>

  540. 	</div>

  541. 	<h3>Audio Connections</h3>

  542. 	<table class=doc align=center cellpadding=3>

  543. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  544. 		<tr class=odd><td align=center>Out 0</td><td>Audio Channel</td></tr>

  545. 	</table>

  546. 	<h3>Functions</h3>

  547. 	<p>This object has no functions to call from the Arduino sketch.  It

  548. 		simply streams data from the ADC to its output port.</p>

  549. 	<h3>Hardware</h3>

  550. 	<p>Pin A2 is used for audio input.  This circuitry is recommended.</p>

  551. 	<p align=center><img src="img/adccircuit.png"></p>

  552. 	<p>Signal range is 0 to 1.2V</p>

  553. 	<p>With a <a href="https://forum.pjrc.com/threads/40468-Help-with-Basic-Audio-Lib-results?p=126317&viewfull=1#post126317">small modification</a> Adafruit's <a href="https://www.adafruit.com/products/1063">MAX4466 microphone</a> can be used</p>

  554. 	<p align=center><a href="https://forum.pjrc.com/threads/40468-Help-with-Basic-Audio-Lib-results?p=126317&viewfull=1#post126317"><img src="img/adccircuitmic.jpg" border=0></a></p>

  555. 	<p>Control Voltage (CV) from +5V to -5V can be adapted with a

  556. 		<a href="https://www.dorkbotpdx.org/blog/paul/control_voltage_cv_to_analog_input_pin">simple circuit</a>

  557. 		or better <a href="https://forum.pjrc.com/threads/28423?p=71257&viewfull=1#post71257">opamp-based circuity</a>

  558. 		to Teensy's 0-1.2V analog input range.</p>

  559. 	<h3>Examples</h3>

  560. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  561. 	</p>

  562. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  563. 	</p>

  564. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  565. 	</p>

  566. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; SpectrumAnalyzer

  567. 	</p>

  568. 	<h3>Notes</h3>

  569. 	<p><b>analogRead() must not be used</b>, because AudioInputAnalog is regularly

  570. 		accessing the ADC hardware.  If both access the hardware at the same

  571. 		moment, analogRead() can end up waiting forever, which effectively

  572. 		crashes your program.

  573. 	</p>

  574. 	<p>A different pin may be used, but adding it as an parameter

  575. 		to the AudioInputAnalog object definition.

  576. 	</p>

  577. 	<p>For example, to use pin A3:

  578. 	</p>

  579. 	<p class=desc><span class=keyword>AudioInputAnalog</span>  adc1(<span class=literal>A3</span>);

  580. 	</p>

  581. 

  582. 	<p>Noise due to high source impedance, which allows rapidly switching digital signals

  583. 		to capacitively couple... avoiding higher analog impedance is the solution.</p>

  584. 	<p>Power Supply rejection issue with simple DC bias (bigger capacitor may be needed if 3.3V has low frequency noise)</p>

  585. 	<p>Algorithm for automatic DC bias tracking</p>

  586. 	<p>TODO: actual noise measurements with different input circuitry

  587. 		(it's not as quiet as the audio shield)</p>

  588. </script>

  589. <script type="text/x-red" data-template-name="AudioInputAnalog">

  590. 	<div class="form-row">

  591. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  592. 		<input type="text" id="node-input-name" placeholder="Name">

  593. 	</div>

  594. </script>

  595. 

  596. <script type="text/x-red" data-help-name="AudioInputAnalogStereo">

  597. 	<h3>Summary</h3>

  598. 	<div class=tooltipinfo>

  599. 	<p>Receive stereo audio using the built-in analog to digital converters.</p>

  600. 	</div>

  601. 	<h3>Audio Connections</h3>

  602. 	<table class=doc align=center cellpadding=3>

  603. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  604. 		<tr class=odd><td align=center>Out 0</td><td>Audio Channel (Left)</td></tr>

  605. 		<tr class=odd><td align=center>Out 1</td><td>Audio Channel (Right)</td></tr>

  606. 	</table>

  607. 	<h3>Functions</h3>

  608. 	<p>This object has no functions to call from the Arduino sketch.  It

  609. 		simply streams data from both ADCs to its output ports.</p>

  610. 	<h3>Hardware</h3>

  611. 	<p>By default, pins A2 & A3 are used for audio input.  This circuitry is recommended.</p>

  612. 	<p align=center><img src="img/adccircuit2.png"></p>

  613. 	<p>Signal range is 0 to 1.2V</p>

  614. 	<p>Control Voltage (CV) from +5V to -5V can be adapted with a

  615. 		<a href="https://www.dorkbotpdx.org/blog/paul/control_voltage_cv_to_analog_input_pin">simple circuit</a>

  616. 		or better <a href="https://forum.pjrc.com/threads/28423?p=71257&viewfull=1#post71257">opamp-based circuity</a>

  617. 		to Teensy's 0-1.2V analog input range.</p>

  618. 	<h3>Examples</h3>

  619. 	<!--

  620. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  621. 	</p>

  622. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  623. 	</p>

  624. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  625. 	</p>

  626. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; SpectrumAnalyzer

  627. 	</p>

  628. 	-->

  629. 	<h3>Notes</h3>

  630. 	<p><b>analogRead() must not be used</b>, because AudioInputAnalogStereo is regularly

  631. 		accessing the ADC hardware.  If both access the hardware at the same

  632. 		moment, analogRead() can end up waiting forever, which effectively

  633. 		crashes your program.

  634. 	</p>

  635. 	<p>A different pin may be used, but adding it as an parameter

  636. 		to the AudioInputAnalog object definition.

  637. 	</p>

  638. 	<p>For example:

  639. 	</p>

  640. 	<p class=desc><span class=keyword>AudioInputAnalogStereo</span>  adc1(<span class=literal>A3</span>, <span class=literal>A2</span>);

  641. 	</p>

  642. 	<p>TODO: add info here about which pins work for input 0 and 1.

  643. 	</p>

  644. 	<p>Noise due to high source impedance, which allows rapidly switching digital signals

  645. 		to capacitively couple... avoiding higher analog impedance is the solution.</p>

  646. 	<p>Power Supply rejection issue with simple DC bias (bigger capacitor may be needed if 3.3V has low frequency noise)</p>

  647. 	<p>Algorithm for automatic DC bias tracking</p>

  648. 	<p>TODO: actual noise measurements with different input circuitry

  649. 		(it's not as quiet as the audio shield)</p>

  650. </script>

  651. <script type="text/x-red" data-template-name="AudioInputAnalogStereo">

  652. 	<div class="form-row">

  653. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  654. 		<input type="text" id="node-input-name" placeholder="Name">

  655. 	</div>

  656. </script>

  657. 

  658. <script type="text/x-red" data-help-name="AudioInputI2Sslave">

  659. 	<h3>Summary</h3>

  660. 	<div class=tooltipinfo>

  661. 	<p>Receive 16 bit stereo audio from an I2S device using I2S slave mode

  662. 		(where the ADC or codec chip, not Teensy, controls audio timing).</p>

  663. 	</div>

  664. 	<h3>Audio Connections</h3>

  665. 	<table class=doc align=center cellpadding=3>

  666. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  667. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  668. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  669. 	</table>

  670. 	<h3>Functions</h3>

  671. 	<p>This object has no functions to call from the Arduino sketch.  It

  672. 		simply streams data from the I2S hardware to its 2 output ports.</p>

  673. 	<h3>Hardware</h3>

  674. 	<p>The I2S signals are used in "slave" mode, where the I2S device controls

  675. 		data timing.</p>

  676. 	<table class=doc align=center cellpadding=3>

  677. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  678. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Input</td></tr>

  679. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input</td></tr>

  680. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Input</td></tr>

  681. 	</table>

  682. 	<!--

  683. <h3>Examples</h3>

  684. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  685. 	</p>

  686. -->

  687. 	<h3>Notes</h3>

  688. 	<p>Slave mode I2S <b>should not used in the same project as ADC, DAC and

  689. 		PWM</b> signals.  Differences in timing between the I2S device and

  690. 		Teensy's clock can cause occasional audio glitches when I2S slave mode

  691. 		is used together with other input or output objects based on Teensy's

  692. 		timing.</p>

  693. 	<p>Only one I2S input and one I2S output object may be used.  Master

  694. 		and slave modes may not be mixed (both must be of the same type).

  695. 	</p>

  696. </script>

  697. <script type="text/x-red" data-template-name="AudioInputI2Sslave">

  698. 	<div class="form-row">

  699. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  700. 		<input type="text" id="node-input-name" placeholder="Name">

  701. 	</div>

  702. </script>

  703. 

  704. <script type="text/x-red" data-help-name="AudioInputTDM">

  705. 	<h3>Summary</h3>

  706. 	<div class=tooltipinfo>

  707. 	<p>Receive a 256 bit Time Division Multiplexed frame containing

  708. 		many audio channels.</p>

  709. 	<p align=center><img src="img/tdm.jpg"></p>

  710. 	</div>

  711. 	<h3>Audio Connections</h3>

  712. 	<table class=doc align=center cellpadding=3>

  713. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  714. 		<tr class=odd><td align=center>Out 0</td><td>Bits 0 to 15</td></tr>

  715. 		<tr class=odd><td align=center>Out 1</td><td>Bits 16 to 31</td></tr>

  716. 		<tr class=odd><td align=center>Out 2</td><td>Bits 32 to 47</td></tr>

  717. 		<tr class=odd><td align=center>Out 3</td><td>Bits 48 to 63</td></tr>

  718. 		<tr class=odd><td align=center>Out 4</td><td>Bits 64 to 79</td></tr>

  719. 		<tr class=odd><td align=center>Out 5</td><td>Bits 80 to 95</td></tr>

  720. 		<tr class=odd><td align=center>Out 6</td><td>Bits 96 to 111</td></tr>

  721. 		<tr class=odd><td align=center>Out 7</td><td>Bits 112 to 127</td></tr>

  722. 		<tr class=odd><td align=center>Out 8</td><td>Bits 128 to 143</td></tr>

  723. 		<tr class=odd><td align=center>Out 9</td><td>Bits 144 to 159</td></tr>

  724. 		<tr class=odd><td align=center>Out 10</td><td>Bits 160 to 175</td></tr>

  725. 		<tr class=odd><td align=center>Out 11</td><td>Bits 176 to 191</td></tr>

  726. 		<tr class=odd><td align=center>Out 12</td><td>Bits 192 to 207</td></tr>

  727. 		<tr class=odd><td align=center>Out 13</td><td>Bits 208 to 223</td></tr>

  728. 		<tr class=odd><td align=center>Out 14</td><td>Bits 224 to 239</td></tr>

  729. 		<tr class=odd><td align=center>Out 15</td><td>Bits 240 to 255</td></tr>

  730. 	</table>

  731. 	<h3>Functions</h3>

  732. 	<p>This object has no functions to call from the Arduino sketch.  It

  733. 		simply streams data from the TDM hardware to its 16 output ports.</p>

  734. 	<h3>Hardware</h3>

  735. 	<p>TDM has been tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  736. 		CS42448 Circuit Board</a>.  It may also work with

  737. 		<a href="https://forum.pjrc.com/threads/42894">Invensense ICS-52000 microphones</a>.

  738. 		</p>

  739. 	<table class=doc align=center cellpadding=3>

  740. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  741. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output, 11.3 MHz</td></tr>

  742. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output, 22.6 MHz</td></tr>

  743. 		<tr class=odd><td align=center>13</td><td>RX</td><td>Input, 11.3 Mbit/sec</td></tr>

  744. 		<tr class=odd><td align=center>23</td><td>FS</td><td>Output</td></tr>

  745. 	</table>

  746. 	<p>Audio from

  747. 		master mode TDM may be used in the same project as ADC, DAC and

  748. 		PWM signals, because all remain in sync to Teensy's timing</p>

  749. 	<!--<h3>Examples</h3>-->

  750. 	<h3>Notes</h3>

  751. 	<p>Only one TDM input and one TDM output object may be used.  The

  752. 		I2S hardware is used by TDM, so TDM objects may not be used

  753. 		together with I2S, SPDIF or PT8211.</p>

  754. 	<p>When used with TDM devices which transmit 32 bit audio, the

  755. 		even numbered channels will contain the useful upper 16

  756. 		bits of audio data.</p>

  757. 	<p>AudioMemory should be at least 16.  Even if most channels are

  758. 		unused, this TDM object will need to allocate 16 blocks of

  759. 		memory.</p>

  760. </script>

  761. <script type="text/x-red" data-template-name="AudioInputTDM">

  762. 	<div class="form-row">

  763. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  764. 		<input type="text" id="node-input-name" placeholder="Name">

  765. 	</div>

  766. </script>

  767. 

  768. <script type="text/x-red" data-help-name="AudioInputPDM">

  769. 	<h3>Summary</h3>

  770. 	<div class=tooltipinfo>

  771. 	<p>Receive (and filter) a Pulse Density Modulated bitstream.

  772. 		</p>

  773. 	<p align=center><img src="img/pdmmic.jpg"><br><small>PDM MEMS Mic</small></p>

  774. 	</div>

  775. 	<h3>Audio Connections</h3>

  776. 	<table class=doc align=center cellpadding=3>

  777. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  778. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Audio Output</td></tr>

  779. 	</table>

  780. 	<h3>Functions</h3>

  781. 	<p>This object has no functions to call from the Arduino sketch.  It

  782. 		simply streams data from the PDM data, filters out the high frequency

  783. 		noise and gives you the audio signal.</p>

  784. 	<h3>Hardware</h3>

  785. 	<p>PDM has been tested with this <a href="https://www.adafruit.com/product/3492">

  786. 		Adafruit MP34DT01-M Microphone Board</a>.

  787. 		</p>

  788. 	<table class=doc align=center cellpadding=3>

  789. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  790. 		<tr class=odd><td align=center>9</td><td>CLK</td><td>Output, 2.8235 MHz</td></tr>

  791. 		<tr class=odd><td align=center>13</td><td>DATA</td><td>Input, Data on rising edge</td></tr>

  792. 	</table>

  793. 	<p>Data is input on the rising edge.  The SEL pin on MP34DT01-M should be

  794. 		connected LOW for proper data capture.</p>

  795. 	<!--<h3>Examples</h3>-->

  796. 	<h3>Notes</h3>

  797. 	<p>Filtering consumes approximately 39% of the CPU when running at

  798. 		96 MHz.  The code currently consumes this time inside a high

  799. 		priority interrupt, blocking other libraries.  Perhaps future

  800. 		versions will perform filtering at lower priority.

  801. 		</p>

  802. 	<p>The filter used is a 512 tap FIR with approx &plusmn;1.1 dB gain

  803. 		flatness to 10 kHz.  While far from audiophile grade, this should

  804. 		perform far better than the rapid rolloff of Cascaded Integrator

  805. 		Comb (CIC) or simple moving average filters commonly used on

  806. 		other microcontrollers.  The filter also consumes 2104 bytes of

  807. 		RAM for buffering and 32K of Flash for a lookup table to optimized

  808. 		the filter computation.

  809. 		</p>

  810. </script>

  811. <script type="text/x-red" data-template-name="AudioInputPDM">

  812. 	<div class="form-row">

  813. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  814. 		<input type="text" id="node-input-name" placeholder="Name">

  815. 	</div>

  816. </script>

  817. 

  818. <script type="text/x-red" data-help-name="AudioInputUSB">

  819. 	<h3>Summary</h3>

  820. 	<div class=tooltipinfo>

  821. 	<p>Receive stereo audio from a PC or Mac.  Teensy appears as a USB

  822. 		sound device.</p>

  823. 	<p align=center><img src="img/usbtype_audio_in.png"></p>

  824. 	</div>

  825. 	<h3>Audio Connections</h3>

  826. 	<table class=doc align=center cellpadding=3>

  827. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  828. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel</td></tr>

  829. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel</td></tr>

  830. 	</table>

  831. 	<h3>Functions</h3>

  832. 	<p class=func><span class=keyword>volume</span>();</p>

  833. 	<p class=desc>Returns the volume setting requested by the USB host.

  834. 		Range is 0 to 1.0.  To make the PC's volume control work, this

  835. 		setting should be read periodically and used to control the

  836. 		system processing the signal.

  837. 	</p>

  838. 	<!--

  839. 	<h3>Hardware</h3>

  840. 	-->

  841. 	<h3>Examples</h3>

  842. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughUSB</p>

  843. 	</p>

  844. 	<h3>Notes</h3>

  845. 	<p>Arduino's <b>Tools &gt; USB Type</b> menu must be set to <b>Audio</b>.

  846. 		</p>

  847. 	<p align=center><img src="img/usbtype_audio.png"></p>

  848. 	<p>USB input &amp; output does not cause the Teensy Audio Library to

  849. 		update.  At least one non-USB input or output object must be

  850. 		present for the entire library to update properly.</p>

  851. </script>

  852. <script type="text/x-red" data-template-name="AudioInputUSB">

  853. 	<div class="form-row">

  854. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  855. 		<input type="text" id="node-input-name" placeholder="Name">

  856. 	</div>

  857. </script>

  858. 

  859. <script type="text/x-red" data-help-name="AudioOutputI2S">

  860. 	<h3>Summary</h3>

  861. 	<div class=tooltipinfo>

  862. 	<p>Transmit 16 bit stereo audio to the

  863. 	<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  864. 		or another I2S device, using I2S master mode.</p>

  865. 	<p align=center><img src="img/audioshield_outputs.jpg"></p>

  866. 	</div>

  867. 	<h3>Audio Connections</h3>

  868. 	<table class=doc align=center cellpadding=3>

  869. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  870. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  871. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  872. 	</table>

  873. 	<h3>Functions</h3>

  874. 	<p>This object has no functions to call from the Arduino sketch.  It

  875. 		simply streams data from its 2 input ports to the I2S hardware.</p>

  876. 	<h3>Hardware</h3>

  877. 	<p align=center><img src="img/audioshield_backside.jpg"></p>

  878. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  879. 		all 3 clock signals and controls all data timing.</p>

  880. 	<table class=doc align=center cellpadding=3>

  881. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  882. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  883. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  884. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output</td></tr>

  885. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  886. 	</table>

  887. 	<p>Audio from

  888. 		master mode I2S may be used in the same project as ADC, DAC and

  889. 		PWM signals, because all remain in sync to Teensy's timing</p>

  890. 	<h3>Examples</h3>

  891. 	<p>Nearly all the examples use this object.  Here are some of the highlights:</p>

  892. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  893. 	</p>

  894. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  895. 	</p>

  896. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  897. 	</p>

  898. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  899. 	</p>

  900. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  901. 	</p>

  902. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  903. 	</p>

  904. 	<h3>Notes</h3>

  905. 	<p>Normally, this object is used with the Audio Shield, which

  906. 		is controlled separately by the "sgtl5000" object.</p>

  907. 	<p>Only one I2S input and one I2S output object may be used.  Master

  908. 		and slave modes may not be mixed (both must be of the same type).

  909. 	</p>

  910. </script>

  911. <script type="text/x-red" data-template-name="AudioOutputI2S">

  912. 	<div class="form-row">

  913. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  914. 		<input type="text" id="node-input-name" placeholder="Name">

  915. 	</div>

  916. </script>

  917. 

  918. <script type="text/x-red" data-help-name="AudioOutputI2SQuad">

  919. 	<h3>Summary</h3>

  920. 	<div class=tooltipinfo>

  921. 	<p>Transmit quad (4) channel 16 bit audio, using I2S master mode.</p>

  922. 	<p align=center><img src="img/audioshield_quad_out.jpg"></p>

  923. 	</div>

  924. 	<h3>Audio Connections</h3>

  925. 	<table class=doc align=center cellpadding=3>

  926. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  927. 		<tr class=odd><td align=center>In 0</td><td>Channel #1</td></tr>

  928. 		<tr class=odd><td align=center>In 1</td><td>Channel #2</td></tr>

  929. 		<tr class=odd><td align=center>In 2</td><td>Channel #3</td></tr>

  930. 		<tr class=odd><td align=center>In 3</td><td>Channel #4</td></tr>

  931. 	</table>

  932. 	<h3>Functions</h3>

  933. 	<p>This object has no functions to call from the Arduino sketch.  It

  934. 		simply streams data from its 4 input ports to the I2S hardware.</p>

  935. 	<h3>Hardware</h3>

  936. 	<p>See this Sparkfun blog for <a href="https://www.sparkfun.com/news/2055" target="_blank">how

  937. 		to connect two audio adaptors for 4 channel audio</a>.  More

  938. 		<a href="https://forum.pjrc.com/threads/29373-Bit-bang-multiple-I2S-inputs-simultaneously?p=79606#post79606" target="_blank">details</a> are also available.

  939. 	<p>The I2S signals are used in "master" mode, where Teensy creates

  940. 		all 3 clock signals and controls all data timing.</p>

  941. 	<table class=doc align=center cellpadding=3>

  942. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  943. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output</td></tr>

  944. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output</td></tr>

  945. 		<tr class=odd><td align=center>22</td><td>TX (ch 1+2)</td><td>Output</td></tr>

  946. 		<tr class=odd><td align=center>15</td><td>TX (ch 3+4)</td><td>Output</td></tr>

  947. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Output</td></tr>

  948. 	</table>

  949. 	<p>Audio from

  950. 		master mode I2S may be used in the same project as ADC, DAC and

  951. 		PWM signals, because all remain in sync to Teensy's timing</p>

  952. 	<h3>Examples</h3>

  953. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughQuad

  954. 	</p>

  955. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; QuadChannelOutput

  956. 	</p>

  957. 	<h3>Notes</h3>

  958. 	<p>Normally, this object is used with two Audio Shields, which

  959. 		are controlled separately by a pair of "sgtl5000" objects.</p>

  960. </script>

  961. <script type="text/x-red" data-template-name="AudioOutputI2SQuad">

  962. 	<div class="form-row">

  963. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  964. 		<input type="text" id="node-input-name" placeholder="Name">

  965. 	</div>

  966. </script>

  967. 

  968. <script type="text/x-red" data-help-name="AudioOutputSPDIF">

  969. 	<h3>Summary</h3>

  970. 	<div class=tooltipinfo>

  971. 	<p>Transmit 16 bit stereo audio as Digital S/PDIF.</p>

  972. 	<p align=center><img src="img/spdif_proto.jpg"></p>

  973. 	</div>

  974. 	<h3>Audio Connections</h3>

  975. 	<table class=doc align=center cellpadding=3>

  976. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  977. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  978. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  979. 	</table>

  980. 	<h3>Functions</h3>

  981. 	<p>This object has no functions to call from the Arduino sketch.  It

  982. 		simply streams data from its 2 input ports S/PDIF encoded digital

  983. 		audio on pin 22.</p>

  984. 	<h3>Hardware</h3>

  985. 	<p>The S/PDIF output signal can be used to drive an optical TOSLINK

  986. 		cable, or a standard (usually orange) RCA jack.</p>

  987. 	<table class=doc align=center cellpadding=3>

  988. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  989. 		<tr class=odd><td align=center>22</td><td>S/PDIF</td><td>Output</td></tr>

  990. 	</table>

  991. 	<p>For optical TOSLINK output, this

  992. 		<a href="https://www.oshpark.com/shared_projects/KcDBKHta" target="_blank">OSH Park board</a>

  993. 		can be used with the inexpensive Everlight PLT133/T6A connector, available

  994. 		at Digikey, 1080-1434-ND.

  995. 		</p>

  996. 	<h3>Examples</h3>

  997. 	<p>The AudioOutputSPDIF object can be used in place of the AudioOutputI2S object,

  998. 	<p>used in nearly all the examples.  The WavFilePlayer shows how to substitute

  999. 		output objects for different hardware types.

  1000. 	</p>

  1001. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  1002. 	</p>

  1003. 	<h3>Credits</h3>

  1004. 	<p><a href="https://github.com/FrankBoesing" target="_blank">Frank Boesing</a>

  1005. 		developed the AudioOutputSPDIF code.  The original

  1006. 		<a href="https://forum.pjrc.com/threads/28639-S-pdif" target="_blank">forum disussion</a>

  1007. 		included valuable input and code from "kpc".

  1008. 	<h3>Notes</h3>

  1009. 	<p>S/PDIF output uses the I2S hardware.  This object can not be used

  1010. 		together with any of the I2S objects, because it requires the I2S

  1011. 		hardware with different internal settings.</p>

  1012. 	</p>

  1013. </script>

  1014. <script type="text/x-red" data-template-name="AudioOutputSPDIF">

  1015. 	<div class="form-row">

  1016. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1017. 		<input type="text" id="node-input-name" placeholder="Name">

  1018. 	</div>

  1019. </script>

  1020. 

  1021. <script type="text/x-red" data-help-name="AudioOutputPT8211">

  1022. 	<h3>Summary</h3>

  1023. 	<div class=tooltipinfo>

  1024. 	<p>Transmit 16 bit stereo audio to a low-cost PT8211 DAC chip.  4X oversampling

  1025. 		and filtering are automatically used to improve output quality.</p>

  1026. 	<p align=center><img src="img/pt8211.jpg"></p>

  1027. 	</div>

  1028. 	<h3>Audio Connections</h3>

  1029. 	<table class=doc align=center cellpadding=3>

  1030. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1031. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1032. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1033. 	</table>

  1034. 	<h3>Functions</h3>

  1035. 	<p>This object has no functions to call from the Arduino sketch.  It

  1036. 		simply streams data from its 2 input ports to a PT8211 chip.  4X

  1037. 		oversampling and filtering is automatically used to improve quality.</p>

  1038. 	<h3>Hardware</h3>

  1039. 	<table class=doc align=center cellpadding=3>

  1040. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1041. 		<tr class=odd><td align=center>9</td><td>BCK</td><td>Output</td></tr>

  1042. 		<tr class=odd><td align=center>22</td><td>DIN</td><td>Output</td></tr>

  1043. 		<tr class=odd><td align=center>23</td><td>FS</td><td>Output</td></tr>

  1044. 	</table>

  1045. 	<p>More information can be found in the PT8211 datasheet.

  1046. 		</p>

  1047. 	<h3>Examples</h3>

  1048. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PT8211Sine

  1049. 	</p>

  1050. 	<h3>Credits</h3>

  1051. 	<p>Frank Boesing and Benjamin developed this PT8211 object.  Details can be

  1052. 		found on this

  1053. 		<a href="https://forum.pjrc.com/threads/29284-Dual-channel-16bit-dac-PT8211/page3" target="_blank">forum disussion</a>.

  1054. 	<h3>Notes</h3>

  1055. 	<p>

  1056. 	</p>

  1057. </script>

  1058. <script type="text/x-red" data-template-name="AudioOutputPT8211">

  1059. 	<div class="form-row">

  1060. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1061. 		<input type="text" id="node-input-name" placeholder="Name">

  1062. 	</div>

  1063. </script>

  1064. 

  1065. <script type="text/x-red" data-help-name="AudioOutputAnalog">

  1066. 	<h3>Summary</h3>

  1067. 	<div class=tooltipinfo>

  1068. 	<p>Transmit 12 bit audio using Teensy's built-in digital to analog converter.</p>

  1069. 	<p align=center><img src="img/dac_speaker.jpg"><br>

  1070. 	<small><a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield with 4&ohm; Speaker</a></small></p>

  1071. 	</div>

  1072. 	<h3>Audio Connections</h3>

  1073. 	<table class=doc align=center cellpadding=3>

  1074. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1075. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel</td></tr>

  1076. 	</table>

  1077. 	<h3>Functions</h3>

  1078. 	<p class=func><span class=keyword>analogReference</span>(ref);</p>

  1079. 	<p class=desc>Configure output voltage range:<br>

  1080. 	<span class=literal>INTERNAL</span> selects 1.2 volt peak-to-peak output.<br>

  1081. 	<span class=literal>EXTERNAL</span> selects 3.3 volt peak-to-peak output.

  1082. 	</p>

  1083. 	<h3>Hardware</h3>

  1084. 	<p align=center><img src="img/dacpin.jpg"></p>

  1085. 	<p>Signal range default is 0 to 1.2V</p>

  1086. 	<p>The output voltage has DC level.  Some applications require a DC-blocking capacitor.  If unsure, a 10&micro;F is usually a safe value to use.  If an aluminum or tantalum capacitor is used, the positive terminal should connect to Teensy's DAC pin.</p>

  1087. 	<p>The DAC pin is used with the

  1088. 	<a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield</a>

  1089. 	to drive speakers.</p>

  1090. 	<h3>Examples</h3>

  1091. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1092. 	</p>

  1093. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1094. 	</p>

  1095. 	<p class=exam><a href="https://github.com/PaulStoffregen/TouchGuitar" target="_blank">TouchGuitar</a>

  1096. 	</p>

  1097. 	<p class=exam><a href="https://community.arm.com/groups/embedded/blog/2014/05/23/led-video-panel-at-maker-faire-2014" target="_blank">LED Video Board</a>

  1098. 	</p>

  1099. 	<p class=exam>File &gt; Examples &gt; OctoWS2811 &gt; VideoSDcard

  1100. 	</p>

  1101. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; MP3Player

  1102. 	</p>

  1103. 	<h3>Notes</h3>

  1104. 	<p>The output rate is 44.1 kHz (no oversampling).  Ultrasonic noise present if

  1105. 		not filtered.  This may not

  1106. 		be an issue for many uses, but care should be used if amplified and driven

  1107. 		to high power tweeters.</p>

  1108. 	<p>When using 3.3V output, the power supply is used for the analog reference.  Noise

  1109. 		present on the 3.3V power can couple to the DAC output signal.

  1110. 	</p>

  1111. </script>

  1112. <script type="text/x-red" data-template-name="AudioOutputAnalog">

  1113. 	<div class="form-row">

  1114. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1115. 		<input type="text" id="node-input-name" placeholder="Name">

  1116. 	</div>

  1117. </script>

  1118. 

  1119. <script type="text/x-red" data-help-name="AudioOutputAnalogStereo">

  1120. 	<h3>Summary</h3>

  1121. 	<div class=tooltipinfo>

  1122. 	<p>Transmit 12 bit stereo audio using Teensy 3.5 or 3.6 built-in digital to analog converters.</p>

  1123. 	<!--<p align=center><img src="img/dac_speaker.jpg"><br>

  1124. 	<small><a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield with 4&ohm; Speaker</a></small></p>-->

  1125. 	</div>

  1126. 	<h3>Audio Connections</h3>

  1127. 	<table class=doc align=center cellpadding=3>

  1128. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1129. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel (Left)</td></tr>

  1130. 		<tr class=odd><td align=center>In 1</td><td>Audio Channel (Right)</td></tr>

  1131. 	</table>

  1132. 	<h3>Functions</h3>

  1133. 	<p class=func><span class=keyword>analogReference</span>(ref);</p>

  1134. 	<p class=desc>Configure output voltage range:<br>

  1135. 	<span class=literal>INTERNAL</span> selects 1.2 volt peak-to-peak output.<br>

  1136. 	<span class=literal>EXTERNAL</span> selects 3.3 volt peak-to-peak output.

  1137. 	</p>

  1138. 	<h3>Hardware</h3>

  1139. 	<p align=center><img src="img/dacpins.png"></p>

  1140. 	<p>Signal range default is 0 to 1.2V</p>

  1141. 	<p>The output voltage has DC level.  Some applications require a DC-blocking capacitor.  If unsure, a 10&micro;F is usually a safe value to use.  If an aluminum or tantalum capacitor is used, the positive terminal should connect to Teensy's DAC pin.</p>

  1142. 	<p>The DAC pin is used with the

  1143. 	<a href="http://www.pjrc.com/store/prop_shield.html" target="_blank_">Prop Shield</a>

  1144. 	to drive speakers.</p>

  1145. 	<h3>Examples</h3>

  1146. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1147. 	</p>

  1148. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; MP3Player

  1149. 	</p>-->

  1150. 	<h3>Notes</h3>

  1151. 	<p>The output rate is 44.1 kHz (no oversampling).  Ultrasonic noise present if

  1152. 		not filtered.  This may not

  1153. 		be an issue for many uses, but care should be used if amplified and driven

  1154. 		to high power tweeters.</p>

  1155. 	<p>When using 3.3V output, the power supply is used for the analog reference.  Noise

  1156. 		present on the 3.3V power can couple to the DAC output signal.

  1157. 	</p>

  1158. </script>

  1159. <script type="text/x-red" data-template-name="AudioOutputAnalogStereo">

  1160. 	<div class="form-row">

  1161. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1162. 		<input type="text" id="node-input-name" placeholder="Name">

  1163. 	</div>

  1164. </script>

  1165. 

  1166. <script type="text/x-red" data-help-name="AudioOutputPWM">

  1167. 	<h3>Summary</h3>

  1168. 	<div class=tooltipinfo>

  1169. 	<p>Transmit audio using Teensy 3.1's PWM pins.  Two pins are

  1170. 		used for coarse and fine pulses, to be combined by scaled

  1171. 		resistors.</p>

  1172. 	</div>

  1173. 	<h3>Audio Connections</h3>

  1174. 	<table class=doc align=center cellpadding=3>

  1175. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1176. 		<tr class=odd><td align=center>In 0</td><td>Audio Channel</td></tr>

  1177. 	</table>

  1178. 	<h3>Functions</h3>

  1179. 	<p>This object has no functions to call from the Arduino sketch.  It

  1180. 		simply streams data from the its input port to the PWM pins.</p>

  1181. 	<h3>Hardware</h3>

  1182. 	<p>The following circuit is recommended.</p>

  1183. 	<p align=center><img src="img/pwmdualcircuit.jpg"></p>

  1184. 	<p>Signal range is approx 1.55 Vp-p.</p>

  1185. 	<p>These resistor values assume approx 20 ohms output impedance

  1186. 		on the digital pins.  The 127K resistor may be adjusted or

  1187. 		trimmed for variation in output drive and tolerance on the

  1188. 		475 ohm resistor.</p>

  1189. 	<p>A plastic film (Polypropylene, Polyethylene, Polyester, etc) or

  1190. 		C0G/NPO ceramic capacitor should be used for filtering.  Low

  1191. 		quality ceramic (X7R, Y5V, Z5U, etc) can cause signal distortion.</p>

  1192. 	<h3>Examples</h3>

  1193. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughMono

  1194. 	</p>

  1195. 	<h3>Notes</h3>

  1196. 	<p>This object only works properly when Tools &gt; CPU_Speed is set to

  1197. 		48 or 96 MHz.  Other speeds aren't supported and will likely fail

  1198. 		in strange ways.</p>

  1199. 	<p>The PWM carrier frequency is 88.2 kHz.  The suggested circuit

  1200. 		will only slightly filter the carrier.  Extra filtering will be

  1201. 		required for a clean signal without the ultrasonic PWM carrier.

  1202. 		</p>

  1203. 	<p>Analog signals created by filtering PWM waveforms use the digital

  1204. 		power supply as their reference voltage.  Any noise on the digital

  1205. 		power line can directly couple to the output signal.  The built-in DAC or

  1206. 		<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>

  1207. 		should be used when higher quality signals are needed.</p>

  1208. </script>

  1209. <script type="text/x-red" data-template-name="AudioOutputPWM">

  1210. 	<div class="form-row">

  1211. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1212. 		<input type="text" id="node-input-name" placeholder="Name">

  1213. 	</div>

  1214. </script>

  1215. 

  1216. <script type="text/x-red" data-help-name="AudioOutputI2Sslave">

  1217. 	<h3>Summary</h3>

  1218. 	<div class=tooltipinfo>

  1219. 	<p>Transmit 16 bit stereo audio to an I2S device using I2S slave mode

  1220. 		(where the DAC or codec chip, not Teensy, controls audio timing).</p>

  1221. 	</div>

  1222. 	<h3>Audio Connections</h3>

  1223. 	<table class=doc align=center cellpadding=3>

  1224. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1225. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1226. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1227. 	</table>

  1228. 	<h3>Functions</h3>

  1229. 	<p>This object has no functions to call from the Arduino sketch.  It

  1230. 		simply streams data from its 2 input ports to the I2S hardware.</p>

  1231. 	<h3>Hardware</h3>

  1232. 	<p>The I2S signals are used in "slave" mode, where the I2S device controls

  1233. 		data timing.</p>

  1234. 	<table class=doc align=center cellpadding=3>

  1235. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1236. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Input</td></tr>

  1237. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output</td></tr>

  1238. 		<tr class=odd><td align=center>23</td><td>LRCLK</td><td>Input</td></tr>

  1239. 	</table>

  1240. 	<h3>Examples</h3>

  1241. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  1242. 	</p>

  1243. 	<h3>Notes</h3>

  1244. 	<p>Slave mode I2S <b>should not used in the same project as ADC, DAC and

  1245. 		PWM</b> signals.  Differences in timing between the I2S device and

  1246. 		Teensy's clock can cause occasional audio glitches when I2S slave mode

  1247. 		is used together with other input or output objects based on Teensy's

  1248. 		timing.</p>

  1249. 	<p>Only one I2S input and one I2S output object may be used.  Master

  1250. 		and slave modes may not be mixed (both must be of the same type).

  1251. 	</p>

  1252. </script>

  1253. <script type="text/x-red" data-template-name="AudioOutputI2Sslave">

  1254. 	<div class="form-row">

  1255. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1256. 		<input type="text" id="node-input-name" placeholder="Name">

  1257. 	</div>

  1258. </script>

  1259. 

  1260. <script type="text/x-red" data-help-name="AudioOutputTDM">

  1261. 	<h3>Summary</h3>

  1262. 	<div class=tooltipinfo>

  1263. 	<p>Transmit a 256 bit Time Division Multiplexed frame containing

  1264. 		many audio channels.</p>

  1265. 	<p align=center><img src="img/tdm.jpg"></p>

  1266. 	</div>

  1267. 	<h3>Audio Connections</h3>

  1268. 	<table class=doc align=center cellpadding=3>

  1269. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1270. 		<tr class=odd><td align=center>In 0</td><td>Bits 0 to 15</td></tr>

  1271. 		<tr class=odd><td align=center>In 1</td><td>Bits 16 to 31</td></tr>

  1272. 		<tr class=odd><td align=center>In 2</td><td>Bits 32 to 47</td></tr>

  1273. 		<tr class=odd><td align=center>In 3</td><td>Bits 48 to 63</td></tr>

  1274. 		<tr class=odd><td align=center>In 4</td><td>Bits 64 to 79</td></tr>

  1275. 		<tr class=odd><td align=center>In 5</td><td>Bits 80 to 95</td></tr>

  1276. 		<tr class=odd><td align=center>In 6</td><td>Bits 96 to 111</td></tr>

  1277. 		<tr class=odd><td align=center>In 7</td><td>Bits 112 to 127</td></tr>

  1278. 		<tr class=odd><td align=center>In 8</td><td>Bits 128 to 143</td></tr>

  1279. 		<tr class=odd><td align=center>In 9</td><td>Bits 144 to 159</td></tr>

  1280. 		<tr class=odd><td align=center>In 10</td><td>Bits 160 to 175</td></tr>

  1281. 		<tr class=odd><td align=center>In 11</td><td>Bits 176 to 191</td></tr>

  1282. 		<tr class=odd><td align=center>In 12</td><td>Bits 192 to 207</td></tr>

  1283. 		<tr class=odd><td align=center>In 13</td><td>Bits 208 to 223</td></tr>

  1284. 		<tr class=odd><td align=center>In 14</td><td>Bits 224 to 239</td></tr>

  1285. 		<tr class=odd><td align=center>In 15</td><td>Bits 240 to 255</td></tr>

  1286. 	</table>

  1287. 	<h3>Functions</h3>

  1288. 	<p>This object has no functions to call from the Arduino sketch.  It

  1289. 		simply streams data from its 16 input ports to the TDM hardware.</p>

  1290. 	<h3>Hardware</h3>

  1291. 	<p>TDM has been tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  1292. 		CS42448 Circuit Board</a>.

  1293. 		</p>

  1294. 	<table class=doc align=center cellpadding=3>

  1295. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1296. 		<tr class=odd><td align=center>9</td><td>BCLK</td><td>Output, 11.3 MHz</td></tr>

  1297. 		<tr class=odd><td align=center>11</td><td>MCLK</td><td>Output, 22.6 MHz</td></tr>

  1298. 		<tr class=odd><td align=center>22</td><td>TX</td><td>Output, 11.3 Mbit/sec</td></tr>

  1299. 		<tr class=odd><td align=center>23</td><td>WS</td><td>Output</td></tr>

  1300. 	</table>

  1301. 	<p>Audio from

  1302. 		master mode TDM may be used in the same project as ADC, DAC and

  1303. 		PWM signals, because all remain in sync to Teensy's timing</p>

  1304. 	<!--<h3>Examples</h3>-->

  1305. 	<h3>Notes</h3>

  1306. 	<p>Only one TDM input and one TDM output object may be used.  The

  1307. 		I2S hardware is used by TDM, so TDM objects may not be used

  1308. 		together with I2S, SPDIF or PT8211.</p>

  1309. 	<p>When used with TDM devices which receive 32 bit audio, the

  1310. 		even numbered channels are used for the top 16 bits.</p>

  1311. </script>

  1312. <script type="text/x-red" data-template-name="AudioOutputTDM">

  1313. 	<div class="form-row">

  1314. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1315. 		<input type="text" id="node-input-name" placeholder="Name">

  1316. 	</div>

  1317. </script>

  1318. 

  1319. <script type="text/x-red" data-help-name="AudioOutputADAT">

  1320. 	<h3>Summary</h3>

  1321. 	<div class=tooltipinfo>

  1322. 	<p>Transmit ADAT TOSLINK Optical Output</p>

  1323. 	<p align=center><img src="img/adat.jpg"></p>

  1324. 	</div>

  1325. 	<h3>Audio Connections</h3>

  1326. 	<table class=doc align=center cellpadding=3>

  1327. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1328. 		<tr class=odd><td align=center>In 0</td><td>Channel 1</td></tr>

  1329. 		<tr class=odd><td align=center>In 1</td><td>Channel 2</td></tr>

  1330. 		<tr class=odd><td align=center>In 2</td><td>Channel 3</td></tr>

  1331. 		<tr class=odd><td align=center>In 3</td><td>Channel 4</td></tr>

  1332. 		<tr class=odd><td align=center>In 4</td><td>Channel 5</td></tr>

  1333. 		<tr class=odd><td align=center>In 5</td><td>Channel 6</td></tr>

  1334. 		<tr class=odd><td align=center>In 6</td><td>Channel 7</td></tr>

  1335. 		<tr class=odd><td align=center>In 7</td><td>Channel 8</td></tr>

  1336. 	</table>

  1337. 	<h3>Functions</h3>

  1338. 	<p>This object has no functions to call from the Arduino sketch.  It

  1339. 		simply streams data from its 8 input ports to the TOSLINK output.</p>

  1340. 	<h3>Hardware</h3>

  1341. 	<table class=doc align=center cellpadding=3>

  1342. 		<tr class=top><th>Pin</th><th>Signal</th><th>Direction</th></tr>

  1343. 		<tr class=odd><td align=center>22</td><td>TX</td><td>TOSLINK Signal</td></tr>

  1344. 	</table>

  1345. 	<p>For optical TOSLINK output, this

  1346. 		<a href="https://www.oshpark.com/shared_projects/KcDBKHta" target="_blank">OSH Park board</a>

  1347. 		can be used with the inexpensive Everlight PLT133/T6A connector, available

  1348. 		at Digikey, 1080-1434-ND.

  1349. 		</p>

  1350. 	<h3>Examples</h3>

  1351. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; ADAT_DrumSamplePlayer

  1352. 	</p>

  1353. 	<h3>Notes</h3>

  1354. 	<p>ADAT output was contributed by Ernstjan Freriks.  See <a href="https://forum.pjrc.com/threads/28639-S-pdif?p=159530&viewfull=1#post159530">this forum thread</a> for details.</p>

  1355. 	<p>A <a href="https://www.youtube.com/watch?v=e5ov3q02zxo">Youtube video</a>

  1356. 		also demonstrates how it works.</p>

  1357. </script>

  1358. <script type="text/x-red" data-template-name="AudioOutputADAT">

  1359. 	<div class="form-row">

  1360. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1361. 		<input type="text" id="node-input-name" placeholder="Name">

  1362. 	</div>

  1363. </script>

  1364. 

  1365. <script type="text/x-red" data-help-name="AudioOutputUSB">

  1366. 	<h3>Summary</h3>

  1367. 	<div class=tooltipinfo>

  1368. 	<p>Send stereo audio to a PC or Mac.  Teensy appears as a USB

  1369. 		sound device.</p>

  1370. 	<p align=center><img src="img/usbtype_audio_out.png"></p>

  1371. 	</div>

  1372. 	<h3>Audio Connections</h3>

  1373. 	<table class=doc align=center cellpadding=3>

  1374. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1375. 		<tr class=odd><td align=center>In 0</td><td>Left Channel</td></tr>

  1376. 		<tr class=odd><td align=center>In 1</td><td>Right Channel</td></tr>

  1377. 	</table>

  1378. 	<h3>Functions</h3>

  1379. 	<p>This object has no functions to call from the Arduino sketch.  It

  1380. 		simply streams from it's 2 input ports to the USB.</p>

  1381. 	<!--

  1382. 	<h3>Hardware</h3>

  1383. 	-->

  1384. 	<h3>Examples</h3>

  1385. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WavFilePlayerUSB</p>

  1386. 	</p>

  1387. 	<h3>Notes</h3>

  1388. 	<p>Arduino's <b>Tools &gt; USB Type</b> menu must be set to <b>Audio</b>.

  1389. 		</p>

  1390. 	<p align=center><img src="img/usbtype_audio.png"></p>

  1391. 	<p>USB input &amp; output does not cause the Teensy Audio Library to

  1392. 		update.  At least one non-USB input or output object must be

  1393. 		present for the entire library to update properly.</p>

  1394. 	<p>A known problem exists with USB audio from Macintosh computers.

  1395. 		An imperfect <a href="https://forum.pjrc.com/threads/34855-Distorted-audio-when-using-USB-input-on-Teensy-3-1?p=110392&viewfull=1#post110392">workaround

  1396. 		can be enabled by editing usb_audio.cpp</a>.

  1397. 		Find and uncomment "#define MACOSX_ADAPTIVE_LIMIT".</p>

  1398. </script>

  1399. <script type="text/x-red" data-template-name="AudioOutputUSB">

  1400. 	<div class="form-row">

  1401. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1402. 		<input type="text" id="node-input-name" placeholder="Name">

  1403. 	</div>

  1404. </script>

  1405. 

  1406. <script type="text/x-red" data-help-name="AudioAmplifier">

  1407. 	<h3>Summary</h3>

  1408. 	<div class=tooltipinfo>

  1409. 	<p>Amplify or attenuate a signal, or switch it on/off.

  1410. 		</p>

  1411. 	<p align=center><img src="img/ampschematics.png"></p>

  1412. 	</div>

  1413. 	<h3>Audio Connections</h3>

  1414. 	<table class=doc align=center cellpadding=3>

  1415. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1416. 		<tr class=odd><td align=center>In 0</td><td>Input signal</td></tr>

  1417. 		<tr class=odd><td align=center>Out 0</td><td>Amplified/Attn. Output</td></tr>

  1418. 	</table>

  1419. 	<h3>Functions</h3>

  1420. 	<p class=func><span class=keyword>gain</span>(level);</p>

  1421. 	<p class=desc>Adjust the amplification or attenuation.

  1422. 		"level" may be any floating point number from 0 to 32767.0.

  1423. 		1.0 passes the signal through directly.  Level of 0 shuts the channel

  1424. 		off completely.  Between 0 to 1.0 attenuates the signal, and above

  1425. 		1.0 amplifies it.  Negative numbers may also be used, to invert the

  1426. 		signal.

  1427. 	</p>

  1428. 	<!--<h3>Examples</h3>

  1429. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1430. 	</p>-->

  1431. 	<h3>Notes</h3>

  1432. 	<p>Gain of 0 and 1.0 are handled efficiently as special cases.  Zero

  1433. 		discards data without processing.  1.0 passes data directly, with

  1434. 		minimal overhead</p>

  1435. 	<p>Signal clipping can occur when any channel has gain greater than 1.0</p>

  1436. </script>

  1437. <script type="text/x-red" data-template-name="AudioAmplifier">

  1438. 	<div class="form-row">

  1439. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1440. 		<input type="text" id="node-input-name" placeholder="Name">

  1441. 	</div>

  1442. </script>

  1443. 

  1444. <script type="text/x-red" data-help-name="AudioMixer4">

  1445. 	<h3>Summary</h3>

  1446. 	<div class=tooltipinfo>

  1447. 	<p>Combine up to 4 audio signals together, each with adjustable gain.

  1448. 		All channels support signal attenuation or amplification.</p>

  1449. 	</div>

  1450. 	<h3>Audio Connections</h3>

  1451. 	<table class=doc align=center cellpadding=3>

  1452. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1453. 		<tr class=odd><td align=center>In 0</td><td>Input signal #1</td></tr>

  1454. 		<tr class=odd><td align=center>In 1</td><td>Input signal #2</td></tr>

  1455. 		<tr class=odd><td align=center>In 2</td><td>Input signal #3</td></tr>

  1456. 		<tr class=odd><td align=center>In 3</td><td>Input signal #4</td></tr>

  1457. 		<tr class=odd><td align=center>Out 0</td><td>Sum of all inputs</td></tr>

  1458. 	</table>

  1459. 	<h3>Functions</h3>

  1460. 	<p class=func><span class=keyword>gain</span>(channel, level);</p>

  1461. 	<p class=desc>Adjust the amplification or attenuation.  "channel" must

  1462. 		be 0 to 3.  "level" may be any floating point number from 0 to 32767.0.

  1463. 		1.0 passes the signal through directly.  Level of 0 shuts the channel

  1464. 		off completely.  Between 0 to 1.0 attenuates the signal, and above

  1465. 		1.0 amplifies it.  Negative numbers may also be used, to invert the

  1466. 		signal.  All 4 channels have separate gain settings.

  1467. 	</p>

  1468. 	<h3>Examples</h3>

  1469. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1470. 	</p>

  1471. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  1472. 	</p>

  1473. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  1474. 	</p>

  1475. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  1476. 	</p>

  1477. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  1478. 	</p>

  1479. 	<h3>Notes</h3>

  1480. 	<p>Signal clipping can occur when any channel has gain greater than 1.0,

  1481. 		or when multiple signals add together to greater than 1.0.</p>

  1482. 	<p>More than 4 channels may be combined by connecting multiple mixers

  1483. 		in tandem.  For example, a 16 channel mixer may be built using 5

  1484. 		mixers, where the fifth mixer combines the outputs of the first 4.

  1485. 	</p>

  1486. </script>

  1487. <script type="text/x-red" data-template-name="AudioMixer4">

  1488. 	<div class="form-row">

  1489. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1490. 		<input type="text" id="node-input-name" placeholder="Name">

  1491. 	</div>

  1492. </script>

  1493. 

  1494. <script type="text/x-red" data-help-name="AudioPlayMemory">

  1495. 	<h3>Summary</h3>

  1496. 	<div class=tooltipinfo>

  1497. 	<p>Play a short sound clip, stored directly in memory.

  1498. 		Data files are created with the

  1499. 		<a href="https://github.com/PaulStoffregen/Audio/tree/master/extras/wav2sketch" target="_blank">wav2sketch program</a>,

  1500. 		and copied to the sketch folder to become part of your sketch.</p>

  1501. 	</div>

  1502. 	<h3>Audio Connections</h3>

  1503. 	<table class=doc align=center cellpadding=3>

  1504. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1505. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1506. 	</table>

  1507. 	<h3>Functions</h3>

  1508. 	<p class=func><span class=keyword>play</span>(data);</p>

  1509. 	<p class=desc>Begin playing a sound clip.  If already playing, the

  1510. 		currently playing clip is stopped and this new data begins

  1511. 		playing from the beginning.

  1512. 	</p>

  1513. 	<p class=func><span class=keyword>stop</span>();</p>

  1514. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1515. 	</p>

  1516. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1517. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1518. 		when not playing.

  1519. 	</p>

  1520. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1521. 	<p class=desc>While playing, return the current time offset, in

  1522. 		milliseconds.  When not playing, the return from this function

  1523. 		is undefined.

  1524. 	</p>

  1525. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1526. 	<p class=desc>Return the total length of the current sound clip,

  1527. 		in milliseconds.  When not playing, the return from this function

  1528. 		is undefined.

  1529. 	</p>

  1530. 	<h3>Examples</h3>

  1531. 	<p class=exam>File &gt; Examples &gt; Audio &gt; SamplePlayer

  1532. 	</p>

  1533. 	<h3>Notes</h3>

  1534. 	<p><a href="https://forum.pjrc.com/threads/42401-Instructions-or-tutorials-for-using-wav2sketch?p=135069&viewfull=1#post135069">Step by step instructions for wav2sketch</a>

  1535. 		running in Terminal on Macintosh.</p>

  1536. 	<p>TODO: supported sample rates: 11.025, 22.05, 44.1</p>

  1537. 	<p>TODO: ulaw vs uncompressed encoding</p>

  1538. 	<p>Polyphonic playback can be built by creating multiple

  1539. 		objects, with their output combined by mixers.</p>

  1540. </script>

  1541. <script type="text/x-red" data-template-name="AudioPlayMemory">

  1542. 	<div class="form-row">

  1543. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1544. 		<input type="text" id="node-input-name" placeholder="Name">

  1545. 	</div>

  1546. </script>

  1547. 

  1548. <script type="text/x-red" data-help-name="AudioPlaySdWav">

  1549. 	<h3>Summary</h3>

  1550. 	<div class=tooltipinfo>

  1551. 	<p>Play a WAV file, stored on a SD card.</p>

  1552. 	</div>

  1553. 	<h3>Audio Connections</h3>

  1554. 	<table class=doc align=center cellpadding=3>

  1555. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1556. 		<tr class=odd><td align=center>Out 0</td><td>Left Channel Output</td></tr>

  1557. 		<tr class=odd><td align=center>Out 1</td><td>Right Channel Output</td></tr>

  1558. 	</table>

  1559. 	<h3>Functions</h3>

  1560. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1561. 	<p class=desc>Begin playing a WAV file.  If a file is already playing,

  1562. 		it is stopped and this file starts playing from the beginning.

  1563. 	</p>

  1564. 	<p class=func><span class=keyword>stop</span>();</p>

  1565. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1566. 	</p>

  1567. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1568. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1569. 		when not playing.  See the note below about delayed start.

  1570. 	</p>

  1571. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1572. 	<p class=desc>While playing, return the current time offset, in

  1573. 		milliseconds.  When not playing, the return from this function

  1574. 		is undefined.

  1575. 	</p>

  1576. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1577. 	<p class=desc>Return the total length of the current sound clip,

  1578. 		in milliseconds.  When not playing, the return from this function

  1579. 		is undefined.

  1580. 	</p>

  1581. 	<h3>Examples</h3>

  1582. 	<p class=exam>File &gt; Examples &gt; Audio &gt; WavFilePlayer

  1583. 	</p>

  1584. 	<h3>Notes</h3>

  1585. 	<p>Only 16 bit PCM, 44100 Hz WAV files are supported.  When mono

  1586. 		files are played, both output ports transmit a copy of the

  1587. 		single sound.  Of course, stereo WAV files play with the left

  1588. 		channel on port 0 and the right channel on port 1.

  1589. 	</p>

  1590. 	<p>A brief delay after calling play() will usually occur before

  1591. 		isPlaying() returns true and positionMillis() returns valid

  1592. 		time offset.  WAV files have a header at the beginning of the

  1593. 		file, which the audio library must read and parse before

  1594. 		playing can begin.

  1595. 	</p>

  1596. 	<p>While playing, the audio library accesses the SD card automatically.

  1597. 		If card access is required, you must

  1598. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">use AudioNoInterrupts()</a>

  1599. 		to prevent the library from accessing the SD card while you use it.

  1600. 		Disabling the audio library interrupt for too long may cause audible

  1601. 		dropouts or glitches.

  1602. 	</p>

  1603. 	<p>An experimental SD library optimization exists, which can remove these

  1604. 		SD library restrictions.  It also allows reliable playback of more

  1605. 		files at the same time.  To enable this special code, find and edit

  1606. 		the SD_t3.h file within your Arduino folder.  See the comments within

  1607. 		that file for details.

  1608. 	</p>

  1609. 

  1610. </script>

  1611. <script type="text/x-red" data-template-name="AudioPlaySdWav">

  1612. 	<div class="form-row">

  1613. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1614. 		<input type="text" id="node-input-name" placeholder="Name">

  1615. 	</div>

  1616. </script>

  1617. 

  1618. <script type="text/x-red" data-help-name="AudioPlaySdRaw">

  1619. 	<h3>Summary</h3>

  1620. 	<div class=tooltipinfo>

  1621. 	<p>Play a RAW data file, stored on a SD card.  RAW format is simpler

  1622. 		than WAV and begins playing immediately, without parsing WAV file

  1623. 		header info.</p>

  1624. 	</div>

  1625. 	<h3>Audio Connections</h3>

  1626. 	<table class=doc align=center cellpadding=3>

  1627. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1628. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1629. 	</table>

  1630. 	<h3>Functions</h3>

  1631. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1632. 	<p class=desc>Begin playing a RAW data file.  If a file is already playing,

  1633. 		it is stopped and this file starts playing from the beginning.

  1634. 	</p>

  1635. 	<p class=func><span class=keyword>stop</span>();</p>

  1636. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1637. 	</p>

  1638. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1639. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1640. 		when not playing.

  1641. 	</p>

  1642. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1643. 	<p class=desc>While playing, return the current time offset, in

  1644. 		milliseconds.  When not playing, the return from this function

  1645. 		is undefined.

  1646. 	</p>

  1647. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1648. 	<p class=desc>Return the total length of the current sound clip,

  1649. 		in milliseconds.  When not playing, the return from this function

  1650. 		is undefined.

  1651. 	</p>

  1652. 	<h3>Examples</h3>

  1653. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1654. 	</p>

  1655. 	<h3>Notes</h3>

  1656. 	<p>The data file must be RAW 16 bit signed integers in LSB-first format.

  1657. 	</p>

  1658. 	<p>While playing, the audio library accesses the SD card automatically.

  1659. 		If card access is required, you must

  1660. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  1661. 		to prevent the library from accessing the SD card while you use it.

  1662. 		Disabling the audio library interrupt for too long may cause audible

  1663. 		dropouts or glitches.

  1664. 	</p>

  1665. </script>

  1666. <script type="text/x-red" data-template-name="AudioPlaySdRaw">

  1667. 	<div class="form-row">

  1668. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1669. 		<input type="text" id="node-input-name" placeholder="Name">

  1670. 	</div>

  1671. </script>

  1672. 

  1673. <script type="text/x-red" data-help-name="AudioPlaySerialflashRaw">

  1674. 	<h3>Summary</h3>

  1675. 	<div class=tooltipinfo>

  1676. 	<p>Play a RAW data file, stored on a Serial Flash chip.  These chips

  1677. 		are far more efficient than SD cards, allowing many files to be

  1678. 		played simultaneously by copies of this object.

  1679. 		</p>

  1680. 	<p align=center><img src="img/w25q128fv.jpg"><br><small>W25Q128FV Serial Flash</small></p>

  1681. 	</div>

  1682. 	<h3>Audio Connections</h3>

  1683. 	<table class=doc align=center cellpadding=3>

  1684. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1685. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1686. 	</table>

  1687. 	<h3>Functions</h3>

  1688. 	<p class=func><span class=keyword>play</span>(filename);</p>

  1689. 	<p class=desc>Begin playing a RAW data file.  If a file is already playing,

  1690. 		it is stopped and this file starts playing from the beginning.

  1691. 	</p>

  1692. 	<p class=func><span class=keyword>stop</span>();</p>

  1693. 	<p class=desc>Stop playing.  If not playing, this function has no effect.

  1694. 	</p>

  1695. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1696. 	<p class=desc>Return true (non-zero) if playing, or false (zero)

  1697. 		when not playing.

  1698. 	</p>

  1699. 	<p class=func><span class=keyword>positionMillis</span>();</p>

  1700. 	<p class=desc>While playing, return the current time offset, in

  1701. 		milliseconds.  When not playing, the return from this function

  1702. 		is undefined.

  1703. 	</p>

  1704. 	<p class=func><span class=keyword>lengthMillis</span>();</p>

  1705. 	<p class=desc>Return the total length of the current sound clip,

  1706. 		in milliseconds.  When not playing, the return from this function

  1707. 		is undefined.

  1708. 	</p>

  1709. 	<h3>Examples</h3>

  1710. 	<!--

  1711. <p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1712. -->

  1713. 	<p class=exam>TODO: play example needed....

  1714. 	</p>

  1715. 	<p class=exam>File &gt; Examples &gt; SerialFlash &gt; CopyFromSD

  1716. 	</p>

  1717. 	<h3>Notes</h3>

  1718. 	<p>The data file must be RAW 16 bit signed integers in LSB-first format.

  1719. 	</p>

  1720. 	<p>The <a href="https://github.com/PaulStoffregen/SerialFlash" target="_blank">SerialFlash library</a>

  1721. 		is used to access the flash chip.  You can also use SerialFlash's functions

  1722. 		to access the stored files, or add data to the flash chip.

  1723. 	</p>

  1724. 	<p>File names are case sensitive with SerialFlash.  If your sound does

  1725. 		not play, use <b>File &gt; Examples &gt; SerialFlash &gt; ListFiles</b> to

  1726. 		check the exact file names stored in the flash memory chip.

  1727. </script>

  1728. <script type="text/x-red" data-template-name="AudioPlaySerialflashRaw">

  1729. 	<div class="form-row">

  1730. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1731. 		<input type="text" id="node-input-name" placeholder="Name">

  1732. 	</div>

  1733. </script>

  1734. 

  1735. <script type="text/x-red" data-help-name="AudioPlayQueue">

  1736. 	<h3>Summary</h3>

  1737. 	<div class=tooltipinfo>

  1738. 	<p>Play audio data provided by the Arduino sketch.  This object provides

  1739. 		functions to allow the sketch code to push data into the audio system.</p>

  1740. 	</div>

  1741. 	<h3>Audio Connections</h3>

  1742. 	<table class=doc align=center cellpadding=3>

  1743. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1744. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1745. 	</table>

  1746. 	<h3>Functions</h3>

  1747. 	<p class=func><span class=keyword>play</span>(int16);</p>

  1748. 	<p class=desc>not yet implemented

  1749. 	</p>

  1750. 	<p class=func><span class=keyword>play</span>(int16[], length);</p>

  1751. 	<p class=desc>not yet implemented

  1752. 	</p>

  1753. 	<p class=func><span class=keyword>getBuffer</span>();</p>

  1754. 	<p class=desc>Returns a pointer to an array of 128 int16.  This buffer

  1755. 		is within the audio library memory pool, providing the most efficient

  1756. 		way to input data to the audio system.  The buffer is likely to be

  1757. 		populated by previously used data, so the entire 128 words should be

  1758. 		written before calling playBuffer().  Only a single buffer should be

  1759. 		requested at a time.  This function may return NULL if no memory is

  1760. 		available.

  1761. 	</p>

  1762. 	<p class=func><span class=keyword>playBuffer</span>();</p>

  1763. 	<p class=desc>Transmit the buffer previously obtained from getBuffer().

  1764. 	</p>

  1765. 	<h3>Examples</h3>

  1766. 		<p><a href="http://community.arm.com/groups/embedded/blog/2014/05/23/led-video-panel-at-maker-faire-2014" target="_blank">4320 LED Video+Sound Project</a>

  1767. 		</p>

  1768. 	<!--

  1769. <p class=exam>File &gt; Examples &gt; Audio &gt;

  1770. 	</p>

  1771. -->

  1772. 	<h3>Notes</h3>

  1773. 	<p>TODO: many caveats....</p>

  1774. 	<p>

  1775. 	</p>

  1776. </script>

  1777. <script type="text/x-red" data-template-name="AudioPlayQueue">

  1778. 	<div class="form-row">

  1779. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1780. 		<input type="text" id="node-input-name" placeholder="Name">

  1781. 	</div>

  1782. </script>

  1783. 

  1784. <script type="text/x-red" data-help-name="AudioRecordQueue">

  1785. 	<h3>Summary</h3>

  1786. 	<div class=tooltipinfo>

  1787. 	<p>Record audio data by sending to the Arduino sketch.  This object allows

  1788. 		sketch code to receive audio packets.</p>

  1789. 	</div>

  1790. 	<h3>Audio Connections</h3>

  1791. 	<table class=doc align=center cellpadding=3>

  1792. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1793. 		<tr class=odd><td align=center>In 0</td><td>Sound To Access</td></tr>

  1794. 	</table>

  1795. 	<h3>Functions</h3>

  1796. 	<p class=func><span class=keyword>begin</span>();</p>

  1797. 	<p class=desc>Begin capturing incoming audio to the queue.  After calling

  1798. 		begin, readBuffer() and freeBuffer(), or clear() must be used frequently

  1799. 		to prevent the queue from filling up.

  1800. 	</p>

  1801. 	<p class=func><span class=keyword>available</span>();</p>

  1802. 	<p class=desc>Returns the number of audio packets available to read.

  1803. 	</p>

  1804. 	<p class=func><span class=keyword>readBuffer</span>();</p>

  1805. 	<p class=desc>Read a single audio packet.  A pointer to a 128 sample

  1806. 		array of 16 bit integers is returned.  NULL is returned if no packets

  1807. 		are available.

  1808. 	</p>

  1809. 	<p class=func><span class=keyword>freeBuffer</span>();</p>

  1810. 	<p class=desc>Release the memory from the previously read packet returned

  1811. 		from readBuffer().  Only a single packet at a time may be read, and

  1812. 		each packet must be freed with this function, to return the memory to

  1813. 		the audio library.

  1814. 	</p>

  1815. 	<p class=func><span class=keyword>clear</span>();</p>

  1816. 	<p class=desc>Discard all audio held in the queue.

  1817. 	</p>

  1818. 	<p class=func><span class=keyword>end</span>();</p>

  1819. 	<p class=desc>Stop capturing incoming audio into the queue.  Data already

  1820. 		captured remains in the queue and may be read with readBuffer().

  1821. 	</p>

  1822. 	<h3>Examples</h3>

  1823. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Recorder

  1824. 	</p>

  1825. 	<h3>Notes</h3>

  1826. 	<p>

  1827. 		Up to 52 packets may be queued by this object, which allows approximately

  1828. 		150 ms of audio to be held in the queue, to allow time for the Arduino

  1829. 		sketch to write data to media or do other high-latency tasks.

  1830. 

  1831. The actual packets are taken

  1832. 		from the pool created by AudioMemory().

  1833. 	</p>

  1834. </script>

  1835. <script type="text/x-red" data-template-name="AudioRecordQueue">

  1836. 	<div class="form-row">

  1837. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1838. 		<input type="text" id="node-input-name" placeholder="Name">

  1839. 	</div>

  1840. </script>

  1841. 

  1842. 

  1843. <script type="text/x-red" data-help-name="AudioSynthWavetable">

  1844. 	<h3>Summary</h3>

  1845. 	<div class=tooltipinfo>

  1846. 	<p>Synthesize musical instruments using wavetable samples.

  1847. 		Sample data is extracted from SoundFont2 files.

  1848. 		</p>

  1849. 	<p align=center><a href="https://www.youtube.com/watch?v=5laaNHLhS98">YouTube Video Demo</a><br>

  1850. 		<a href="https://www.youtube.com/watch?v=5laaNHLhS98"><img border=0 src="img/wavetablevideo.jpg"></a>

  1851. 		</p>

  1852. 	<p><small>

  1853. 		Portland State University capstone project by

  1854. 		Ryan Mellmer, Nicholas Craig, Joshua Bucklin, Aida Keifer,

  1855. 		Jonathan Jensen, Yu Tang, &amp; Connor Delaplane.

  1856. 	</small></p>

  1857. 	</div>

  1858. 	<h3>Audio Connections</h3>

  1859. 	<table class=doc align=center cellpadding=3>

  1860. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1861. 		<tr class=odd><td align=center>Out 0</td><td>Output</td></tr>

  1862. 	</table>

  1863. 	<h3>Functions</h3>

  1864. 	<p class=func><span class=keyword>setInstrument</span>(instrument);</p>

  1865. 	<p class=desc>blah blah

  1866. 	</p>

  1867. 	<p class=func><span class=keyword>amplitude</span>(volume);</p>

  1868. 	<p class=desc>blah blah

  1869. 	</p>

  1870. 	<p class=func><span class=keyword>setFrequency</span>(freq);</p>

  1871. 	<p class=desc>blah blah

  1872. 	</p>

  1873. 	<p class=func><span class=keyword>playFrequency</span>(freq, amplitude);</p>

  1874. 	<p class=desc>blah blah

  1875. 	</p>

  1876. 	<p class=func><span class=keyword>stop</span>();</p>

  1877. 	<p class=desc>blah blah

  1878. 	</p>

  1879. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  1880. 	<p class=desc>blah blah

  1881. 	</p>

  1882. 	<p class=func><span class=keyword>getEnvState</span>();</p>

  1883. 	<p class=desc>blah blah

  1884. 	</p>

  1885. 	<h3>Examples</h3>

  1886. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Wavetable &gt; MidiSynth

  1887. 	</p>

  1888. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Wavetable &gt; MidiSynthKeyboard

  1889. 	</p>

  1890. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Wavetable &gt; MidiSynthLarge

  1891. 	</p>

  1892. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Wavetable &gt; SimpleWavetable

  1893. 	</p>

  1894. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Wavetable &gt; Zelda

  1895. 	</p>

  1896. 	<h3>Notes</h3>

  1897. 	<p></p>

  1898. </script>

  1899. <script type="text/x-red" data-template-name="AudioSynthWavetable">

  1900. 	<div class="form-row">

  1901. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1902. 		<input type="text" id="node-input-name" placeholder="Name">

  1903. 	</div>

  1904. </script>

  1905. 

  1906. 

  1907. <script type="text/x-red" data-help-name="AudioSynthSimpleDrum">

  1908. 	<h3>Summary</h3>

  1909. 	<div class=tooltipinfo>

  1910. 	<p>Generate a synthesised drum sound.  Also useful for laser pistol and bursting

  1911. 		bubble sound effects.</p>

  1912. 	</div>

  1913. 	<h3>Audio Connections</h3>

  1914. 	<table class=doc align=center cellpadding=3>

  1915. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1916. 		<tr class=odd><td align=center>Out 0</td><td>Drum Tone Output</td></tr>

  1917. 	</table>

  1918. 	<h3>Functions</h3>

  1919. 	<p class=func><span class=keyword>noteOn</span>();</p>

  1920. 	<p class=desc>Trigger the drum.

  1921. 	</p>

  1922. 	<p class=func><span class=keyword>frequency</span>(frequency);</p>

  1923. 	<p class=desc>Set the base frequency of the drum.

  1924. 	</p>

  1925. 	<p class=func><span class=keyword>length</span>(milliseconds);</p>

  1926. 	<p class=desc>Set the duration of the envelope, in milliseconds.

  1927. 	</p>

  1928. 	<p class=func><span class=keyword>secondMix</span>(level);</p>

  1929. 	<p class=desc>Emulates a two-headed tom, by adding a second sine wave that is

  1930. 	harmonized a perfect fifth above

  1931. 	the base frequency.  Using this involves a slight CPU penalty.

  1932. 	</p>

  1933. 	<p class=func><span class=keyword>pitchMod</span>(depth);</p>

  1934. 	<p class=desc>Set the depth of envelope of the pitch, by a maximum of two octaves.

  1935. 	Default is 0.5, with no modulation.  Values above 0.5 cause the pitch to sweep

  1936. 	downwards, values lower than 0.5 cause the pitch to sweep upwards.

  1937. 	</p>

  1938. 	<h3>Examples</h3>

  1939. 	<p class=exam>File &gt; Examples &gt; Synthesis &gt; SimpleDrum

  1940. 	</p>

  1941. 	<h3>Notes</h3>

  1942. 	<p></p>

  1943. </script>

  1944. <script type="text/x-red" data-template-name="AudioSynthSimpleDrum">

  1945. 	<div class="form-row">

  1946. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1947. 		<input type="text" id="node-input-name" placeholder="Name">

  1948. 	</div>

  1949. </script>

  1950. 

  1951. <script type="text/x-red" data-help-name="AudioSynthKarplusStrong">

  1952. 	<h3>Summary</h3>

  1953. 	<div class=tooltipinfo>

  1954. 	<p>Synthesize a plucked string sound, such as a guitar string.

  1955. 		</p>

  1956. 	<p align=center><img src="img/touchguitar.jpg"></p>

  1957. 	</div>

  1958. 	<h3>Audio Connections</h3>

  1959. 	<table class=doc align=center cellpadding=3>

  1960. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1961. 		<tr class=odd><td align=center>Out 0</td><td>Sound Output</td></tr>

  1962. 	</table>

  1963. 	<h3>Functions</h3>

  1964. 	<p class=func><span class=keyword>noteOn</span>(frequency, velocity);</p>

  1965. 	<p class=desc>Begin a new string note.  Velocity can be from 0 to 1.0,

  1966. 		indicating how hard the string is plucked.

  1967. 	</p>

  1968. 	<p class=func><span class=keyword>noteOff</span>(velocity);</p>

  1969. 	<p class=desc>Stop the sound output.

  1970. 	</p>

  1971. 	<h3>Examples</h3>

  1972. 	<p class=exam>File &gt; Examples &gt; Synthesis &gt; Guitar

  1973. 	</p>

  1974. 	<p class=exam><a href="https://github.com/PaulStoffregen/TouchGuitar" target="_blank">TouchGuitar</a>

  1975. 	</p>

  1976. 	<h3>Notes</h3>

  1977. 	<p></p>

  1978. </script>

  1979. <script type="text/x-red" data-template-name="AudioSynthKarplusStrong">

  1980. 	<div class="form-row">

  1981. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  1982. 		<input type="text" id="node-input-name" placeholder="Name">

  1983. 	</div>

  1984. </script>

  1985. 

  1986. <script type="text/x-red" data-help-name="AudioSynthWaveformSine">

  1987. 	<h3>Summary</h3>

  1988. 	<div class=tooltipinfo>

  1989. 	<p>Create a sine wave signal</p>

  1990. 	</div>

  1991. 	<h3>Audio Connections</h3>

  1992. 	<table class=doc align=center cellpadding=3>

  1993. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  1994. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave Output</td></tr>

  1995. 	</table>

  1996. 	<h3>Functions</h3>

  1997. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  1998. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  1999. 	</p>

  2000. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2001. 	<p class=desc>Set the frequency, from 0 to 22000.  Very low values may

  2002. 		be used to create a LFO (Low Frequency Oscillator) for objects

  2003. 		with modulation signal inputs.

  2004. 	</p>

  2005. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  2006. 	<p class=desc>

  2007. 		Cause the generated waveform to jump to a specific point within

  2008. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  2009. 		are configured,

  2010. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2011. 		should be used to guarantee all new settings take effect together.

  2012. 	</p>

  2013. 	<h3>Examples</h3>

  2014. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  2015. 	</p>

  2016. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  2017. 	</p>

  2018. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  2019. 	</p>

  2020. 	<h3>Notes</h3>

  2021. 	<p></p>

  2022. </script>

  2023. <script type="text/x-red" data-template-name="AudioSynthWaveformSine">

  2024. 	<div class="form-row">

  2025. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2026. 		<input type="text" id="node-input-name" placeholder="Name">

  2027. 	</div>

  2028. </script>

  2029. 

  2030. <script type="text/x-red" data-help-name="AudioSynthWaveformSineHires">

  2031. 	<h3>Summary</h3>

  2032. 	<div class=tooltipinfo>

  2033. 	<p>Create a highly precise, low distortion sine wave signal.

  2034. 		Mainly useful for codec &amp; analog circuitry testing.</p>

  2035. 	</div>

  2036. 	<h3>Audio Connections</h3>

  2037. 	<table class=doc align=center cellpadding=3>

  2038. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2039. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave, upper bits</td></tr>

  2040. 		<tr class=odd><td align=center>Out 1</td><td>Sine Wave, lower bits</td></tr>

  2041. 	</table>

  2042. 	<h3>Functions</h3>

  2043. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2044. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  2045. 	</p>

  2046. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2047. 	<p class=desc>Set the frequency, from 0 to 22000.  Very low values may

  2048. 		be used to create a LFO (Low Frequency Oscillator) for objects

  2049. 		with modulation signal inputs.

  2050. 	</p>

  2051. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  2052. 	<p class=desc>

  2053. 		Cause the generated waveform to jump to a specific point within

  2054. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  2055. 		are configured,

  2056. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2057. 		should be used to guarantee all new settings take effect together.

  2058. 	</p>

  2059. 	<h3>Notes</h3>

  2060. 	<p>An 11th order Taylor series approximation is used to generate

  2061. 		a very accurate sine wave.  At least the upper 25 bits are believe

  2062. 		to be perfect.  This is mainly intended for testing 24 bit codec chips!</p>

  2063. </script>

  2064. <script type="text/x-red" data-template-name="AudioSynthWaveformSineHires">

  2065. 	<div class="form-row">

  2066. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2067. 		<input type="text" id="node-input-name" placeholder="Name">

  2068. 	</div>

  2069. </script>

  2070. 

  2071. <script type="text/x-red" data-help-name="AudioSynthWaveformSineModulated">

  2072. 	<h3>Summary</h3>

  2073. 	<div class=tooltipinfo>

  2074. 	<p>Create a modulated sine wave, using any audio signal to continuously

  2075. 		modulate the sine wave frequency.</p>

  2076. 	</div>

  2077. 	<h3>Audio Connections</h3>

  2078. 	<table class=doc align=center cellpadding=3>

  2079. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2080. 		<tr class=odd><td align=center>In 0</td><td>Modulation Signal</td></tr>

  2081. 		<tr class=odd><td align=center>Out 0</td><td>Sine Wave Output</td></tr>

  2082. 	</table>

  2083. 	<h3>Functions</h3>

  2084. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2085. 	<p class=desc>Set the amplitude, from 0 to 1.0.

  2086. 	</p>

  2087. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2088. 	<p class=desc>Set the center frequency, from 0 to 11000.  The output will

  2089. 		be this center frequency when the input modulation signal is zero.

  2090. 		Modulation input 1.0 causes the frequency to double, and input -1.0

  2091. 		causes zero Hz (DC) output.  For less modulation, attenuate the input

  2092. 		signal (perhaps with a mixer object) before it arrives here.

  2093. 	</p>

  2094. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  2095. 	<p class=desc>

  2096. 		Cause the generated waveform to jump to a specific point within

  2097. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  2098. 		are configured,

  2099. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2100. 		should be used to guarantee all new settings take effect together.

  2101. 	</p>

  2102. 	<!--

  2103. <h3>Examples</h3>

  2104. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2105. 	</p>

  2106. -->

  2107. 	<h3>Notes</h3>

  2108. 	<p></p>

  2109. </script>

  2110. <script type="text/x-red" data-template-name="AudioSynthWaveformSineModulated">

  2111. 	<div class="form-row">

  2112. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2113. 		<input type="text" id="node-input-name" placeholder="Name">

  2114. 	</div>

  2115. </script>

  2116. 

  2117. <script type="text/x-red" data-help-name="AudioSynthWaveform">

  2118. 	<h3>Summary</h3>

  2119. 	<div class=tooltipinfo>

  2120. 	<p>Create a waveform: sine, sawtooth, square, triangle, pulse, random S&H or arbitrary.</p>

  2121. 	<p align=center><img src="img/waveforms.png"></p>

  2122. 	</div>

  2123. 	<h3>Audio Connections</h3>

  2124. 	<table class=doc align=center cellpadding=3>

  2125. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2126. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2127. 	</table>

  2128. 	<h3>Functions</h3>

  2129. 	<p class=func><span class=keyword>begin</span>(waveform);</p>

  2130. 	<p class=desc>Configure the waveform type to create.

  2131. 	</p>

  2132. 	<p class=func><span class=keyword>begin</span>(level, frequency, waveform);</p>

  2133. 	<p class=desc>Output a waveform, and set the amplitude and frequency.

  2134. 	</p>

  2135. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2136. 	<p class=desc>Change the frequency.

  2137. 	</p>

  2138. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2139. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2140. 	</p>

  2141. 	<p class=func><span class=keyword>offset</span>(level);</p>

  2142. 	<p class=desc>Add a DC offset, from -1.0 to +1.0.  Useful for generating

  2143. 		waveforms to use as control or modulation signals.

  2144. 	</p>

  2145. 	<p class=func><span class=keyword>phase</span>(angle);</p>

  2146. 	<p class=desc>

  2147. 		Cause the generated waveform to jump to a specific point within

  2148. 		its cycle.  Angle is from 0 to 360 degrees.  When multiple objects

  2149. 		are configured,

  2150. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2151. 		should be used to guarantee all new settings take effect together.

  2152. 	</p>

  2153. 	<p class=func><span class=keyword>pulseWidth</span>(amount);</p>

  2154. 	<p class=desc>Change the width (duty cycle) of the pulse.</p>

  2155. 	<p class=func><span class=keyword>arbitraryWaveform</span>(array, maxFreq);</p>

  2156. 	<p class=desc>

  2157. 		Configure the waveform to be used with WAVEFORM_ARBITRARY.  Array

  2158. 		must be an array of 256 samples.  Currently, the data is used

  2159. 		without any filtering, which can cause aliasing with frequencies

  2160. 		above 172 Hz.  For higher frequency output, you must bandwidth

  2161. 		limit your waveform data.  Someday, "maxFreq" will be used to

  2162. 		do this automatically.

  2163. 	</p>

  2164. 	<h3>Examples</h3>

  2165. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; Waveforms

  2166. 	</p>

  2167. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  2168. 	</p>

  2169. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; pulseWidth

  2170. 	</p>

  2171. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  2172. 	</p>

  2173. 	<h3>Notes</h3>

  2174. 	<p>Supported Waveforms:<br>

  2175. 		<ul>

  2176. 		<li><span class=literal>WAVEFORM_SINE</span></li>

  2177. 		<li><span class=literal>WAVEFORM_SAWTOOTH</span></li>

  2178. 		<li><span class=literal>WAVEFORM_SAWTOOTH_REVERSE</span></li>

  2179. 		<li><span class=literal>WAVEFORM_SQUARE</span></li>

  2180. 		<li><span class=literal>WAVEFORM_TRIANGLE</span></li>

  2181. 		<li><span class=literal>WAVEFORM_TRIANGLE_VARIABLE</span></li>

  2182. 		<li><span class=literal>WAVEFORM_ARBITRARY</span></li>

  2183. 		<li><span class=literal>WAVEFORM_PULSE</span></li>

  2184. 		<li><span class=literal>WAVEFORM_SAMPLE_HOLD</span></li>

  2185. 		</ul>

  2186. 	</p>

  2187. </script>

  2188. <script type="text/x-red" data-template-name="AudioSynthWaveform">

  2189. 	<div class="form-row">

  2190. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2191. 		<input type="text" id="node-input-name" placeholder="Name">

  2192. 	</div>

  2193. </script>

  2194. 

  2195. <script type="text/x-red" data-help-name="AudioSynthWaveformModulated">

  2196. 	<h3>Summary</h3>

  2197. 	<div class=tooltipinfo>

  2198. 	<p>Create a waveform <b>with modulation</b>: sine, sawtooth, square, triangle, pulse, random S&H or arbitrary.</p>

  2199. 	<p align=center><img src="img/waveformsmod.png"></p>

  2200. 	</div>

  2201. 	<h3>Audio Connections</h3>

  2202. 	<table class=doc align=center cellpadding=3>

  2203. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2204. 		<tr class=odd><td align=center>In 0</td><td>Frequency or Phase</td></tr>

  2205. 		<tr class=odd><td align=center>In 1</td><td>Shape (Pulse &amp; Var Triangle)</td></tr>

  2206. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2207. 	</table>

  2208. 	<h3>Functions</h3>

  2209. 	<p class=func><span class=keyword>begin</span>(waveform);</p>

  2210. 	<p class=desc>Configure the waveform type to create.

  2211. 	</p>

  2212. 	<p class=func><span class=keyword>begin</span>(level, frequency, waveform);</p>

  2213. 	<p class=desc>Output a waveform, and set the amplitude and base frequency.

  2214. 	</p>

  2215. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2216. 	<p class=desc>Change the base (unmodulated) frequency.

  2217. 	</p>

  2218. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2219. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2220. 	</p>

  2221. 	<p class=func><span class=keyword>offset</span>(level);</p>

  2222. 	<p class=desc>Add a DC offset, from -1.0 to +1.0.  Useful for generating

  2223. 		waveforms to use as control or modulation signals.

  2224. 	</p>

  2225. 	<p class=func><span class=keyword>frequencyModulation</span>(octaves);</p>

  2226. 	<p class=desc>

  2227. 		Configure for frequency modulation mode (the default) where the

  2228. 		input signal will adjust the frequency by a specific number of

  2229. 		octaves (the default is 8 octaves).  If the -1.0 to +1.0 signal

  2230. 		represents a &plusmn;10 volt range and you wish to have control

  2231. 		at 1 volt/octave, then configure for 10 octaves range.  The

  2232. 		maximum modulation sensitivity is 12 octaves.

  2233. 	</p>

  2234. 	<p class=func><span class=keyword>phaseModulation</span>(degrees);</p>

  2235. 	<p class=desc>

  2236. 		Configure for phase modulation mode where the input signal will

  2237. 		adjust the waveform phase angle a specific number of degrees.

  2238. 		180.0 allows a full scale &plusmn;1.0 signal to span 1 full

  2239. 		cycle of the waveform.  Maximum modulation sensitivity is 9000

  2240. 		degrees (&plusmn;25 cycles).

  2241. 	</p>

  2242. 	<p class=func><span class=keyword>arbitraryWaveform</span>(array, maxFreq);</p>

  2243. 	<p class=desc>

  2244. 		Configure the waveform to be used with WAVEFORM_ARBITRARY.  Array

  2245. 		must be an array of 256 samples.  Currently, the data is used

  2246. 		without any filtering, which can cause aliasing with frequencies

  2247. 		above 172 Hz.  For higher frequency output, you must bandwidth

  2248. 		limit your waveform data.  Someday, "maxFreq" will be used to

  2249. 		do this automatically.

  2250. 	</p>

  2251. 	<h3>Examples</h3>

  2252. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; WaveformsModulated

  2253. 	</p>

  2254. 	<h3>Notes</h3>

  2255. 	<p>Supported Waveforms:<br>

  2256. 		<ul>

  2257. 		<li><span class=literal>WAVEFORM_SINE</span></li>

  2258. 		<li><span class=literal>WAVEFORM_SAWTOOTH</span></li>

  2259. 		<li><span class=literal>WAVEFORM_SAWTOOTH_REVERSE</span></li>

  2260. 		<li><span class=literal>WAVEFORM_SQUARE</span></li>

  2261. 		<li><span class=literal>WAVEFORM_TRIANGLE</span></li>

  2262. 		<li><span class=literal>WAVEFORM_TRIANGLE_VARIABLE</span></li>

  2263. 		<li><span class=literal>WAVEFORM_ARBITRARY</span></li>

  2264. 		<li><span class=literal>WAVEFORM_PULSE</span></li>

  2265. 		<li><span class=literal>WAVEFORM_SAMPLE_HOLD</span></li>

  2266. 		</ul>

  2267. 	</p>

  2268. 	<p>The Sample &amp; Hold waveform does not support phase modulation.

  2269. 		Attempting to modulate its phase may give random or

  2270. 		inconsistent results.  Use only frequency modulation

  2271. 		to vary the Sample &amp; Hold waveform speed

  2272. 	</p>

  2273. </script>

  2274. <script type="text/x-red" data-template-name="AudioSynthWaveformModulated">

  2275. 	<div class="form-row">

  2276. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2277. 		<input type="text" id="node-input-name" placeholder="Name">

  2278. 	</div>

  2279. </script>

  2280. 

  2281. <script type="text/x-red" data-help-name="AudioSynthWaveformPWM">

  2282. 	<h3>Summary</h3>

  2283. 	<div class=tooltipinfo>

  2284. 	<p>Create a Pulse Width Modulated waveform, with an audio signal

  2285. 		controlling the pulse width duty cycle.</p>

  2286. 	<p align=center><img src="img/pwm.png"></p>

  2287. 	</div>

  2288. 	<h3>Audio Connections</h3>

  2289. 	<table class=doc align=center cellpadding=3>

  2290. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2291. 		<tr class=odd><td align=center>In 0</td><td>Control Signal Output</td></tr>

  2292. 		<tr class=odd><td align=center>Out 0</td><td>Waveform Output</td></tr>

  2293. 	</table>

  2294. 	<p>The duty cycle is 50% when the control waveform is zero.

  2295. 		As the control input causes a linear changes in PWM duty

  2296. 		cycle, from nearly 0 to 100% over -1.0 to +1.0 range.

  2297. 		See the notes below for minimum and maximum limitations.

  2298. 	</p>

  2299. 	<h3>Functions</h3>

  2300. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  2301. 	<p class=desc>Change the frequency.

  2302. 	</p>

  2303. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2304. 	<p class=desc>Change the amplitude.  Set to 0 to turn the signal off.

  2305. 	</p>

  2306. 	<h3>Examples</h3>

  2307. 	<p class=exam>TODO, examples needed

  2308. 	</p>

  2309. 	<h3>Notes</h3>

  2310. 	<p>The maximum duty cycle is 65536 samples high followed by

  2311. 		one sample low (99.9985%) and the minimum duty cycle is

  2312. 		1 sample high followed by 65536 samples low (0.00153%).

  2313. 	</p>

  2314. </script>

  2315. <script type="text/x-red" data-template-name="AudioSynthWaveformPWM">

  2316. 	<div class="form-row">

  2317. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2318. 		<input type="text" id="node-input-name" placeholder="Name">

  2319. 	</div>

  2320. </script>

  2321. 

  2322. <script type="text/x-red" data-help-name="AudioSynthToneSweep">

  2323. 	<h3>Summary</h3>

  2324. 	<div class=tooltipinfo>

  2325. 	<p>Create a continuously varying (in frequency) sine wave</p>

  2326. 	</div>

  2327. 	<h3>Audio Connections</h3>

  2328. 	<table class=doc align=center cellpadding=3>

  2329. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2330. 		<tr class=odd><td align=center>Out 0</td><td>Continuously varying tone</td></tr>

  2331. 	</table>

  2332. 	<h3>Functions</h3>

  2333. 	<p class=func><span class=keyword>play</span>(level, lowFreq, highFreq, time);</p>

  2334. 	<p class=desc>Start generating frequency sweep output.  The time is specified

  2335. 		in seconds.  Level is 0 to 1.0.

  2336. 	</p>

  2337. 	<p class=func><span class=keyword>isPlaying</span>();</p>

  2338. 	<p class=desc>Returns true (non-zero) while the output is active.

  2339. 	</p>

  2340. 	<p class=func><span class=keyword>read</span>();</p>

  2341. 	<p class=desc>Returns the current frequency, or zero if the output is not active.

  2342. 	</p>

  2343. 	<h3>Examples</h3>

  2344. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; ToneSweep

  2345. 	</p>

  2346. 	<h3>Notes</h3>

  2347. 	<p>Uses excessive CPU time.</p>

  2348. 	<p>The frequency actually changes in discrete steps every 128 samples (2.9 ms).</p>

  2349. </script>

  2350. <script type="text/x-red" data-template-name="AudioSynthToneSweep">

  2351. 	<div class="form-row">

  2352. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2353. 		<input type="text" id="node-input-name" placeholder="Name">

  2354. 	</div>

  2355. </script>

  2356. 

  2357. <script type="text/x-red" data-help-name="AudioSynthWaveformDc">

  2358. 	<h3>Summary</h3>

  2359. 	<div class=tooltipinfo>

  2360. 	<p>Create constant (DC) signal, useful for control of objects that take

  2361. 		a modulation or control input signal.  This constant level can be

  2362. 		used to modify other waveforms using mixer or multiplier objects</p>

  2363. 	</div>

  2364. 	<h3>Audio Connections</h3>

  2365. 	<table class=doc align=center cellpadding=3>

  2366. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2367. 		<tr class=odd><td align=center>Out 0</td><td>Output constant DC level</td></tr>

  2368. 	</table>

  2369. 	<h3>Functions</h3>

  2370. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2371. 	<p class=desc>Set the output.  Level is -1.0 to 1.0.  The output is

  2372. 		changed immediately.

  2373. 	</p>

  2374. 	<p class=func><span class=keyword>amplitude</span>(level, milliseconds);</p>

  2375. 	<p class=desc>Set the output.  Level is -1.0 to 1.0.  The output is

  2376. 		gradually changed over a "milliseconds" time period.  Any time may

  2377. 		be specified, but periods longer than 1 second may be automatically

  2378. 		shortened for small level changes, due to numerical precision limits.

  2379. 	</p>

  2380. 	<p class=func><span class=keyword>read</span>();</p>

  2381. 	<p class=desc>Read the current level.  Returns -1.0 to 1.0.  This can be

  2382. 		useful for monitoring the amplitude after configuring a slow change.

  2383. 	</p>

  2384. 	<!--

  2385. <h3>Examples</h3>

  2386. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2387. 	</p>

  2388. -->

  2389. 	<h3>Notes</h3>

  2390. 	<p>Of course, the term "DC", for Direct Current, doesn't properly apply

  2391. 		to a pure digital stream of numerical values.  But the term is widely

  2392. 		understood in audio applications, so hopefully it's not too confusing?</p>

  2393. </script>

  2394. <script type="text/x-red" data-template-name="AudioSynthWaveformDc">

  2395. 	<div class="form-row">

  2396. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2397. 		<input type="text" id="node-input-name" placeholder="Name">

  2398. 	</div>

  2399. </script>

  2400. 

  2401. <script type="text/x-red" data-help-name="AudioSynthNoiseWhite">

  2402. 	<h3>Summary</h3>

  2403. 	<div class=tooltipinfo>

  2404. 	<p>Create white noise.

  2405. 		</p>

  2406. 	<p align=center><img src="img/whitenoise.png"></p>

  2407. 	</div>

  2408. 	<h3>Audio Connections</h3>

  2409. 	<table class=doc align=center cellpadding=3>

  2410. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2411. 		<tr class=odd><td align=center>Out 0</td><td>White Noise</td></tr>

  2412. 	</table>

  2413. 	<h3>Functions</h3>

  2414. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2415. 	<p class=desc>Set the output peak level, from 0 (off) to 1.0.

  2416. 		The default is off.  Noise is generated only after setting

  2417. 		to a non-zero level.

  2418. 	</p>

  2419. 	<h3>Examples</h3>

  2420. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2421. 	</p>

  2422. 	<h3>Notes</h3>

  2423. 	<p>Setting the amplitude to zero causes this object to stop using

  2424. 		CPU time to generate random numbers.

  2425. 	</p>

  2426. </script>

  2427. <script type="text/x-red" data-template-name="AudioSynthNoiseWhite">

  2428. 	<div class="form-row">

  2429. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2430. 		<input type="text" id="node-input-name" placeholder="Name">

  2431. 	</div>

  2432. </script>

  2433. 

  2434. <script type="text/x-red" data-help-name="AudioSynthNoisePink">

  2435. 	<h3>Summary</h3>

  2436. 	<div class=tooltipinfo>

  2437. 	<p>Create pink noise, using Stefan Stenzel's "New Shade Of Pink" algorithm.

  2438. 		</p>

  2439. 	<!--

  2440. <p align=center><img src="img/whitenoise.png"></p>

  2441. -->

  2442. 	</div>

  2443. 	<h3>Audio Connections</h3>

  2444. 	<table class=doc align=center cellpadding=3>

  2445. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2446. 		<tr class=odd><td align=center>Out 0</td><td>Pink Noise</td></tr>

  2447. 	</table>

  2448. 	<h3>Functions</h3>

  2449. 	<p class=func><span class=keyword>amplitude</span>(level);</p>

  2450. 	<p class=desc>Set the output peak level, from 0 (off) to 1.0.

  2451. 		The default is off.  Noise is generated only after setting

  2452. 		to a non-zero level.

  2453. 	</p>

  2454. 	<h3>Examples</h3>

  2455. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  2456. 	</p>

  2457. 	<h3>Notes</h3>

  2458. 	<p>Setting the amplitude to zero causes this object to stop using

  2459. 		CPU time.  CPU usage is approx 3% on Teensy 3.1.

  2460. 	</p>

  2461. 	<p>Stefan Stenzel's

  2462. 		<a href="http://stenzel.waldorfmusic.de/post/pink/" target="_blank">New Shade Of Pink</a>

  2463. 		algorithm.  Stefan's terms of use are "Use for any purpose. If used

  2464. 		in a commercial product, you should give me one."

  2465. 	</p>

  2466. </script>

  2467. <script type="text/x-red" data-template-name="AudioSynthNoisePink">

  2468. 	<div class="form-row">

  2469. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2470. 		<input type="text" id="node-input-name" placeholder="Name">

  2471. 	</div>

  2472. </script>

  2473. 

  2474. <script type="text/x-red" data-help-name="AudioEffectFade">

  2475. 	<h3>Summary</h3>

  2476. 	<div class=tooltipinfo>

  2477. 	<p>Gradually increase or decrease audio level.</p>

  2478. 	</div>

  2479. 	<h3>Audio Connections</h3>

  2480. 	<table class=doc align=center cellpadding=3>

  2481. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2482. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2483. 		<tr class=odd><td align=center>Out 0</td><td>Signal Output</td></tr>

  2484. 	</table>

  2485. 	<h3>Functions</h3>

  2486. 	<p class=func><span class=keyword>fadeIn</span>(milliseconds);</p>

  2487. 	<p class=desc>Begin increasing the audio level, to reach 1.0 (input passed

  2488. 		directly to the output) after "milliseconds" time.

  2489. 	</p>

  2490. 	<p class=func><span class=keyword>fadeOut</span>(milliseconds);</p>

  2491. 	<p class=desc>Begin decreasing the audio level, to reach 0 (no output)

  2492. 		after "milliseconds" time.

  2493. 	</p>

  2494. 	<!--

  2495. <h3>Examples</h3>

  2496. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2497. 	</p>

  2498. -->

  2499. 	<h3>Notes</h3>

  2500. 	<p>Cross fading can be built with 2 fade objects fed into a mixer.

  2501. 		When one fade object is off (fully faded out) and the other on

  2502. 		(fully faded in), if both are started at the same moment for the

  2503. 		same time duration, their signal gains always add to 1.0.  This

  2504. 		allows 2 fade objects to work together for a smooth transition

  2505. 		between a pair of signals.

  2506. 	</p>

  2507. 	<p><a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  2508. 		should be used when changing

  2509. 		settings on multiple objects, so all changes always take effect

  2510. 		at the same moment.

  2511. 	</p>

  2512. </script>

  2513. <script type="text/x-red" data-template-name="AudioEffectFade">

  2514. 	<div class="form-row">

  2515. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2516. 		<input type="text" id="node-input-name" placeholder="Name">

  2517. 	</div>

  2518. </script>

  2519. 

  2520. <script type="text/x-red" data-help-name="AudioEffectChorus">

  2521. <h3>Summary</h3>

  2522. 	<div class=tooltipinfo>

  2523. 	<p>The chorus effect simulates the richness of several nearly-identical

  2524. 	sound sources (like the way a choir sounds different to a single singer).

  2525. 	It does this by sampling from a delay line, so each voice is actually

  2526. 	the same but at a slightly different point in time. This is a type of

  2527. 	comb filtering.</p>

  2528. 	</div>

  2529. 	<p>Chorus combines one or more samples ranging from the most recent

  2530. 	sample back to about 50ms ago. The additional samples are evenly spread

  2531. 	through the supplied delay line, and there is no modulation.</p>

  2532. 	<p>If the number of voices is specified as 2, then the

  2533. 	effect combines the current sample and the oldest sample (the last one

  2534. 	in the delay line). If the number of voices is 3 then the effect combines

  2535. 	the most recent sample, the oldest sample and the sample in the middle of

  2536. 	the delay line.</p>

  2537. 	<p>For two voices the effect can be represented as:<br/>

  2538. 	result = (sample(0) + sample(dt))/2<br/>

  2539. 	where sample(0) represents the current sample and sample(dt)

  2540. 	is the sample in the delay line from dt milliseconds ago.</p>

  2541. 	<h3>Audio Connections</h3>

  2542. 	<table class=doc align=center cellpadding=3>

  2543. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2544. 		<tr class="odd"><td align="center">In 0</td><td>Signal Input</td></tr>

  2545. 		<tr class="odd"><td align="center">Out 0</td><td>Chorused Output</td></tr>

  2546. 	</table>

  2547. 	<h3>Functions</h3>

  2548. 	<p class=func><span class=keyword>begin</span>(delayBuffer, length, n_chorus);</p>

  2549. 	<p class=desc>Create a chorus by specifying the address of the delayline, the

  2550. 	total number of samples in the delay line (often done as an integer multiple of

  2551. 	AUDIO_BLOCK_SAMPLES) and the number of voices in the chorus <em>including</em>

  2552. 	the original voice (so, 2 and up to get a chorus effect, although you can

  2553. 	specify 1 if you want).

  2554. 	</p>

  2555. 	<p class=func><span class=keyword>voices</span>(n_chorus);</p>

  2556. 	<p class=desc>Alters the number of voices in a running chorus (previously started with begin).

  2557. 	</p>

  2558. 	<h3>Examples</h3>

  2559. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Chorus

  2560. 	</p>

  2561. 	<h3>Notes</h3>

  2562. 	<p>The longer the length of the chorus, the more memory blocks are used.</p>

  2563. </script>

  2564. <script type="text/x-red" data-template-name="AudioEffectChorus">

  2565. 	<div class="form-row">

  2566. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2567. 		<input type="text" id="node-input-name" placeholder="Name">

  2568. 	</div>

  2569. </script>

  2570. 

  2571. <script type="text/x-red" data-help-name="AudioEffectFlange">

  2572. <h3>Summary</h3>

  2573. 	<div class=tooltipinfo>

  2574. 	<p>Originally, flanging was produced by playing the same signal on two synchronized

  2575. 	reel-to-reel tape recorders and making one of the reels slow down and speed up by

  2576. 	pressing on the flange of the reel (hence the name). This is a type of

  2577. 	comb filtering, and produces a harmonically-related series of peaks and notches

  2578. 	in the audio spectrum.</p>

  2579. 	</div>

  2580. 	<p>This flanger uses a delay line, combining the original voice with only one sample from the delay

  2581. 	line, but the position of that sample varies sinusoidally.</p>

  2582. 	<p>The effect can be represented as:<br>

  2583. 	result = sample(0) + sample(dt + depth*sin(2*PI*Fe))</p>

  2584. 	<p>The value of the sine function is always a number from -1 to +1 and

  2585. 	so the result of depth*(sin(Fe)) is always a number from -depth to +depth.

  2586. 	Thus, the delayed sample will be selected from the range (dt-depth) to

  2587. 	(dt+depth). This selection will vary at whatever rate is specified as the

  2588. 	frequency of the effect, Fe. Typically a low frequency (a few Hertz) is used.

  2589. 	<h3>Audio Connections</h3>

  2590. 	<table class=doc align=center cellpadding=3>

  2591. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2592. 		<tr class="odd"><td align="center">In 0</td><td>Signal Input</td></tr>

  2593. 		<tr class="odd"><td align="center">Out 0</td><td>Flanged Output</td></tr>

  2594. 	</table>

  2595. 	<h3>Functions</h3>

  2596. 	<p class=func><span class=keyword>begin</span>(delayBuffer, length, offset, depth, delayRate);</p>

  2597. 	<p class=desc>Create a flanger by specifying the address of the delayline, the

  2598. 	total number of samples in the delay line (often done as an integer multiple of

  2599. 	AUDIO_BLOCK_SAMPLES), the offset (how far back the flanged sample is from the original voice),

  2600. 	the modulation depth (larger values give a greater variation) and the modulation

  2601. 	frequency, in Hertz.

  2602. 	</p>

  2603. 	<p class=func><span class=keyword>voices</span>(offset, depth, delayRate);</p>

  2604. 	<p class=desc>Alters the parameters in a running flanger (previously started with begin).

  2605. 	</p>

  2606. 

  2607. 	<h3>Examples</h3>

  2608. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  2609. 	</p>

  2610. 	<h3>Notes</h3>

  2611. 	<p>The longer the length of the delay buffer, the more memory blocks are used.</p>

  2612. 	<p>Try these settings:<br>

  2613. #define FLANGE_DELAY_LENGTH (2*AUDIO_BLOCK_SAMPLES)<br>

  2614. and<br>

  2615. int s_idx = 2*FLANGE_DELAY_LENGTH/4;<br>

  2616. int s_depth = FLANGE_DELAY_LENGTH/4;<br>

  2617. double s_freq = 3;</p>

  2618. <p>The flange effect can also produce a chorus-like effect if a longer

  2619. delay line is used with a slower modulation rate, for example try:<br>

  2620. #define FLANGE_DELAY_LENGTH (12*AUDIO_BLOCK_SAMPLES)<br>

  2621. and<br>

  2622. int s_idx = 3*FLANGE_DELAY_LENGTH/4;<br>

  2623. int s_depth = FLANGE_DELAY_LENGTH/8;<br>

  2624. double s_freq = .0625;</p>

  2625. </script>

  2626. <script type="text/x-red" data-template-name="AudioEffectFlange">

  2627. 	<div class="form-row">

  2628. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2629. 		<input type="text" id="node-input-name" placeholder="Name">

  2630. 	</div>

  2631. </script>

  2632. 

  2633. <script type="text/x-red" data-help-name="AudioEffectReverb">

  2634. <h3>Summary</h3>

  2635. 	<div class=tooltipinfo>

  2636. 	<p>Reverb with adjustable reverberation time.  Contributed by Joao Rossi FIlho.

  2637. 	</p>

  2638. 	</div>

  2639. 	<h3>Audio Connections</h3>

  2640. 	<table class=doc align=center cellpadding=3>

  2641. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2642. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2643. 		<tr class="odd"><td align="center">Out 0</td><td>Output</td></tr>

  2644. 	</table>

  2645. 	<h3>Functions</h3>

  2646. 	<p class=func><span class=keyword>reverbTime</span>(seconds);</p>

  2647. 	<p class=desc>Sets the amount of reverberation time.

  2648. 	</p>

  2649. 

  2650. 	<h3>Examples</h3>

  2651. 	<p><a href="https://twitter.com/joaorossifilho/status/779737126841753601">Video Demo</a>

  2652. 	</p>

  2653. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Flange

  2654. 	</p>-->

  2655. 	<h3>Notes</h3>

  2656. 	<p>This effect may have distortion problems with the input signal is more than 0.5.</p>

  2657. </script>

  2658. <script type="text/x-red" data-template-name="AudioEffectReverb">

  2659. 	<div class="form-row">

  2660. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2661. 		<input type="text" id="node-input-name" placeholder="Name">

  2662. 	</div>

  2663. </script>

  2664. 

  2665. <script type="text/x-red" data-help-name="AudioEffectFreeverb">

  2666. <h3>Summary</h3>

  2667. 	<div class=tooltipinfo>

  2668. 	<p>High quality Reverb effect, based on Freeverb by Jezar at Dreampoint.

  2669. 	</p>

  2670. 	</div>

  2671. 	<h3>Audio Connections</h3>

  2672. 	<table class=doc align=center cellpadding=3>

  2673. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2674. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2675. 		<tr class="odd"><td align="center">Out 0</td><td>Output</td></tr>

  2676. 	</table>

  2677. 	<h3>Functions</h3>

  2678. 	<p class=func><span class=keyword>roomsize</span>(amount);</p>

  2679. 	<p class=desc>Sets the amount of reverberant echo or apparent room

  2680. 		size, from 0 (smallest) to 1.0 (largest);

  2681. 	</p>

  2682. 	<p class=func><span class=keyword>damping</span>(amount);</p>

  2683. 	<p class=desc>Sets the damping factor, from 0 to 1.0.  More damping

  2684. 		causes higher frequency echo to decay, creating a softer sound,

  2685. 		similar to a large room filled with people or materials which

  2686. 		absorb some sound as it travels between reflecting surfaces.

  2687. 		Lower damping simulates a harsher reverberant field.

  2688. 	</p>

  2689. 

  2690. 	<h3>Examples</h3>

  2691. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Freeverb

  2692. 		</p>

  2693. 	<h3>Notes</h3>

  2694. 	<p>Freeverb mono consumes about 21% of the CPU time on Teensy 3.2 and

  2695. 		requires about 22K of RAM.</p>

  2696. </script>

  2697. <script type="text/x-red" data-template-name="AudioEffectFreeverb">

  2698. 	<div class="form-row">

  2699. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2700. 		<input type="text" id="node-input-name" placeholder="Name">

  2701. 	</div>

  2702. </script>

  2703. 

  2704. <script type="text/x-red" data-help-name="AudioEffectFreeverbStereo">

  2705. <h3>Summary</h3>

  2706. 	<div class=tooltipinfo>

  2707. 	<p>High quality stereo Reverb effect, based on Freeverb by Jezar at Dreampoint.

  2708. 	</p>

  2709. 	<p>Teensy 3.5 or 3.6 required to run stereo version.</p>

  2710. 	</div>

  2711. 	<h3>Audio Connections</h3>

  2712. 	<table class=doc align=center cellpadding=3>

  2713. 		<tr class="top"><th>Port</th><th>Purpose</th></tr>

  2714. 		<tr class="odd"><td align="center">In 0</td><td>Input</td></tr>

  2715. 		<tr class="odd"><td align="center">Out 0</td><td>Left Output</td></tr>

  2716. 		<tr class="odd"><td align="center">Out 1</td><td>Right Output</td></tr>

  2717. 	</table>

  2718. 	<h3>Functions</h3>

  2719. 	<p class=func><span class=keyword>roomsize</span>(amount);</p>

  2720. 	<p class=desc>Sets the amount of reverberant echo or apparent room

  2721. 		size, from 0 (smallest) to 1.0 (largest);

  2722. 	</p>

  2723. 	<p class=func><span class=keyword>damping</span>(amount);</p>

  2724. 	<p class=desc>Sets the damping factor, from 0 to 1.0.  More damping

  2725. 		causes higher frequency echo to decay, creating a softer sound,

  2726. 		similar to a large room filled with people or materials which

  2727. 		absorb some sound as it travels between reflecting surfaces.

  2728. 		Lower damping simulates a harsher reverberant field.

  2729. 	</p>

  2730. 

  2731. 	<h3>Examples</h3>

  2732. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Freeverb_Stereo

  2733. 		</p>

  2734. 	<h3>Notes</h3>

  2735. 	<p>Freeverb mono consumes about 18% of the CPU time on Teensy 3.6 and

  2736. 		requires about 45K of RAM.</p>

  2737. 	<p>Teensy 3.2 does not have enough RAM to

  2738. 		run this effect while playing WAV file and implementing USB Serial.</p>

  2739. </script>

  2740. <script type="text/x-red" data-template-name="AudioEffectFreeverbStereo">

  2741. 	<div class="form-row">

  2742. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2743. 		<input type="text" id="node-input-name" placeholder="Name">

  2744. 	</div>

  2745. </script>

  2746. 

  2747. <script type="text/x-red" data-help-name="AudioEffectEnvelope">

  2748. 	<h3>Summary</h3>

  2749. 	<div class=tooltipinfo>

  2750. 	<p>Modify a signal with a DAHDSR (Delay Attack Hold Decay Sustain

  2751. 		Release) envelope.

  2752. 	</p>

  2753. 	<p align=center><img src="img/dahdsr.png"></p>

  2754. 	</div>

  2755. 	<h3>Audio Connections</h3>

  2756. 	<table class=doc align=center cellpadding=3>

  2757. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2758. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2759. 		<tr class=odd><td align=center>Out 0</td><td>Signal with Envelope Applied</td></tr>

  2760. 	</table>

  2761. 	<h3>Functions</h3>

  2762. 	<p class=func><span class=keyword>noteOn</span>();</p>

  2763. 	<p class=desc>Begin the delay to attack, or the attack phase is

  2764. 		delay is zero.

  2765. 	</p>

  2766. 	<p class=func><span class=keyword>noteOff</span>();</p>

  2767. 	<p class=desc>Begin the release phase.

  2768. 	</p>

  2769. 	<p class=func><span class=keyword>delay</span>(milliseconds);</p>

  2770. 	<p class=desc>Set the delay from noteOn to the attach phase.  The

  2771. 		default is zero, for no delay.

  2772. 	</p>

  2773. 	<p class=func><span class=keyword>attack</span>(milliseconds);</p>

  2774. 	<p class=desc>Set the attack time.  The default is 10.5 milliseconds.

  2775. 		The maximum is 11880 milliseconds.

  2776. 	</p>

  2777. 	<p class=func><span class=keyword>hold</span>(milliseconds);</p>

  2778. 	<p class=desc>Set the hold time.  The default is 2.5 milliseconds.

  2779. 		The maximum is 11880 milliseconds.

  2780. 	</p>

  2781. 	<p class=func><span class=keyword>decay</span>(milliseconds);</p>

  2782. 	<p class=desc>Set the decay time.  The default is 35 milliseconds.

  2783. 		The maximum is 11880 milliseconds.

  2784. 	</p>

  2785. 	<p class=func><span class=keyword>sustain</span>(level);</p>

  2786. 	<p class=desc>Set the sustain level.  The range is 0 to 1.0.  The

  2787. 		gain will be maintained at this level after the decay phase,

  2788. 		until noteOff() is called.  The sustain phase may last any

  2789. 		length of time, controlled by when release() is called.

  2790. 	</p>

  2791. 	<p class=func><span class=keyword>release</span>(milliseconds);</p>

  2792. 	<p class=desc>Set the release time.  The default is 300 millisecond.

  2793. 		The maximum is 11880 milliseconds.

  2794. 	</p>

  2795. 	<p class=func><span class=keyword>releaseNoteOn</span>(milliseconds);</p>

  2796. 	<p class=desc>Set a quick release time to be used when a new note is

  2797. 		started while the envelop is in any state passing the signal.

  2798. 		This will add latency before your new attack phase begins, so

  2799. 		short times are recommended.  Zero may be used to completely

  2800. 		disable this feature (never extra latency).  Longer times help

  2801. 		reduce clicks or pops.  The default is 5 millisecond.

  2802. 	</p>

  2803. 	<p class=func><span class=keyword>isActive</span>();</p>

  2804. 	<p class=desc>Returns true when the envelope is currently in any of

  2805. 		its 6 phases.

  2806. 	</p>

  2807. 	<p class=func><span class=keyword>isSustain</span>();</p>

  2808. 	<p class=desc>Returns true when the envelope is currently in the

  2809. 		sustain phase.

  2810. 	</p>

  2811. 	<h3>Examples</h3>

  2812. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; PlaySynthMusic

  2813. 	</p>

  2814. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Synthesis &gt; pulseWidth

  2815. 	</p>

  2816. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  2817. 	</p>

  2818. 	<h3>Notes</h3>

  2819. 	<p>To achieve the more common ADSR shape, simply

  2820.         set delay and hold to zero.</p>

  2821. </script>

  2822. <script type="text/x-red" data-template-name="AudioEffectEnvelope">

  2823. 	<div class="form-row">

  2824. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2825. 		<input type="text" id="node-input-name" placeholder="Name">

  2826. 	</div>

  2827. </script>

  2828. 

  2829. <script type="text/x-red" data-help-name="AudioEffectMultiply">

  2830. 	<h3>Summary</h3>

  2831. 	<div class=tooltipinfo>

  2832. 	<p>Multiply two signals together, useful for amplitude modulation

  2833. 		or "voltage controlled amplification".

  2834. 	</p>

  2835. 	<p align=center><img src="img/multiply.png"><br><small>56 Hz and 1 kHz sine waves multiplied.</small></p>

  2836. 	</div>

  2837. 	<h3>Audio Connections</h3>

  2838. 	<table class=doc align=center cellpadding=3>

  2839. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2840. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2841. 		<tr class=odd><td align=center>In 1</td><td>Signal Input</td></tr>

  2842. 		<tr class=odd><td align=center>Out 0</td><td>Signal with Envelope Applied</td></tr>

  2843. 	</table>

  2844. 	<h3>Functions</h3>

  2845. 	<p>There are no functions to call from the Arduino sketch.

  2846. 		This object simply multiplies the 2 signals to create

  2847. 		a continuous output

  2848. 	</p>

  2849. 	<!--

  2850. <h3>Examples</h3>

  2851. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  2852. 	</p>

  2853. -->

  2854. 	<h3>Notes</h3>

  2855. 	<p>

  2856.     </p>

  2857. </script>

  2858. <script type="text/x-red" data-template-name="AudioEffectMultiply">

  2859. 	<div class="form-row">

  2860. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2861. 		<input type="text" id="node-input-name" placeholder="Name">

  2862. 	</div>

  2863. </script>

  2864. 

  2865. <script type="text/x-red" data-help-name="AudioEffectDelay">

  2866. 	<h3>Summary</h3>

  2867. 	<div class=tooltipinfo>

  2868. 	<p>Delay a signal.  Up to 8 separate delay taps can be used.</p>

  2869. 	<p align=center><img src="img/delay.png"><br><small>1 kHz burst, delayed 5.2 ms.</small></p>

  2870. 	</div>

  2871. 	<h3>Audio Connections</h3>

  2872. 	<table class=doc align=center cellpadding=3>

  2873. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2874. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2875. 		<tr class=odd><td align=center>Out 0</td><td>Delay Tap #1</td></tr>

  2876. 		<tr class=odd><td align=center>Out 1</td><td>Delay Tap #2</td></tr>

  2877. 		<tr class=odd><td align=center>Out 2</td><td>Delay Tap #3</td></tr>

  2878. 		<tr class=odd><td align=center>Out 3</td><td>Delay Tap #4</td></tr>

  2879. 		<tr class=odd><td align=center>Out 4</td><td>Delay Tap #5</td></tr>

  2880. 		<tr class=odd><td align=center>Out 5</td><td>Delay Tap #6</td></tr>

  2881. 		<tr class=odd><td align=center>Out 6</td><td>Delay Tap #7</td></tr>

  2882. 		<tr class=odd><td align=center>Out 7</td><td>Delay Tap #8</td></tr>

  2883. 	</table>

  2884. 	<h3>Functions</h3>

  2885. 	<p class=func><span class=keyword>delay</span>(channel, milliseconds);</p>

  2886. 	<p class=desc>Set output channel (0 to 7) to delay the signals by

  2887. 		milliseconds.  See the table below for the maximum delay.  The actual delay

  2888. 		is rounded to the nearest sample.  Each channel can be configured for

  2889. 		any delay.  There is no requirement to configure the "taps" in increasing

  2890. 		delay order.

  2891. 	</p>

  2892. 	<p class=func><span class=keyword>disable</span>(channel);</p>

  2893. 	<p class=desc>Disable a channel.  The output of this channel becomes

  2894. 		silent.  If this channel is the longest delay, memory usage is

  2895. 		automatically reduced to accomodate only the remaining channels used.

  2896. 	</p>

  2897. 	<h3>Examples</h3>

  2898. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Delay

  2899. 	</p>

  2900. 	<h3>Notes</h3>

  2901. 	<p>Memory for the delayed signal is take from the memory pool allocated by

  2902. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioConnection.html" target="_blank">AudioMemory()</a>.

  2903. 		Each block allows about 2.9 milliseconds of delay, so AudioMemory

  2904. 		should be increased to allow for the longest delay tap.

  2905. 	</p>

  2906. 	<p>Each board has a maximum possible delay.

  2907. 	</p>

  2908. 	<table class=doc align=center cellpadding=3>

  2909. 		<tr class=top><th>Board</th><th>Maximum</th></tr>

  2910. 		<tr class=odd><td>Teensy 3.0</td><td align=center>139.26 ms</td></tr>

  2911. 		<tr class=odd><td>Teensy 3.1</td><td align=center>449.39 ms</td></tr>

  2912. 		<tr class=odd><td>Teensy 3.2</td><td align=center>449.39 ms</td></tr>

  2913. 		<tr class=odd><td>Teensy 3.5</td><td align=center>1671.19 ms</td></tr>

  2914. 		<tr class=odd><td>Teensy 3.6</td><td align=center>2413.94 ms</td></tr>

  2915. 	</table>

  2916. </script>

  2917. <script type="text/x-red" data-template-name="AudioEffectDelay">

  2918. 	<div class="form-row">

  2919. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  2920. 		<input type="text" id="node-input-name" placeholder="Name">

  2921. 	</div>

  2922. </script>

  2923. 

  2924. <script type="text/x-red" data-help-name="AudioEffectDelayExternal">

  2925. 	<h3>Summary</h3>

  2926. 	<div class=tooltipinfo>

  2927. 	<p>Delay a signal, using external memory for longer delay times!  Up to 8 separate delay taps can be used.</p>

  2928. 	<p align=center><img src="img/delay.png"><br><small>1 kHz burst, delayed 5.2 ms.</small></p>

  2929. 	</div>

  2930. 	<h3>Audio Connections</h3>

  2931. 	<table class=doc align=center cellpadding=3>

  2932. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  2933. 		<tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  2934. 		<tr class=odd><td align=center>Out 0</td><td>Delay Tap #1</td></tr>

  2935. 		<tr class=odd><td align=center>Out 1</td><td>Delay Tap #2</td></tr>

  2936. 		<tr class=odd><td align=center>Out 2</td><td>Delay Tap #3</td></tr>

  2937. 		<tr class=odd><td align=center>Out 3</td><td>Delay Tap #4</td></tr>

  2938. 		<tr class=odd><td align=center>Out 4</td><td>Delay Tap #5</td></tr>

  2939. 		<tr class=odd><td align=center>Out 5</td><td>Delay Tap #6</td></tr>

  2940. 		<tr class=odd><td align=center>Out 6</td><td>Delay Tap #7</td></tr>

  2941. 		<tr class=odd><td align=center>Out 7</td><td>Delay Tap #8</td></tr>

  2942. 	</table>

  2943. 	<h3>Functions</h3>

  2944. 	<p class=func><span class=keyword>delay</span>(channel, milliseconds);</p>

  2945. 	<p class=desc>Set output channel (0 to 7) to delay the signals by

  2946. 		milliseconds.  The maximum delay is approx 1.5 seconds for each 23LC1024 chip.

  2947. 		The actual delay

  2948. 		is rounded to the nearest sample.  Each channel can be configured for

  2949. 		any delay.  There is no requirement to configure the "taps" in increasing

  2950. 		delay order.

  2951. 	</p>

  2952. 	<p class=func><span class=keyword>disable</span>(channel);</p>

  2953. 	<p class=desc>Disable a channel.  The output of this channel becomes

  2954. 		silent.  If this channel is the longest delay, memory usage is

  2955. 		automatically reduced to accomodate only the remaining channels used.

  2956. 	</p>

  2957. 	<h3>Hardware</h3>

  2958. 	<p>By default, or when <span class=literal>AUDIO_MEMORY_23LC1024</span> is used (see below),

  2959. 		 a single 23LC1024 RAM chip is used, with these pins:

  2960.     <table class=doc align=center cellpadding=3>

  2961.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2962.         <tr class=odd><td align=center>6</td><td>CS</td></tr>

  2963.         <tr class=odd><td align=center>7</td><td>MOSI</td></tr>

  2964.         <tr class=odd><td align=center>12</td><td>MISO</td></tr>

  2965.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2966.     </table>

  2967. 	</p>

  2968. 	<p>When <span class=literal>AUDIO_MEMORY_CY15B104</span> is used, a single

  2969. 		CY15B104 FRAM chip is used, with these pins:

  2970.     <table class=doc align=center cellpadding=3>

  2971.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2972.         <tr class=odd><td align=center>6</td><td>CS</td></tr>

  2973.         <tr class=odd><td align=center>7</td><td>SI</td></tr>

  2974.         <tr class=odd><td align=center>12</td><td>SO</td></tr>

  2975.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2976.     </table>

  2977. 	</p>

  2978. 	<p>When <span class=literal>AUDIO_MEMORY_MEMORYBOARD</span> is used, up to six

  2979. 		23LC1024 chips are used.

  2980. 	</p>

  2981. 	<p align=center><img src="img/memoryboard.jpg"><br><small><a href="https://oshpark.com/shared_projects/KZt5PaU7" target="_blank">Memoryboard 4</a></small></p>

  2982. 	<p>

  2983.     <table class=doc align=center cellpadding=3>

  2984.         <tr class=top><th>Pin</th><th>Signal</th></tr>

  2985.         <tr class=odd><td align=center>2</td><td>CS0 (encoded)</td></tr>

  2986.         <tr class=odd><td align=center>3</td><td>CS1 (encoded)</td></tr>

  2987.         <tr class=odd><td align=center>4</td><td>CS2 (encoded)</td></tr>

  2988.         <tr class=odd><td align=center>7</td><td>MOSI</td></tr>

  2989.         <tr class=odd><td align=center>12</td><td>MISO</td></tr>

  2990.         <tr class=odd><td align=center>14</td><td>SCK</td></tr>

  2991.     </table>

  2992. 	</p>

  2993. 	<p>

  2994. 	If fewer than 6 chips are soldered, the optional parameter for maximum delay

  2995. 	must be used.  See below for details.  Each chip provides 1485 ms of delay

  2996. 	memory, so the total of all objects using AUDIO_MEMORY_MEMORYBOARD must not

  2997. 	exceed the amount of memory physically present.

  2998. 	</p>

  2999. 	<h3>Examples</h3>

  3000. 	<p>

  3001. 	<a href="https://www.youtube.com/watch?v=d80d1HWy5_s" target="_blank">Demo Video</a> (YouTube)

  3002. 	</p>

  3003. 	<!--

  3004.  <p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Delay

  3005. 	</p>

  3006. -->

  3007. 	<p>

  3008. 	<a href="https://forum.pjrc.com/threads/29276-Limits-of-delay-effect-in-audio-library?p=79436&viewfull=1#post79436" target="_blank">Forum Conversaton</a> (with sample code)

  3009. 	</p>

  3010. 	<h3>Notes</h3>

  3011. 	<p>External RAM allows for longer delays without consuming

  3012. 		limited internal RAM.  However, SPI communication is required,

  3013. 		which consumes much more CPU time.  The

  3014. 		<a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html">AudioProcessorUsageMax</a>

  3015. 		function may be used to monitor how much CPU time is consumed.

  3016. 	</p>

  3017. 	<p>You may specify the type of hardware to be used by editing the code.  AUDIO_MEMORY_23LC1024

  3018. 		specifies a single 23LC1024 chip.  AUDIO_MEMORY_MEMORYBOARD allows using up to 6 of these

  3019. 		chips.

  3020. 	</p>

  3021. 	<p class=desc><span class=keyword>AudioEffectDelayExternal</span>  delayExt1(<span class=literal>AUDIO_MEMORY_23LC1024</span>);

  3022. 	</p>

  3023. 	<p>You may also create more than one delay using the same hardware, where the memory is partitioned

  3024. 		by specifying a maximum delay in milliseconds.  This can be useful if you wish to delay both

  3025. 		channels of a stereo signal.

  3026. 

  3027. 	<p class=desc><span class=keyword>AudioEffectDelayExternal</span>  delayExt1(<span class=literal>AUDIO_MEMORY_23LC1024</span>, 700);<br><span class=keyword>AudioEffectDelayExternal</span>  delayExt2(<span class=literal>AUDIO_MEMORY_23LC1024</span>, 700);

  3028. 	</p>

  3029. 	<p>When using CY15B104, you

  3030. 		<a href="https://forum.pjrc.com/threads/45872-Memory-Chip-for-Audio-Adaptor-Board?p=151839&viewfull=1#post151839">may need to add a capacitor between 3.3V & GND</a>

  3031. 		to make the chip work.

  3032. 	</p>

  3033. </script>

  3034. <script type="text/x-red" data-template-name="AudioEffectDelayExternal">

  3035. 	<div class="form-row">

  3036. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3037. 		<input type="text" id="node-input-name" placeholder="Name">

  3038. 	</div>

  3039. </script>

  3040. 

  3041. <script type="text/x-red" data-help-name="AudioEffectBitcrusher">

  3042.     <h3>Summary</h3>

  3043. 	<div class=tooltipinfo>

  3044.     <p>Reduce the samplerate and/or bitdepth of a source signal, resulting in

  3045. 		a distorted sound.</p>

  3046. 	</div>

  3047.     <h3>Audio Connections</h3>

  3048.     <table class=doc align=center cellpadding=3>

  3049.         <tr class=top><th>Port</th><th>Purpose</th></tr>

  3050.         <tr class=odd><td align=center>In 0</td><td>Signal Input</td></tr>

  3051.         <tr class=odd><td align=center>Out 0</td><td>Signal Output</td></tr>

  3052.     </table>

  3053.     <h3>Functions</h3>

  3054.     <p class=func><span class=keyword>bits</span>(xcrushBits);</p>

  3055.     <p class=desc>xcrushBits sets the bitdepth, from 1 to 16. A Value of 16

  3056.     does not crush the bitdepth, and is effectively a passthru for this part

  3057.     of the function.</p>

  3058. 

  3059.     <p class=func><span class=keyword>sampleRate</span>(xsampleRate);</p>

  3060. 

  3061.     <p class=desc>xsampleRate sets the frequency, from 1 to 44100Hz, however it

  3062.     works in integer steps so you will only really get a handful of results from

  3063.     the many samplerates you can pass. 44100 is passthru.</p>

  3064. 

  3065.     <p class=desc>set xbitDepth to 16 and xsampleRate to 44100 to pass audio

  3066.     	through without any Bitcrush effect.</p>

  3067.     <h3>Examples</h3>

  3068.     <p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Bitcrusher

  3069.     </p>

  3070.     <h3>Notes</h3>

  3071.     <p>Needs a lot of improvement. Options for anti-aliasing would be nice in

  3072.     the future, but for now, it's rough, it's dirty and it sounds a bit like

  3073.     Nine Inch Nails.

  3074.     </p>

  3075.     <p><a href="http://www.pjrc.com/teensy/td_libs_AudioProcessorUsage.html" target="_blank">AudioNoInterrupts()</a>

  3076.         should be used when changing

  3077.         settings on multiple objects, so all changes always take effect

  3078.         at the same moment.

  3079.     </p>

  3080. </script>

  3081. <script type="text/x-red" data-template-name="AudioEffectBitcrusher">

  3082.     <div class="form-row">

  3083.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3084.         <input type="text" id="node-input-name" placeholder="Name">

  3085.     </div>

  3086. </script>

  3087. 

  3088. <script type="text/x-red" data-help-name="AudioEffectMidSide">

  3089. 	<h3>Summary</h3>

  3090. 	<div class=tooltipinfo>

  3091. 	<p>Convert stereo signals to/from Mid-Side format.

  3092. 		Mid-Side encoding can be used to increase stereo width, make the lower

  3093. 		frequencies mono (to please your sub), or as the basis of audio compression.</p>

  3094. 	</div>

  3095. 	<h3>Audio Connections</h3>

  3096. 	<table class=doc align=center cellpadding=3>

  3097. 		<tr class=top><th>Port</th><th>While<br>Encoding</th><th>While<br>Decoding</th></tr>

  3098. 		<tr class=odd><td align=center>In 0</td><td>Left Input</td><td>Mid Output</td></tr>

  3099. 		<tr class=odd><td align=center>In 1</td><td>Right Input</td><td>Side Output</td></tr>

  3100. 		<tr class=odd><td align=center>Out 0</td><td>Mid Input</td><td>Left Output</td></tr>

  3101. 		<tr class=odd><td align=center>Out 1</td><td>Side Input</td><td>Right Output</td></tr>

  3102. 	</table>

  3103. 	<h3>Functions</h3>

  3104. 	<p class=func><span class=keyword>encode</span>();</p>

  3105. 	<p class=desc>Configure this object to encode from stereo to Mid-Side format.</p>

  3106. 	<p class=func><span class=keyword>decode</span>();</p>

  3107. 	<p class=desc>Configure this object to decode from Mid-Side format back to stereo signals.</p>

  3108. 

  3109. 	<h3>Examples</h3>

  3110. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Mid_Side</p>

  3111. 	<h3>Notes</h3>

  3112. 	<p>Many interesting stereo effects can be achieved by manipulating Mid-Side signals.</p>

  3113. 	<p>Normally a pair of these objects are used, one to encode, then additional

  3114. 		gain/attenuation or effects applied to the Mid-Side signals, and finally

  3115. 		decoding back to stereo signals</p>

  3116. 	<p>To prevent saturation, halving is done in the encoding, that is:</p>

  3117. 	<p>Mid = (left+right)/2</p>

  3118. 	<p>Side = (left-right)/2</p>

  3119. 	<p>And to decode:</p>

  3120. 	<p>Left = Mid+Side</p>

  3121. 	<p>Right = Mid-Side</p>

  3122. </script>

  3123. <script type="text/x-red" data-template-name="AudioEffectMidSide">

  3124.     <div class="form-row">

  3125.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3126.         <input type="text" id="node-input-name" placeholder="Name">

  3127.     </div>

  3128. </script>

  3129. 

  3130. <script type="text/x-red" data-help-name="AudioEffectWaveshaper">

  3131. 	<h3>Summary</h3>

  3132. 	<div class=tooltipinfo>

  3133. 	<p>Modify the waveform shape of a signal.</p>

  3134. 	<p align=center><img src="img/waveshaper.png"></p>

  3135. 	<p>Useful for overdrive, distortion, fuzz,

  3136. 		clipping, expo converters, phase inversion, waveform modification &amp; adjustments.

  3137. 	</p>

  3138. 	</div>

  3139. 	<h3>Audio Connections</h3>

  3140. 	<table class=doc align=center cellpadding=3>

  3141. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3142. 		<tr class=odd><td align=center>In 0</td><td>Original Input Signal</td></tr>

  3143. 		<tr class=odd><td align=center>Out 0</td><td>Shaped Output</td></tr>

  3144. 	</table>

  3145. 	<h3>Functions</h3>

  3146. 	<p class=func><span class=keyword>shape</span>(array, length);</p>

  3147. 	<p class=desc>Configure the waveform shape.  Array is a list of float

  3148. 		numbers, given in order.  The first number maps to input -1.0.  The

  3149. 		last maps to input +1.0.  The numbers represent the desired output

  3150. 		level at each of these input levels.  Length must be 2, 3, 5, 9, 17,

  3151. 		33, 65, 129, 257, 513, 1025, 2049, 4097, 8193, 16385, or 32769.

  3152. 		</p>

  3153. 

  3154. 	<h3>Examples</h3>

  3155. 	<p class=exam>TODO: example needed</p>

  3156. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Mid_Side</p>-->

  3157. 	<h3>Notes</h3>

  3158. 	<p><a href="https://github.com/dxinteractive/TeensyAudioWaveshaper">More information</a>

  3159. 		</p>

  3160. </script>

  3161. <script type="text/x-red" data-template-name="AudioEffectWaveshaper">

  3162.     <div class="form-row">

  3163.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3164.         <input type="text" id="node-input-name" placeholder="Name">

  3165.     </div>

  3166. </script>

  3167. 

  3168. <script type="text/x-red" data-help-name="AudioEffectGranular">

  3169. 	<h3>Summary</h3>

  3170. 	<div class=tooltipinfo>

  3171. 	<p>Classic granular effect that uses a variable speed buffer to shift the pitch

  3172. 		and freeze incoming audio.

  3173. 		Contributed by Bleep Labs.

  3174. 	</p>

  3175. 	</div>

  3176. 	<h3>Audio Connections</h3>

  3177. 	<table class=doc align=center cellpadding=3>

  3178. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3179. 		<tr class=odd><td align=center>In 0</td><td>Input Signal</td></tr>

  3180. 		<tr class=odd><td align=center>Out 0</td><td>Granular Output</td></tr>

  3181. 	</table>

  3182. 	<h3>Functions</h3>

  3183. 	<p class=func><span class=keyword>begin</span>(array, length);</p>

  3184. 	<p class=desc>Initialize the granular processing with an array of 16 bit

  3185. 		integers used to store the sound grains.  Until memory is allocated

  3186. 		with this function, no audio appears at the output.

  3187. 		</p>

  3188. 	<p class=func><span class=keyword>setSpeed</span>(ratio);</p>

  3189. 	<p class=desc>Configure the relative speed grains will be played.  1.0

  3190. 		plays the grains without any change.  Less than 1.0 slows the sound,

  3191. 		and greater than 1.0 speeds up.  The allowed range is 0.125 to 8.0,

  3192. 		for &plusmn;3 octaves shift.

  3193. 		</p>

  3194. 	<p class=func><span class=keyword>beginFreeze</span>(grainLength);</p>

  3195. 	<p class=desc>Freeze the sound by sampling one grain, then repeated playing

  3196. 		it.  The grainLength is specified in milliseconds, up to the size allowed

  3197. 		by the array from begin().

  3198. 		</p>

  3199. 	<p class=func><span class=keyword>beginPitchShift</span>(grainLength);</p>

  3200. 	<p class=desc>Pitch shift by continuously sampling grains and playing them

  3201. 		at altered speed.  The grainLength is specified in milliseconds, up to

  3202. 		one third of the memory from begin();

  3203. 		</p>

  3204. 	<p class=func><span class=keyword>end</span>();</p>

  3205. 	<p class=desc>Stop granual processing.  The input signal is passed to the

  3206. 		output without any changes.

  3207. 		</p>

  3208. 	<h3>Examples</h3>

  3209. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Granular</p>

  3210. 	<!--<h3>Notes</h3>

  3211. 	<p> </p>-->

  3212. </script>

  3213. <script type="text/x-red" data-template-name="AudioEffectGranular">

  3214.     <div class="form-row">

  3215.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3216.         <input type="text" id="node-input-name" placeholder="Name">

  3217.     </div>

  3218. </script>

  3219. 

  3220. <script type="text/x-red" data-help-name="AudioEffectDigitalCombine">

  3221. 	<h3>Summary</h3>

  3222. 	<div class=tooltipinfo>

  3223. 	<p>Combine signals with digital logic functions, with results from

  3224. 		interesting new waveforms to aggressive digital distortion.

  3225. 		Contributed by Bleep Labs.

  3226. 	</p>

  3227. 	</div>

  3228. 	<h3>Audio Connections</h3>

  3229. 	<table class=doc align=center cellpadding=3>

  3230. 		<tr class=top><th>Port</th><th>Signal</th></tr>

  3231. 		<tr class=odd><td align=center>In 0</td><td>Input Signal #1</td></tr>

  3232. 		<tr class=odd><td align=center>In 1</td><td>Input Signal #2</td></tr>

  3233. 		<tr class=odd><td align=center>Out 0</td><td>Combined Output</td></tr>

  3234. 	</table>

  3235. 	<h3>Functions</h3>

  3236. 	<p class=func><span class=keyword>setCombineMode</span>(mode);</p>

  3237. 	<p class=desc>Configure which digital combine operation is performed.

  3238. 	</p>

  3239. 	<p class=desc>Supported modes:<br>

  3240. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::OR</b><br>

  3241. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::XOR</b><br>

  3242. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::AND</b><br>

  3243. 		<span class=keyword>AudioEffectDigitalCombine</span><b>::MODULO</b><br>

  3244. 	</p>

  3245. 	<h3>Examples</h3>

  3246. 	<!--<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Combine</p>-->

  3247. 	<!--<h3>Notes</h3>

  3248. 	<p> </p>-->

  3249. </script>

  3250. <script type="text/x-red" data-template-name="AudioEffectDigitalCombine">

  3251.     <div class="form-row">

  3252.         <label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3253.         <input type="text" id="node-input-name" placeholder="Name">

  3254.     </div>

  3255. </script>

  3256. 

  3257. <script type="text/x-red" data-help-name="AudioFilterBiquad">

  3258. 	<h3>Summary</h3>

  3259. 	<div class=tooltipinfo>

  3260. 	<p>Biquadratic cascaded filter, useful for all sorts of filtering.

  3261. 		Up to 4 stages may be cascaded.

  3262. 	</p>

  3263. 	<p align=center><img src="img/biquad.png"></p>

  3264. 	</div>

  3265. 	<h3>Audio Connections</h3>

  3266. 	<table class=doc align=center cellpadding=3>

  3267. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3268. 		<tr class=odd><td align=center>In 0</td><td>Signal to be filtered</td></tr>

  3269. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Signal Output</td></tr>

  3270. 	</table>

  3271. 	<h3>Functions</h3>

  3272. 	<p class=func><span class=keyword>setLowpass</span>(stage, frequency, Q);</p>

  3273. 	<p class=desc>Configure one stage of the filter (0 to 3) with low pass

  3274. 		response, with the specified corner frequency and Q shape.  If Q is

  3275. 		higher that 0.7071, be careful of filter gain (see below).

  3276. 	</p>

  3277. 	<p class=func><span class=keyword>setHighpass</span>(stage, frequency, Q);</p>

  3278. 	<p class=desc>Configure one stage of the filter (0 to 3) with high pass

  3279. 		response, with the specified corner frequency and Q shape.  If Q is

  3280. 		higher that 0.7071, be careful of filter gain (see below).

  3281. 	</p>

  3282. 	<p class=func><span class=keyword>setBandpass</span>(stage, frequency, Q);</p>

  3283. 	<p class=desc>Configure one stage of the filter (0 to 3) with band pass

  3284. 		response.  The filter has unity gain at the specified frequency.  Q

  3285. 		controls the width of frequencies allowed to pass.

  3286. 	</p>

  3287. 	<p class=func><span class=keyword>setNotch</span>(stage, frequency, Q);</p>

  3288. 	<p class=desc>Configure one stage of the filter (0 to 3) with band reject (notch)

  3289. 		response.  Q controls the width of rejected frequencies.

  3290. 	</p>

  3291. 	<p class=func><span class=keyword>setLowShelf</span>(stage, frequency, gain, slope);</p>

  3292. 	<p class=desc>Configure one stage of the filter (0 to 3) with low shelf response.

  3293. 		A low shelf filter attenuates or amplifies signals below the specified frequency.

  3294. 		Frequency controls the slope midpoint, gain is in dB and can be both

  3295. 		positive or negative. The slope parameter controls steepness of gain transition.

  3296. 		A slope of 1 yields maximum steepness without overshoot,

  3297. 		lower values yield a less steep slope. See the picture below for a visualization

  3298. 		of the slope parameter's effect.

  3299. 		Be careful with positive gains and slopes higher than 1 as they introduce gain

  3300. 		(see warning below).

  3301. 	</p>

  3302. 	</p>

  3303. 	<p class=func><span class=keyword>setHighShelf</span>(stage, frequency, gain, slope);</p>

  3304. 	<p class=desc>Configure one stage of the filter (0 to 3) with high shelf response.

  3305. 		A high shelf filter attenuates or amplifies signals above the specified frequency.

  3306. 		Frequency controls the slope midpoint, gain is in dB and can be both

  3307. 		positive or negative. The slope parameter controls steepness of gain transition.

  3308. 		A slope of 1 yields maximum steepness without overshoot,

  3309. 		lower values yield a less steep slope. See the picture below for a visualization

  3310. 		of the slope parameter's effect.

  3311. 		Be careful with positive gains and slopes higher than 1 as they introduce gain

  3312. 		(see warning below).

  3313. 	</p>

  3314. 	<p align=center><img src="img/shelf_filter.png"></p>

  3315. 	<p class=func><span class=keyword>setCoefficients</span>(stage, array[5]);</p>

  3316. 	<p class=desc>Configure one stage of the filter (0 to 3) with an arbitrary

  3317. 		filter response.  The array of coefficients is in order: B0, B1, B2, A1, A2.

  3318. 		Each coefficient must be less than 2.0 and greater than -2.0.  The array

  3319. 		should be type double.  Alternately, it may be type int, where 1.0 is

  3320. 		represented with 1073741824 (2<sup>30</sup>).

  3321. 	</p>

  3322. 	<h3>Examples</h3>

  3323. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter

  3324. 	</p>

  3325. 	<h3>Notes</h3>

  3326. 	<p>Filters can with gain must have their input signals attenuated, so the

  3327. 		signal does not exceed 1.0.

  3328. 	</p>

  3329. 	<p>This object implements up to 4 cascaded stages.  Unconfigured stages will

  3330. 		not pass any signal.

  3331. 	</p>

  3332. 	<p>Biquad filters with low corner frequency (under about 400 Hz) can run into

  3333. 		trouble with limited numerical precision, causing the filter to perform

  3334. 		poorly.  For very low corner frequency, the State Variable (Chamberlin)

  3335. 		filter should be used.

  3336. 	</p>

  3337. </script>

  3338. <script type="text/x-red" data-template-name="AudioFilterBiquad">

  3339. 	<div class="form-row">

  3340. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3341. 		<input type="text" id="node-input-name" placeholder="Name">

  3342. 	</div>

  3343. </script>

  3344. 

  3345. <script type="text/x-red" data-help-name="AudioFilterFIR">

  3346. 	<h3>Summary</h3>

  3347. 	<div class=tooltipinfo>

  3348. 	<p>Finite impulse response filter, useful for all sorts of filtering.

  3349. 	</p>

  3350. 	<p align=center><img src="img/fir_filter.png"></p>

  3351. 	</div>

  3352. 	<h3>Audio Connections</h3>

  3353. 	<table class=doc align=center cellpadding=3>

  3354. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3355. 		<tr class=odd><td align=center>In 0</td><td>Signal to be filtered</td></tr>

  3356. 		<tr class=odd><td align=center>Out 0</td><td>Filtered Signal Output</td></tr>

  3357. 	</table>

  3358. 	<h3>Functions</h3>

  3359. 	<p class=func><span class=keyword>begin</span>(array, length);</p>

  3360. 	<p class=desc>Initialize the filter.  The array must be 16 bit integers (the

  3361. 		filter's impulse response), and

  3362. 		length indicates the number of points in the array.  Array may also be

  3363. 		FIR_PASSTHRU (length = 0), to directly pass the input to output without

  3364. 		filtering.

  3365. 	</p>

  3366. 	<p class=func><span class=keyword>end</span>();</p>

  3367. 	<p class=desc>Turn the filter off.

  3368. 	</p>

  3369. 	<h3>Examples</h3>

  3370. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Effects &gt; Filter_FIR

  3371. 	</p>

  3372. 	<h3>Known Issues</h3>

  3373. 	<p>Your filter's impulse response array must have an even length.  If you have

  3374. 		add odd number of taps, you must add an extra zero to increase the length

  3375. 		to an even number.

  3376. 	</p>

  3377. 	<p>The minimum number of taps is 4.  If you use less, add extra zeros to increase

  3378. 		the length to 4.

  3379. 	</p>

  3380. 	<p>The impulse response must be given in reverse order.  Many filters have

  3381. 		symetrical impluse response, making this a non-issue.  If your filter has

  3382. 		a non-symetrical response, make sure the data is in reverse time order.

  3383. 	</p>

  3384. 	<h3>Notes</h3>

  3385. 	<p>FIR filters requires more CPU time than Biquad (IIR), but they can

  3386. 		implement filters with better phase response.

  3387. 	</p>

  3388. 	<p>A 100 point filter requires 9% CPU time on Teensy 3.1.  The maximum

  3389. 		supported filter length is 200 points.

  3390. 	</p>

  3391. 	<p>The free

  3392. 		<a href="http://t-filter.engineerjs.com/" target="_blank"> TFilter Design Tool</a>

  3393. 		can be used to create the impulse response array.  Be sure to set the sampling

  3394. 		frequency to 44117 HZ (it defaults to only 2000 Hz) and the output type to "int" (16 bit).

  3395. 	</p>

  3396. 	<p>

  3397. 		If you use TFilter Design's "C/C++ array" option, it's output has "int" definition, which

  3398. 		is 32 bits on Teensy 3.1.  Edit "int" to "short" for an array of 16 bit numbers,

  3399. 		and add "const" to avoid consuming extra RAM.

  3400. 	</p>

  3401. </script>

  3402. <script type="text/x-red" data-template-name="AudioFilterFIR">

  3403. 	<div class="form-row">

  3404. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3405. 		<input type="text" id="node-input-name" placeholder="Name">

  3406. 	</div>

  3407. </script>

  3408. 

  3409. <script type="text/x-red" data-help-name="AudioFilterStateVariable">

  3410. 	<h3>Summary</h3>

  3411. 	<div class=tooltipinfo>

  3412. 	<p>A State Variable (Chamberlin) Filter with 12 dB/octave roll-off,

  3413. 		adjustable resonance, and optional signal control of corner

  3414. 		frequency.</p>

  3415. 	</div>

  3416. 	<h3>Audio Connections</h3>

  3417. 	<table class=doc align=center cellpadding=3>

  3418. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3419. 		<tr class=odd><td align=center>In 0</td><td>Signal to Filter</td></tr>

  3420. 		<tr class=odd><td align=center>In 1</td><td>Frequency Control</td></tr>

  3421. 		<tr class=odd><td align=center>Out 0</td><td>Low Pass Output</td></tr>

  3422. 		<tr class=odd><td align=center>Out 1</td><td>Band Pass Output</td></tr>

  3423. 		<tr class=odd><td align=center>Out 2</td><td>High Pass Output</td></tr>

  3424. 	</table>

  3425. 	<h3>Functions</h3>

  3426. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  3427. 	<p class=desc>Set the filter's corner frequency.  When a signal is

  3428. 		connected to the control input, the filter will implement this

  3429. 		frequency when the signal is zero.

  3430. 	</p>

  3431. 	<p class=func><span class=keyword>resonance</span>(Q);</p>

  3432. 	<p class=desc>Set the filter's resonance.  Q ranges from 0.7 to 5.0.

  3433. 		Resonance greater than 0.707 will amplify the signal near the

  3434. 		corner frequency.  You must attenuate the signal before input

  3435. 		to this filter, to prevent clipping.

  3436. 	</p>

  3437. 	<p class=func><span class=keyword>octaveControl</span>(octaves);</p>

  3438. 	<p class=desc>Set how much (in octaves) the control signal can alter

  3439. 		the filter's corner freqency.  Range is 0 to 7 octaves.  For

  3440. 		example, when set to 2.5, a full scale positive signal (1.0) will

  3441. 		shift the filter frequency up 2.5 octaves, and a full scale negative

  3442. 		signal will shift it down 2.5 octaves.

  3443. 	</p>

  3444. 	<!--

  3445. <h3>Examples</h3>

  3446. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  3447. 	</p>

  3448. -->

  3449. 	<h3>Notes</h3>

  3450. 	<p>

  3451. 		When controlled by a signal, the equation for the filter

  3452. 		frequency is:

  3453. 	</p>

  3454. 	<p>

  3455. 		F = Fcenter * 2^<sup>(signal * octaves)</sup>

  3456. 		<br><small>If anyone knows how to do HTML equations, please

  3457. 		help me improve this.....</small>

  3458. 	</p>

  3459. 	<p>When operating with signal control of corner frequency, this

  3460. 		object uses approximately 4% of the CPU time on Teensy 3.1.

  3461. 	</p>

  3462. </script>

  3463. <script type="text/x-red" data-template-name="AudioFilterStateVariable">

  3464. 	<div class="form-row">

  3465. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3466. 		<input type="text" id="node-input-name" placeholder="Name">

  3467. 	</div>

  3468. </script>

  3469. 

  3470. <script type="text/x-red" data-help-name="AudioAnalyzePeak">

  3471. 	<h3>Summary</h3>

  3472. 	<div class=tooltipinfo>

  3473. 	<p>Track the signal peak amplitude.  Very useful for simple

  3474. 		audio level response projects, and general troubleshooting.</p>

  3475. 	</div>

  3476. 	<h3>Audio Connections</h3>

  3477. 	<table class=doc align=center cellpadding=3>

  3478. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3479. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3480. 	</table>

  3481. 	<h3>Functions</h3>

  3482. 	<p class=func><span class=keyword>available</span>();</p>

  3483. 	<p class=desc>Returns true each time new peak data is available.

  3484. 	</p>

  3485. 	<p class=func><span class=keyword>read</span>();</p>

  3486. 	<p class=desc>Read the highest peak amplitude value since the last read.

  3487. 		Return is from 0.0 to 1.0.

  3488. 	</p>

  3489. 	<p class=func><span class=keyword>readPeakToPeak</span>();</p>

  3490. 	<p class=desc>Read the highest peak-to-peak amplitude since the last read.

  3491. 		Return is from 0.0 to 2.0.

  3492. 	</p>

  3493. 	<h3>Examples</h3>

  3494. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterMono

  3495. 	</p>

  3496. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakMeterStereo

  3497. 	</p>

  3498. 	<h3>Notes</h3>

  3499. 	<p></p>

  3500. </script>

  3501. <script type="text/x-red" data-template-name="AudioAnalyzePeak">

  3502. 	<div class="form-row">

  3503. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3504. 		<input type="text" id="node-input-name" placeholder="Name">

  3505. 	</div>

  3506. </script>

  3507. 

  3508. <script type="text/x-red" data-help-name="AudioAnalyzeRMS">

  3509. 	<h3>Summary</h3>

  3510. 	<div class=tooltipinfo>

  3511. 	<p>Track the signal RMS amplitude.  Useful for

  3512. 		audio level response projects, and general troubleshooting.</p>

  3513. 	</div>

  3514. 	<h3>Audio Connections</h3>

  3515. 	<table class=doc align=center cellpadding=3>

  3516. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3517. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3518. 	</table>

  3519. 	<h3>Functions</h3>

  3520. 	<p class=func><span class=keyword>available</span>();</p>

  3521. 	<p class=desc>Returns true if new RMS data is available.

  3522. 	</p>

  3523. 	<p class=func><span class=keyword>read</span>();</p>

  3524. 	<p class=desc>Read the new RMS value.

  3525. 		Return is from 0.0 to 1.0.

  3526. 	</p>

  3527. 	<h3>Examples</h3>

  3528. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; PeakAndRMSMeterStereo</p>

  3529. 	</p>

  3530. 	<h3>Notes</h3>

  3531. 	<p></p>

  3532. </script>

  3533. <script type="text/x-red" data-template-name="AudioAnalyzeRMS">

  3534. 	<div class="form-row">

  3535. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3536. 		<input type="text" id="node-input-name" placeholder="Name">

  3537. 	</div>

  3538. </script>

  3539. 

  3540. <script type="text/x-red" data-help-name="AudioAnalyzeFFT256">

  3541. 	<h3>Summary</h3>

  3542. 	<div class=tooltipinfo>

  3543. 	<p>Compute a 256 point Fast Fourier Transform (FFT) frequency analysis,

  3544. 		with real value (magnitude) output.  The frequency resolution is

  3545. 		172 Hz, useful for simple audio visualization.</p>

  3546. 	</div>

  3547. 	<h3>Audio Connections</h3>

  3548. 	<table class=doc align=center cellpadding=3>

  3549. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3550. 		<tr class=odd><td align=center>In 0</td><td>Signal to convert to frequency bins</td></tr>

  3551. 	</table>

  3552. 	<h3>Functions</h3>

  3553. 	<p class=func><span class=keyword>available</span>();</p>

  3554. 	<p class=desc>Returns true each time the FFT analysis produces new output data.

  3555. 	</p>

  3556. 	<p class=func><span class=keyword>read</span>(binNumber);</p>

  3557. 	<p class=desc>Read a single frequency bin, from 0 to 127.  The result is scaled

  3558. 		so 1.0 represents a full scale sine wave.

  3559. 	</p>

  3560. 	<p class=func><span class=keyword>read</span>(firstBin, lastBin);</p>

  3561. 	<p class=desc>Read several frequency bins, returning their sum.  The higher

  3562. 		audio octaves are represented by many bins, which are typically read

  3563. 		as a group for audio visualization.

  3564. 	</p>

  3565. 	<p class=func><span class=keyword>averageTogether</span>(number);</p>

  3566. 	<p class=desc>New data is produced very radidly, approximately 344 times

  3567. 		per second.  Multiple outputs can be averaged together, so available()

  3568. 		returns true at a slower rate.

  3569. 	</p>

  3570. 	<p class=func><span class=keyword>windowFunction</span>(window);</p>

  3571. 	<p class=desc>Set the window function to be used.  AudioWindowHanning256

  3572. 		is the default.  Windowing may be disabled by NULL, but windowing

  3573. 		should be used for all non-periodic (music) signals, and all periodic

  3574. 		signals that are not exact integer division of the sample rate.

  3575. 	</p>

  3576. 

  3577. 	<h3>Examples</h3>

  3578. 	<p class=exam>File &gt; Examples &gt; Audio &gt; MemoryAndCpuUsage

  3579. 	</p>

  3580. 	<h3>Notes</h3>

  3581. 	<p>The raw 16 bit output data bins may be access with myFFT.output[num], where

  3582. 		num is 0 to 127.</p>

  3583. 	<p>TODO: caveats about spectral leakage vs frequency precision for arbitrary signals</p>

  3584. 	<p>Window Types:

  3585. 		<ul>

  3586. 		<li><span class=literal>AudioWindowHanning256</span> (default)</li>

  3587. 		<li><span class=literal>AudioWindowBartlett256</span></li>

  3588. 		<li><span class=literal>AudioWindowBlackman256</span></li>

  3589. 		<li><span class=literal>AudioWindowFlattop256</span></li>

  3590. 		<li><span class=literal>AudioWindowBlackmanHarris256</span></li>

  3591. 		<li><span class=literal>AudioWindowNuttall256</span></li>

  3592. 		<li><span class=literal>AudioWindowBlackmanNuttall256</span></li>

  3593. 		<li><span class=literal>AudioWindowWelch256</span></li>

  3594. 		<li><span class=literal>AudioWindowHamming256</span></li>

  3595. 		<li><span class=literal>AudioWindowCosine256</span></li>

  3596. 		<li><span class=literal>AudioWindowTukey256</span></li>

  3597. 		</ul>

  3598. 	</p>

  3599. </script>

  3600. <script type="text/x-red" data-template-name="AudioAnalyzeFFT256">

  3601. 	<div class="form-row">

  3602. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3603. 		<input type="text" id="node-input-name" placeholder="Name">

  3604. 	</div>

  3605. </script>

  3606. 

  3607. <script type="text/x-red" data-help-name="AudioAnalyzeFFT1024">

  3608. 	<h3>Summary</h3>

  3609. 	<div class=tooltipinfo>

  3610. 	<p>Compute a 1024 point Fast Fourier Transform (FFT) frequency analysis,

  3611. 		with real value (magnitude) output.  The frequency resolution is

  3612. 		43 Hz, useful detailed for audio visualization.</p>

  3613. 	</div>

  3614. 	<h3>Audio Connections</h3>

  3615. 	<table class=doc align=center cellpadding=3>

  3616. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3617. 		<tr class=odd><td align=center>In 0</td><td>Signal to convert to frequency bins</td></tr>

  3618. 	</table>

  3619. 	<h3>Functions</h3>

  3620. 	<p class=func><span class=keyword>available</span>();</p>

  3621. 	<p class=desc>Returns true each time the FFT analysis produces new output data.

  3622. 	</p>

  3623. 	<p class=func><span class=keyword>read</span>(binNumber);</p>

  3624. 	<p class=desc>Read a single frequency bin, from 0 to 511.  The result is scaled

  3625. 		so 1.0 represents a full scale sine wave.

  3626. 	</p>

  3627. 	<p class=func><span class=keyword>read</span>(firstBin, lastBin);</p>

  3628. 	<p class=desc>Read several frequency bins, returning their sum.  The higher

  3629. 		audio octaves are represented by many bins, which are typically read

  3630. 		as a group for audio visualization.

  3631. 	</p>

  3632. 	<p class=func><span class=keyword>averageTogether</span>(number);</p>

  3633. 	<p class=desc>This function does nothing.  The 1024 point FFT always

  3634. 		updates at approximately 86 times per second.

  3635. 	</p>

  3636. 	<p class=func><span class=keyword>windowFunction</span>(window);</p>

  3637. 	<p class=desc>Set the window function to be used.  AudioWindowHanning1024

  3638. 		is the default.  Windowing may be disabled by NULL, but windowing

  3639. 		should be used for all non-periodic (music) signals, and all periodic

  3640. 		signals that are not exact integer division of the sample rate.

  3641. 	</p>

  3642. 	<h3>Examples</h3>

  3643. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; FFT

  3644. 	</p>

  3645. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; SpectrumAnalyzerBasic

  3646. 	</p>

  3647. 	<h3>Notes</h3>

  3648. 	<p>The raw 16 bit output data bins may be access with myFFT.output[num], where

  3649. 		num is 0 to 511.</p>

  3650. 	<p>TODO: caveats about spectral leakage vs frequency precision for arbitrary signals</p>

  3651. 	<p>Window Types:

  3652. 		<ul>

  3653. 		<li><span class=literal>AudioWindowHanning1024</span> (default)</li>

  3654. 		<li><span class=literal>AudioWindowBartlett1024</span></li>

  3655. 		<li><span class=literal>AudioWindowBlackman1024</span></li>

  3656. 		<li><span class=literal>AudioWindowFlattop1024</span></li>

  3657. 		<li><span class=literal>AudioWindowBlackmanHarris1024</span></li>

  3658. 		<li><span class=literal>AudioWindowNuttall1024</span></li>

  3659. 		<li><span class=literal>AudioWindowBlackmanNuttall1024</span></li>

  3660. 		<li><span class=literal>AudioWindowWelch1024</span></li>

  3661. 		<li><span class=literal>AudioWindowHamming1024</span></li>

  3662. 		<li><span class=literal>AudioWindowCosine1024</span></li>

  3663. 		<li><span class=literal>AudioWindowTukey1024</span></li>

  3664. 		</ul>

  3665. 	</p>

  3666. 	<p>1024 point FFT has a peak CPU usage of approx 52% on Teensy 3.1.

  3667. 		Average usage is much lower.  Future versions might distribute the

  3668. 		load more evenly over time....

  3669. 	</p>

  3670. </script>

  3671. <script type="text/x-red" data-template-name="AudioAnalyzeFFT1024">

  3672. 	<div class="form-row">

  3673. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3674. 		<input type="text" id="node-input-name" placeholder="Name">

  3675. 	</div>

  3676. </script>

  3677. 

  3678. <script type="text/x-red" data-help-name="AudioAnalyzeToneDetect">

  3679. 	<h3>Summary</h3>

  3680. 	<div class=tooltipinfo>

  3681. 	<p>Detect the level of a single tone</p>

  3682. 	</div>

  3683. 	<h3>Audio Connections</h3>

  3684. 	<table class=doc align=center cellpadding=3>

  3685. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3686. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3687. 	</table>

  3688. 	<h3>Functions</h3>

  3689. 	<p class=func><span class=keyword>frequency</span>(freq);</p>

  3690. 	<p class=desc>Set the frequency to detect.  The default detection time

  3691. 		will be 10 cycles of this frequency.

  3692. 	</p>

  3693. 	<p class=func><span class=keyword>frequency</span>(freq, cycles);</p>

  3694. 	<p class=desc>Set the frequency to detect, and the number of cycles.

  3695. 		Longer detection time (more cycles) will give higher precision,

  3696. 		but of course slower response.

  3697. 	</p>

  3698. 	<p class=func><span class=keyword>available</span>();</p>

  3699. 	<p class=desc>Returns true (non-zero) each time a detection interval

  3700. 		(number of cycles) completed and a new level is detected.

  3701. 	</p>

  3702. 	<p class=func><span class=keyword>read</span>();</p>

  3703. 	<p class=desc>Read the detected signal level.  Range is 0 to 1.0.

  3704. 	</p>

  3705. 	<p class=func><span class=keyword>threshold</span>(level);</p>

  3706. 	<p class=desc>Set a detection threshold, where the bool test operation

  3707. 		will return true if at or above this level, or false when below.

  3708. 	</p>

  3709. 	<p class=func>(bool)</p>

  3710. 	<p class=desc>By testing the object as a boolean value, you can respond

  3711. 		to detection of a tone.

  3712. 	</p>

  3713. 	<h3>Examples</h3>

  3714. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_Serial

  3715. 	</p>

  3716. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; DialTone_7segment

  3717. 	</p>

  3718. 	<h3>Notes</h3>

  3719. 	<p>Low frequency detection has trouble with numerical precision.

  3720. 		Works really well for all 8 DTMF frequencies, but fails for

  3721. 		detecting "sub audible tones" used in some control applications.</p>

  3722. 	<p>The (bool) test continues to return true until the next detection

  3723. 		interval (the configured number of cycles).  This behavior may

  3724. 		change in future versions, for a single true each time the signal

  3725. 		is detected, and then false for the remainder of that interval.</p>

  3726. </script>

  3727. <script type="text/x-red" data-template-name="AudioAnalyzeToneDetect">

  3728. 	<div class="form-row">

  3729. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3730. 		<input type="text" id="node-input-name" placeholder="Name">

  3731. 	</div>

  3732. </script>

  3733. 

  3734. <script type="text/x-red" data-help-name="AudioAnalyzeNoteFrequency">

  3735. 	<h3>Summary</h3>

  3736. 	<div class=tooltipinfo>

  3737. 	<p>Detect with fairly good accuracy the fundamental frequency f<sub>o</sub>

  3738. 		of musical notes, such as electric guitar and bass.</p>

  3739. 	</div>

  3740.     <p>Written By Collin Duffy</p>

  3741. 	<h3>Audio Connections</h3>

  3742. 	<table class=doc align=center cellpadding=3>

  3743. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3744. 		<tr class=odd><td align=center>In 0</td><td>Signal to analyze</td></tr>

  3745. 	</table>

  3746. 	<h3>Functions</h3>

  3747. 	<p class=func><span class=keyword>begin</span>(threshold);</p>

  3748. 	<p class=desc>Initialize and start detecting frequencies,

  3749. 		with an initial threshold (the amount of allowed uncertainty).

  3750. 	</p>

  3751. 	<p class=func><span class=keyword>available</span>();</p>

  3752. 	<p class=desc>Returns true (non-zero) when a valid

  3753. 		frequency is detected.

  3754. 	</p>

  3755. 	<p class=func><span class=keyword>read</span>();</p>

  3756. 	<p class=desc>Read the detected frequency.

  3757. 	</p>

  3758. 	<p class=func><span class=keyword>probability</span>();</p>

  3759. 	<p class=desc>Return the level of certainty, betweeo 0 to 1.0.

  3760. 	</p>

  3761. 	<p class=func><span class=keyword>threshold</span>(level);</p>

  3762. 	<p class=desc>Set the detection threshold, the amount of allowed uncertainty.

  3763. 	</p>

  3764. 	<h3>Examples</h3>

  3765. 	<p class=exam>File &gt; Examples &gt; Audio &gt; Analysis &gt; NoteFrequency

  3766. 	</p>

  3767. 	<h3>Notes</h3>

  3768. 	<p>The <a href="http://recherche.ircam.fr/equipes/pcm/cheveign/pss/2002_JASA_YIN.pdf">YIN algorithm</a> (PDF)

  3769. 		is used to detect frequencies, with many optimizations for

  3770. 		frequencies between 29-400Hz.  This algorithm can be somewhat

  3771. 		memory and processor hungry but will allow you to detect with

  3772. 		fairly good accuracy the fundamental frequencies from

  3773. 		electric guitars and basses.</p>

  3774. 	<p>Within the code, AUDIO_GUITARTUNER_BLOCKS

  3775. 		may be edited to control low frequency range.  The default

  3776. 		(24) allows measurement down to 29.14 Hz, or B(flat)0.</p>

  3777. 	<p>TODO: The usable upper range of this object is not well known.

  3778. 		Duff says "it should be good up to 1000Hz", but may have trouble

  3779. 		at 4 kHz.  Please <a href="https://forum.pjrc.com/threads/32252-Different-Range-FFT-Algorithm/page2">post feedback here</a>, ideally with audio clips for the NoteFrequency example.</p>

  3780. 	<p>This object was contributed by Collin Duffy from his

  3781. 		<a href="https://github.com/duff2013/AudioTuner">AudioTuner project</a>.

  3782. 		Additional details and documentation may be found there.</p>

  3783. </script>

  3784. <script type="text/x-red" data-template-name="AudioAnalyzeNoteFrequency">

  3785. 	<div class="form-row">

  3786. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3787. 		<input type="text" id="node-input-name" placeholder="Name">

  3788. 	</div>

  3789. </script>

  3790. 

  3791. <script type="text/x-red" data-help-name="AudioAnalyzePrint">

  3792. 	<h3>Summary</h3>

  3793. 	<div class=tooltipinfo>

  3794. 	<p>Print raw audio data to the Arduino Serial Monitor.  This

  3795. 		object creates massive output quickly, and should not normally be used.</p>

  3796. 	</div>

  3797. 	<h3>Audio Connections</h3>

  3798. 	<table class=doc align=center cellpadding=3>

  3799. 		<tr class=top><th>Port</th><th>Purpose</th></tr>

  3800. 		<tr class=odd><td align=center>In 0</td><td>Signal to print</td></tr>

  3801. 	</table>

  3802. 	<h3>Functions</h3>

  3803. 	<p class=func><span class=keyword>name</span>(string);</p>

  3804. 	<p class=desc>blah blah blah blah

  3805. 	</p>

  3806. 	<p class=func><span class=keyword>trigger</span>();</p>

  3807. 	<p class=desc>blah blah blah blah

  3808. 	</p>

  3809. 	<p class=func><span class=keyword>trigger</span>(level, edge);</p>

  3810. 	<p class=desc>blah blah blah blah

  3811. 	</p>

  3812. 	<p class=func><span class=keyword>delay</span>(samples);</p>

  3813. 	<p class=desc>blah blah blah blah

  3814. 	</p>

  3815. 	<p class=func><span class=keyword>length</span>(samples);</p>

  3816. 	<p class=desc>blah blah blah blah

  3817. 	</p>

  3818. 	<!--

  3819. <h3>Examples</h3>

  3820. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  3821. 	</p>

  3822. -->

  3823. 	<h3>Notes</h3>

  3824. 	<p>This object doesn't work very well and probably should not be used.</p>

  3825. </script>

  3826. <script type="text/x-red" data-template-name="AudioAnalyzePrint">

  3827. 	<div class="form-row">

  3828. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  3829. 		<input type="text" id="node-input-name" placeholder="Name">

  3830. 	</div>

  3831. </script>

  3832. 

  3833. <script type="text/x-red" data-help-name="AudioControlSGTL5000">

  3834. 	<h3>Summary</h3>

  3835. 	<div class=tooltipinfo>

  3836. 	<p>Control the SGTL5000 chip on the

  3837. 		<a href="http://www.pjrc.com/store/teensy3_audio.html" target="_blank">audio shield</a>.

  3838. 		SGTL5000 is always used in slave mode, where Teensy controls

  3839. 		all I2S timing.

  3840. 	</p>

  3841. 	<p align=center><img src="img/sgtl5000closeup.jpg"></p>

  3842. 	</div>

  3843. 	<h3>Audio Connections</h3>

  3844. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  3845. 		are used to send and receive audio data.  I2S master mode objects

  3846. 		must be used, because this object configures the SGTL5000 in slave

  3847. 		mode, where it depends on Teensy to provide all I2S clocks.

  3848. 		This object controls

  3849. 		how the SGTL5000 will use those I2S audio streams.</p>

  3850. 

  3851. 	<h3>Functions</h3>

  3852. 	<p>These are the most commonly used SGTL5000 functions.</p>

  3853. 	<p class=func><span class=keyword>enable</span>();</p>

  3854. 	<p class=desc>Start the SGTL5000.  This function should be called first.

  3855. 	</p>

  3856. 	<p class=func><span class=keyword>volume</span>(level);</p>

  3857. 	<p class=desc>Set the headphone volume level.  Range is 0 to 1.0, but

  3858. 		0.8 corresponds to the maximum undistorted output for a full scale

  3859. 		signal.  Usually 0.5 is a comfortable listening level.  The line

  3860. 		level outputs are <em>not</em> changed by this function.

  3861. 	</p>

  3862. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  3863. 	<p class=desc>Select which input to use: AUDIO_INPUT_LINEIN or AUDIO_INPUT_MIC.

  3864. 	</p>

  3865. 	<p class=func><span class=keyword>micGain</span>(dB);</p>

  3866. 	<p class=desc>When using the microphone input, set the amplifier gain.

  3867. 		The input number is in decibels, from 0 to 63.

  3868. 	</p>

  3869. 

  3870. 	<h3>Signal Levels</h3>

  3871. 

  3872. 	<p>The default signal levels should be used for most applications,

  3873. 		but these functions allow you to customize the analog signals.</p>

  3874. 

  3875. 	<p class=func><span class=keyword>muteHeadphone</span>();</p>

  3876. 	<p class=desc>Silence the headphone output.

  3877. 	</p>

  3878. 	<p class=func><span class=keyword>unmuteHeadphone</span>();</p>

  3879. 	<p class=desc>Turn the headphone output on.

  3880. 	</p>

  3881. 	<p class=func><span class=keyword>muteLineout</span>();</p>

  3882. 	<p class=desc>Silence the line level outputs.

  3883. 	</p>

  3884. 	<p class=func><span class=keyword>unmuteLineout</span>();</p>

  3885. 	<p class=desc>Turn the line level outputs on.

  3886. 	</p>

  3887. 	<p class=func><span class=keyword>lineInLevel</span>(both);</p>

  3888. 	<p class=desc style="padding-bottom:0.2em;">Adjust the sensitivity of the line-level inputs.

  3889. 		Fifteen settings are possible:

  3890. 	</p>

  3891. <pre class="desc">

  3892.  0: 3.12 Volts p-p

  3893.  1: 2.63 Volts p-p

  3894.  2: 2.22 Volts p-p

  3895.  3: 1.87 Volts p-p

  3896.  4: 1.58 Volts p-p

  3897.  5: 1.33 Volts p-p  (default)

  3898.  6: 1.11 Volts p-p

  3899.  7: 0.94 Volts p-p

  3900.  8: 0.79 Volts p-p

  3901.  9: 0.67 Volts p-p

  3902. 10: 0.56 Volts p-p

  3903. 11: 0.48 Volts p-p

  3904. 12: 0.40 Volts p-p

  3905. 13: 0.34 Volts p-p

  3906. 14: 0.29 Volts p-p

  3907. 15: 0.24 Volts p-p

  3908. </pre>

  3909. 	<p class=func><span class=keyword>lineInLevel</span>(left, right);</p>

  3910. 	<p class=desc>Adjust the sensitivity of the line-level inputs, with different

  3911. 		settings for left and right.  The same 15 settings are available.

  3912. 	</p>

  3913. 	<p class=func><span class=keyword>lineOutLevel</span>(both);</p>

  3914. 	<p class=desc style="padding-bottom:0.2em;">Adjust the line level output

  3915. 		voltage range.  The following settings are possible:

  3916. 	</p>

  3917. <pre class="desc">

  3918. 13: 3.16 Volts p-p

  3919. 14: 2.98 Volts p-p

  3920. 15: 2.83 Volts p-p

  3921. 16: 2.67 Volts p-p

  3922. 17: 2.53 Volts p-p

  3923. 18: 2.39 Volts p-p

  3924. 19: 2.26 Volts p-p

  3925. 20: 2.14 Volts p-p

  3926. 21: 2.02 Volts p-p

  3927. 22: 1.91 Volts p-p

  3928. 23: 1.80 Volts p-p

  3929. 24: 1.71 Volts p-p

  3930. 25: 1.62 Volts p-p

  3931. 26: 1.53 Volts p-p

  3932. 27: 1.44 Volts p-p

  3933. 28: 1.37 Volts p-p

  3934. 29: 1.29 Volts p-p  (default)

  3935. 30: 1.22 Volts p-p

  3936. 31: 1.16 Volts p-p

  3937. </pre>

  3938. 	<p class=func><span class=keyword>lineOutLevel</span>(left, right);</p>

  3939. 	<p class=desc>Adjust the line level outout voltage range, with separate

  3940. 		settings for left and right.  The same settings (13 to 31) are available.

  3941. 	</p>

  3942. 

  3943. 

  3944. 	<h3>Signal Conditioning</h3>

  3945. 

  3946. 	<p>Usually these digital signal conditioning features should be left at their

  3947. 		default settings.

  3948. 	</p>

  3949. 

  3950. 	<p class=func><span class=keyword>adcHighPassFilterFreeze</span>();</p>

  3951. 	<p class=desc>By default, the analog input (either line-level inputs or mic)

  3952. 		is high-pass filtered, to remove any DC component.  This function

  3953. 		freezes the filter, so the current DC component is still substracted, but

  3954. 		the filter stops tracking any DC or low frequency changes.

  3955. 	</p>

  3956. 	<p class=func><span class=keyword>adcHighPassFilterDisable</span>();</p>

  3957. 	<p class=desc>Completely disable the analog input filter.  DC and sub-audible

  3958. 		low frequencies are allowed to enter the digital signal.  This

  3959. 		<a href="http://openaudio.blogspot.com/2017/03/teensy-audio-board-self-noise.html">may

  3960. 		reduce noise</a> in some cases.

  3961. 	</p>

  3962. 	<p class=func><span class=keyword>adcHighPassFilterEnable</span>();</p>

  3963. 	<p class=desc>Turn the DC-blocking filter back on, if disabled, or

  3964. 		allows it to resume tracking DC and low frequency changes, if

  3965. 		previously frozen. This is the default setting.

  3966. 	</p>

  3967. 	<p class=func><span class=keyword>dacVolume</span>(both);</p>

  3968. 	<p class=desc>Normally output volume should be used with volume(), which

  3969. 		changes the analog gain in the headphone amplifier.  This function

  3970. 		on the other hand controls digital attenuation before conversion to analog, which

  3971. 		reduces resolution, but allows another fine control of output

  3972. 		signal level.  The ranges is 0 to 1.0, with the default (no digital attenuation)

  3973. 		at 1.0.

  3974. 	</p>

  3975. 	<p  class=desc>dacVolume uses zero-crossing detect to avoid clicks, and graceful

  3976. 		ramping is handled by the chip so that a new volume may be set directly in

  3977. 		a single call.

  3978. 	</p>

  3979. 	<p class=func><span class=keyword>dacVolume</span>(left, right);</p>

  3980. 	<p class=desc>Adjust the digital output volume separately on left and

  3981. 		right channels.

  3982. 	</p>

  3983. 	<p class=func><span class=keyword>dacVolumeRamp</span>();</p>

  3984. 	<p class=desc>Enable graceful volume ramping.  The dacVolume adjusts gradually using

  3985. 		an exponential curve.  Pops or loud clicks are avoided when making large

  3986. 		changes in volume level.

  3987. 	</p>

  3988. 	<p class=func><span class=keyword>dacVolumeRampLinear</span>();</p>

  3989. 	<p class=desc>Enable faster volume ramping.  A slight click may be heard during a

  3990. 		large volume change.

  3991. 	</p>

  3992. 	<p class=func><span class=keyword>dacVolumeRampDisable</span>();</p>

  3993. 	<p class=desc>Do not use any gradual ramping.  The zero cross feature still helps

  3994. 		for small changes, but large volume changes may produce a pop or click.

  3995. 	</p>

  3996. 

  3997. 	<h3>Audio Processor</h3>

  3998. 

  3999. 	<p>The optional digital audio processor is capable of implementing

  4000. 		one or more of: automatic volume control, surround sound control,

  4001. 		bass enhancement, and tonal adjustments (either a

  4002. 		simple tone control, or a parametric equalizer, or a graphic equalizer),

  4003. 		in that order.

  4004. 	</p>

  4005. 	<p>These signal processing features are implemented in the SGTL5000 chip,

  4006. 		so they do not consume CPU time on Teensy. However, the order of

  4007. 		these processes is fixed in the hardware.

  4008. 	</p>

  4009. 	<p>It is good practice to mute the outputs before enabling or disabling

  4010. 	the Audio Processor, to avoid clicks or thumps.

  4011. 	</p>

  4012. 

  4013. 	<p class=func><span class=keyword>audioPreProcessorEnable</span>();</p>

  4014. 	<p class=desc>Enable the audio processor to pre-process the input

  4015. 		(from either line-level inputs or microphone) before it's sent

  4016. 		to Teensy by I2S.

  4017. 	</p>

  4018. 	<p class=func><span class=keyword>audioPostProcessorEnable</span>();</p>

  4019. 	<p class=desc>Enable the audio processor to post-process Teensy's

  4020. 		I2S output before it's turned into analog signals for the

  4021. 		headphones and/or line level outputs.

  4022. 	</p>

  4023. 	<p class=func><span class=keyword>audioProcessorDisable</span>();</p>

  4024. 	<p class=desc>Disable the audio processor.

  4025. 	</p>

  4026. 	<p class=func><span class=keyword>autoVolumeControl</span>(maxGain, response, hardLimit, threshold, attack, decay);</p>

  4027. 	<p class=desc>Configures the auto volume control, which is implemented as a compressor/expander

  4028. 	or hard limiter. 	<em>maxGain</em> is the maximum gain that can be applied for expanding, and

  4029. 	can take one of three values: 0 (0dB), 1 (6.0dB) and 2 (12dB). Values greater than 2 are treated

  4030. 	as 2. <em>response</em> controls the integration time for the compressor and can take

  4031. 	four values: 0 (0ms), 1 (25ms), 2 (50ms) or 3 (100ms). Larger values average the volume

  4032. 	over a longer time, allowing short-term peaks through.

  4033. 	</p>

  4034. 	<p class=desc>If <em>hardLimit</em> is 0, a 'soft

  4035. 	knee' compressor is used to progressively compress louder values which are near to or above the

  4036. 	threashold (the louder they are, the greater the compression). If it is 1, a hard compressor

  4037. 	is used (all values above the threashold are the same loudness). The <em>threashold</em> is specified

  4038. 	as a float in the range 0dBFS to -96dBFS, where -18dBFS is a typical value.

  4039. 	<em>attack</em> is a float controlling the rate of decrease in gain when the signal is over

  4040. 	threashold, in dB/s. <em>decay</em> controls how fast gain is restored once the level

  4041. 	drops below threashold, again in dB/s. It is typically set to a longer value than attack.

  4042. 	</p>

  4043. 	<p class=func><span class=keyword>autoVolumeEnable</span>();</p>

  4044. 	<p class=desc>Enables auto volume control, using the previously specified settings.

  4045. 	</p>

  4046. 	<p class=func><span class=keyword>autoVolumeDisable</span>();</p>

  4047. 	<p class=desc>Disables auto volume control.

  4048. 	</p>

  4049. 

  4050. 	<p class=func><span class=keyword>surroundSoundEnable</span>();</p>

  4051. 	<p class=desc>Enable virtual surround processing, to give a broader and

  4052. 	deeper stereo image (even with mono input).

  4053. 	</p>

  4054. 	<p class=func><span class=keyword>surroundSoundDisable</span>();</p>

  4055. 	<p class=desc>Disable virtual surround processing. Before disabling, ramp up

  4056. 	the width to maximum to avoid pops.

  4057. 	</p>

  4058. 	<p class=func><span class=keyword>surroundSound</span>(width);</p>

  4059. 	<p class=desc>Configures virtual surround width from 0 (mono) to 7 (widest).

  4060. 	</p>

  4061. 	<p class=func><span class=keyword>surroundSound</span>(width, select);</p>

  4062. 	<p class=desc>Configures virtual surround width from 0 (mono) to 7 (widest).

  4063. 	<em>select</em> may be set to 1 (disable), 2 (mono input) or 3 (stereo input).

  4064. 	</p>

  4065. 

  4066. 	<p class=func><span class=keyword>enhanceBassEnable</span>();</p>

  4067. 	<p class=desc>Enable bass enhancement. A mono, low-pass filtered copy of

  4068. 	the original stereo signal has bass levels boosted and is then mixed back into

  4069. 	the stereo signal, which is then optionally high pass filtered (to remove

  4070. 	inaudible subsonic frequencies).

  4071. 	</p>

  4072. 	<p class=func><span class=keyword>enhanceBassDisable</span>();</p>

  4073. 	<p class=desc>Disable bass enhancement. Before disabling, ramp down the bass

  4074. 	enhancement level to zero.

  4075. 	</p>

  4076. 	<p class=func><span class=keyword>enhanceBass</span>(lr_lev, bass_lev);</p>

  4077. 	<p class=desc>Configures the bass enhancement by setting the levels of the

  4078. 	original stereo signal and the bass-enhanced mono level which will be mixed together.

  4079. 	There is no high-pass filter.

  4080. 	</p>

  4081. 	<p  class=desc>When changing bass level, call this function repeatedly to ramp up or down the bass in

  4082. 	steps of 0.5dB, to avoid pops.

  4083. 	</p>

  4084. 	<p class=func><span class=keyword>enhanceBass</span>(lr_lev, bass_lev, hpf_bypass, cutoff);</p>

  4085. 	<p class=desc>Configures the bass enhancement by setting the levels of the

  4086. 	original stereo signal and the bass-enhanced mono level which will be mixed together.

  4087. 	The high-pass filter may be enabled (0) or bypassed (1). The cutoff frequency is specified

  4088. 	as follows:

  4089. 	</p>

  4090. 	<pre class="desc">

  4091. value  frequency

  4092.  0      80Hz

  4093.  1     100Hz

  4094.  2     125Hz

  4095.  3     150Hz

  4096.  4     175Hz

  4097.  5     200Hz

  4098.  6     225Hz

  4099. </pre>

  4100. 	<p  class=desc>When changing bass level, call this function repeatedly to ramp up or down the bass in

  4101. 	steps of 0.5dB, to avoid pops.

  4102. 	</p>

  4103. 

  4104. 	<p class=func><span class=keyword>eqSelect</span>(n);</p>

  4105. 	<p class=desc>Selects the type of frequency control, where <em>n</em> is

  4106. 	one of</p>

  4107. 	<p class=desc><b>FLAT_FREQUENCY (0)</b><br>

  4108.     Equalizers and tone controls disabled, flat frequency response.</p>

  4109.     <p class=desc><b>PARAMETRIC_EQUALIZER (1)</b><br>

  4110.     Enables the 7-band parametric equalizer, thus disabling the

  4111. 	tone controls and graphic equalizer.</p>

  4112.     <p class=desc><b>TONE_CONTROLS (2)</b><br>

  4113.     Enables bass and treble tone controls, disabling the parametric

  4114. 	equalization and graphic equalizer.</p>

  4115.     <p class=desc><b>GRAPHIC_EQUALIZER (3)</b><br>

  4116.     Enables the five-band graphic equalizer, disabling the parametric

  4117. 	equalization and tone controls.</p>

  4118. 

  4119. 

  4120. 	<p class=func><span class=keyword>eqBands</span>(bass, treble);</p>

  4121. 	<p class=desc>Configures bass and treble tone controls, which are

  4122. 	implemented as one second order low pass filter (bass) in parallel with

  4123. 	one second order high pass filter (treble).

  4124. 	</p>

  4125. 	<p class=desc>When changing bass or treble level, call this function repeatedly to ramp

  4126. 	up or down the level in steps of 0.04 (=0.5dB) or so, to avoid pops.

  4127. 	</p>

  4128. 	<p class=func><span class=keyword>eqBands</span>(bass, mid_bass, midrange, mid_treble, treble);</p>

  4129. 	<p class=desc>Configures the graphic equalizer. It is implemented by five parallel,

  4130. 	second order biquad filters with fixed frequencies of 115Hz, 330Hz, 990Hz, 3kHz,

  4131. 	and 9.9kHz. Each band has a range of adjustment from 1.00 (+12dB) to -1.00 (-11.75dB).

  4132. 	</p>

  4133. 	<p class=func><span class=keyword>eqBand</span>(bandNum, n);</p>

  4134. 	<p class=desc>Configures the gain or cut on one band in the graphic equalizer.

  4135. 	<em>bandnum</em> can range from 1 to 5; <em>n</em> is a float in the range 1.00 to -1.00.

  4136. 	</p>

  4137. 	<p  class=desc>When changing a band, call this function repeatedly to ramp up the gain in steps of 0.5dB,

  4138. 	to avoid pops.

  4139. 	</p>

  4140. 

  4141. 	<p class=func><span class=keyword>eqFilter</span>(filterNum, filterParameters);</p>

  4142. 	<p class=desc>Configurs the parametric equalizer. The number of filters (1 to 7)

  4143. 	is specified along with  a pointer to an array of filter coefficients.

  4144. 	The parametric equalizer is implemented using 7 cascaded, second order bi-quad

  4145. 	filters whose frequencies, gain, and Q may be freely configured, but each filter

  4146. 	can only be specified as a set of filter coefficients.

  4147. 	</p>

  4148. 	<p class=func><span class=keyword>eqFilterCount</span>(n);</p>

  4149. 	<p class=desc>Enables zero or more of the already enabled parametric filters.

  4150. 	</p>

  4151. 

  4152. 	<h3>Examples</h3>

  4153. 	<p>Nearly all of the library's examples use this object.  These

  4154. 		examples demonstrate its special features.

  4155. 	</p>

  4156. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; PassThroughStereo

  4157. 	</p>

  4158. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; dap_bass_enhance

  4159. 	</p>

  4160. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; dap_avc_agc

  4161. 	</p>

  4162. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; balanceDAC

  4163. 	</p>

  4164. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; balanceHP

  4165. 	</p>

  4166. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; CalcBiquadToneControlDAP

  4167. 	</p>

  4168. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; SGTL5000 &gt; VolumeRamp

  4169. 	</p>

  4170. 	<h3>Notes</h3>

  4171. 	<p>TODO: add example with rock/classical/speech presets, where rock uses bass boost

  4172. 	and surround enhancement while speech uses bandpass filtering and auto volume control

  4173. 	compression.

  4174. 	</p>

  4175. 	<p>TODO: add example with two analogRead pots for bass and treble to demonstrate ramping.

  4176. 	</p>

  4177. </script>

  4178. <script type="text/x-red" data-template-name="AudioControlSGTL5000">

  4179. 	<div class="form-row">

  4180. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4181. 		<input type="text" id="node-input-name" placeholder="Name">

  4182. 	</div>

  4183. </script>

  4184. 

  4185. <script type="text/x-red" data-help-name="AudioControlWM8731">

  4186. 	<h3>Summary</h3>

  4187. 	<div class=tooltipinfo>

  4188. 	<p>Control a WM8731 chip in slave mode, where it receives all clocks from Teensy</p>

  4189. 	</div>

  4190. 	<h3>Audio Connections</h3>

  4191. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  4192. 		are used to send and receive audio data.  I2S master mode objects

  4193. 		must be used, since this control object configures the WM8731 into

  4194. 		slave mode.

  4195. 	</p>

  4196. 	<h3>Functions</h3>

  4197. 	<p class=func><span class=keyword>enable</span>();</p>

  4198. 	<p class=desc>Turn on the WS8731.

  4199. 	</p>

  4200. 	<p class=func><span class=keyword>disable</span>();</p>

  4201. 	<p class=desc>not implemented

  4202. 	</p>

  4203. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4204. 	<p class=desc>Set the headphone volume level. Range is 0 to 1.0.

  4205. 	</p>

  4206. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4207. 	<p class=desc>Adjust the line level input gain.  Range is 0 to 1.0.

  4208. 	</p>

  4209. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4210. 	<p class=desc>Select which input to use: AUDIO_INPUT_LINEIN or AUDIO_INPUT_MIC.

  4211. 	</p>

  4212. 	<!--

  4213. <h3>Examples</h3>

  4214. 	<p class=exam>File &gt; Examples &gt; Audio &gt;

  4215. 	</p>

  4216. -->

  4217. 	<h3>Notes</h3>

  4218. 	<p></p>

  4219. </script>

  4220. <script type="text/x-red" data-template-name="AudioControlWM8731">

  4221. 	<div class="form-row">

  4222. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4223. 		<input type="text" id="node-input-name" placeholder="Name">

  4224. 	</div>

  4225. </script>

  4226. 

  4227. <script type="text/x-red" data-help-name="AudioControlWM8731master">

  4228. 	<h3>Summary</h3>

  4229. 	<div class=tooltipinfo>

  4230. 	<p>Control a WM8731 chip in master mode, where it controls all I2S timing.</p>

  4231. 	</div>

  4232. 	<h3>Audio Connections</h3>

  4233. 	<p>This object has no audio inputs or outputs.  Separate i2s objects

  4234. 		are used to send and receive audio data.  I2S slave mode objects

  4235. 		must be used, since this control object configures the WM8731 into

  4236. 		master mode.

  4237. 	</p>

  4238. 	<h3>Functions</h3>

  4239. 	<p class=func><span class=keyword>enable</span>();</p>

  4240. 	<p class=desc>Turn on the WS8731, in I2S Master mode.  I2S slave mode

  4241. 		communication must be used by Teensy.

  4242. 	</p>

  4243. 	<p class=func><span class=keyword>disable</span>();</p>

  4244. 	<p class=desc>not implemented

  4245. 	</p>

  4246. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4247. 	<p class=desc>Set the headphone volume level. Range is 0 to 1.0.

  4248. 	</p>

  4249. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4250. 	<p class=desc>Adjust the line level input gain.  Range is 0 to 1.0.

  4251. 	</p>

  4252. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4253. 	<p class=desc>Select which input to use: AUDIO_INPUT_LINEIN or AUDIO_INPUT_MIC.

  4254. 	</p>

  4255. 	<h3>Examples</h3>

  4256. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; WM8731MikroSine

  4257. 	</p>

  4258. 	<h3>Notes</h3>

  4259. 	<p>The WM8731 will implement a sample rate of its crystal frequency divided by 256.

  4260. 		To get the 44.1 kHz sample rate the Teensy Audio Library expects, an

  4261. 		11.2896 MHz crystal should be used.

  4262. 	</p>

  4263. </script>

  4264. <script type="text/x-red" data-template-name="AudioControlWM8731master">

  4265. 	<div class="form-row">

  4266. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4267. 		<input type="text" id="node-input-name" placeholder="Name">

  4268. 	</div>

  4269. </script>

  4270. 

  4271. <script type="text/x-red" data-help-name="AudioControlAK4558">

  4272. 	<h3>Summary</h3>

  4273. 	<div class=tooltipinfo>

  4274. 	<p>Control the AK4558 chip on the <a href="https://hackaday.io/project/8567-hifi-audio-codec-module" target="_blank">HiFi Audio CODEC Module</a>

  4275. 	in slave mode, where the Teensy controls all I2S timing.</p>

  4276. 	</div>

  4277. 	<h3>Audio Connections</h3>

  4278. 	<p>This object has no audio inputs or outputs.  Separate I2S objects

  4279. 		are used to send and receive audio data.

  4280. 	</p>

  4281. 	<h3>Functions</h3>

  4282. 	<p class=func><span class=keyword>enable</span>();</p>

  4283. 	<p class=desc>Enables the CODEC to work with 44.1 KHz - 16 bit data. This function does not enable the ADC/DAC modules.

  4284. 	</p>

  4285. 	<p class=func><span class=keyword>enableIn</span>();</p>

  4286. 	<p class=desc>Enables the ADC module.

  4287. 	</p>

  4288. 	<p class=func><span class=keyword>enableOut</span>();</p>

  4289. 	<p class=desc>Enables the DAC module.

  4290. 	</p>

  4291. 	<p class=func><span class=keyword>disable</span>();</p>

  4292. 	<p class=desc>Disables the ADC and the DAC modules.

  4293. 	</p>

  4294. 	<p class=func><span class=keyword>disableIn</span>();</p>

  4295. 	<p class=desc>Disable the ADC module.

  4296. 	</p>

  4297. 	<p class=func><span class=keyword>disableOut</span>();</p>

  4298. 	<p class=desc>Disable the DAC module.

  4299. 	</p>

  4300. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4301. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the line output volume accordingly.

  4302. 	</p>

  4303. 	<p class=func><span class=keyword>volumeLeft</span>(level);</p>

  4304. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the left line output volume accordingly.

  4305. 	</p>

  4306. 	<p class=func><span class=keyword>volumeRight</span>(level);</p>

  4307. 	<p class=desc>Accepts a float in range 0.0-1.0 and sets the right line output volume accordingly.

  4308. 	</p>

  4309. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4310. 	<p class=desc>NOT SUPPORTED BY THE AK4558

  4311. 	</p>

  4312. 	<p class=func><span class=keyword>inputSelect</span>(input);</p>

  4313. 	<p class=desc>not implemented yet

  4314. 	</p>

  4315. 	<h3>Examples</h3>

  4316. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; AK4558 &gt; PassthroughTest

  4317. 	</p>

  4318. 	<p class=exam>File &gt; Examples &gt; Audio &gt; HardwareTesting &gt; AK4558 &gt; SineOutTest

  4319. 	</p>

  4320. 	<h3>Notes</h3>

  4321. 	<p>TODO: Implement inputSelect() function to enable mono left, mono right, stereo operation.</p>

  4322. 	<p>TODO: Implement ADC and DAC filters control.</p>

  4323. 	<p>TODO: Implement DAC level attenuator attack rate modifier.</p>

  4324. </script>

  4325. <script type="text/x-red" data-template-name="AudioControlAK4558">

  4326. 	<div class="form-row">

  4327. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4328. 		<input type="text" id="node-input-name" placeholder="Name">

  4329. 	</div>

  4330. </script>

  4331. 

  4332. <script type="text/x-red" data-help-name="AudioControlCS4272">

  4333. 	<h3>Summary</h3>

  4334. 	<div class=tooltipinfo>

  4335. 	<p>Control the CS4272 chip on the <a href="https://hackaday.io/project/5912-teensy-super-audio-board" target="_blank">Super Audio Board</a>.

  4336. 	</p>

  4337. 	<p>TODO: does this control object put the CS4272 into I2S master or slave mode</p>

  4338. 	</div>

  4339. 	<h3>Audio Connections</h3>

  4340. 	<p>This object has no audio inputs or outputs.  Separate I2S objects

  4341. 		are used to send and receive audio data.

  4342. 	</p>

  4343. 	<h3>Functions</h3>

  4344. 	<p class=func><span class=keyword>enable</span>();</p>

  4345. 	<p class=desc>Enables the CODEC to work with 44.1 KHz - 16 bit data. This function does not enable the ADC/DAC modules.

  4346. 	</p>

  4347. 	<p class=func><span class=keyword>volume</span>(vol);</p>

  4348. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4349. 	</p>

  4350. 	<p class=func><span class=keyword>volume</span>(left, right);</p>

  4351. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4352. 	</p>

  4353. 	<p class=func><span class=keyword>dacVolume</span>(vol);</p>

  4354. 	<p class=desc>Set the volume level. Range is 0 to 1.0.  TODO: what's the

  4355. 		distinction between volume() and dacVolume()?

  4356. 	</p>

  4357. 	<p class=func><span class=keyword>dacVolume</span>(left, right);</p>

  4358. 	<p class=desc>Set the volume level. Range is 0 to 1.0.

  4359. 	</p>

  4360. 

  4361. 	<p class=func><span class=keyword>muteOutput</span>();</p>

  4362. 	<p class=desc>TODO: description

  4363. 	</p>

  4364. 	<p class=func><span class=keyword>unmuteOutput</span>();</p>

  4365. 	<p class=desc>TODO: description

  4366. 	</p>

  4367. 	<p class=func><span class=keyword>muteInput</span>();</p>

  4368. 	<p class=desc>TODO: description

  4369. 	</p>

  4370. 	<p class=func><span class=keyword>unmuteInput</span>();</p>

  4371. 	<p class=desc>TODO: description

  4372. 	</p>

  4373. 	<p class=func><span class=keyword>enableDither</span>();</p>

  4374. 	<p class=desc>TODO: description

  4375. 	</p>

  4376. 	<p class=func><span class=keyword>disableDither</span>();</p>

  4377. 	<p class=desc>TODO: description

  4378. 	</p>

  4379. 

  4380. 	<h3>Hardware</h3>

  4381. 	<p>Pin 2 must be connected to the CS4272 reset.  SDA &amp; SCL are used for all control.

  4382. 	</p>

  4383. 

  4384. 	<h3>Notes</h3>

  4385. </script>

  4386. <script type="text/x-red" data-template-name="AudioControlCS4272">

  4387. 	<div class="form-row">

  4388. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4389. 		<input type="text" id="node-input-name" placeholder="Name">

  4390. 	</div>

  4391. </script>

  4392. 

  4393. <script type="text/x-red" data-help-name="AudioControlCS42448">

  4394. 	<h3>Summary</h3>

  4395. 	<div class=tooltipinfo>

  4396. 	<p>Control the CS42448 chip in TDM mode, for 6 inputs and 8 outputs.

  4397. 	</p>

  4398. 	<p align=center><img src="img/cs42448.jpg"></p>

  4399. 	</div>

  4400. 	</div>

  4401. 	<h3>Audio Connections</h3>

  4402. 	<p>This object has no audio inputs or outputs.  Separate TDM objects

  4403. 		are used to send and receive audio data.

  4404. 	</p>

  4405. 	<h3>Functions</h3>

  4406. 	<p class=func><span class=keyword>enable</span>();</p>

  4407. 	<p class=desc>Enables the CS42448 to work in TDM mode.

  4408. 	</p>

  4409. 	<p class=func><span class=keyword>volume</span>(level);</p>

  4410. 	<p class=desc>Set the volume level for all output channels. Range is 0 to 1.0.

  4411. 	</p>

  4412. 	<p class=func><span class=keyword>volume</span>(channel, level);</p>

  4413. 	<p class=desc>Set the volume level for a single output. Channel is 1 to 8.  Range is 0 to 1.0.

  4414. 	</p>

  4415. 	<p class=func><span class=keyword>inputLevel</span>(level);</p>

  4416. 	<p class=desc>Set the input gain level for all input channels. Range is 0 to 15.85.

  4417. 	</p>

  4418. 	<p class=func><span class=keyword>inputLevel</span>(channel, level);</p>

  4419. 	<p class=desc>Set the input gain level for a single input. Channel is 1 to 6. Range is 0 to 15.85.

  4420. 	</p>

  4421. 	<h3>Hardware</h3>

  4422. 	<p>Tested with this <a href="https://oshpark.com/shared_projects/2Yj6rFaW">

  4423. 		CS42448 Circuit Board</a>.

  4424. 	</p>

  4425. 	<p align=center><img src="img/tdm.jpg"></p>

  4426. 	</div>

  4427. 	<h3>Notes</h3>

  4428. </script>

  4429. <script type="text/x-red" data-template-name="AudioControlCS42448">

  4430. 	<div class="form-row">

  4431. 		<label for="node-input-name"><i class="fa fa-tag"></i> Name</label>

  4432. 		<input type="text" id="node-input-name" placeholder="Name">

  4433. 	</div>

  4434. </script>

  4435. 

  4436. 

  4437. 

  4438. </body>

  4439. </html>